International bestseller Tom Phillips (Humans; Truth; Conspiracy) is back with a fascinating and hilarious look at armageddon through the ages

Do you feel like we're living in the end times? Does it seem like everything is on fire, and one disaster follows another?

Here's a small comfort: you're not the first to feel that way. If there's one thing that people throughout history have agreed on, it's that history wasn't going to be around for much longer.

This book is about the apocalypse, and how humans have always believed it to be very f*cking nigh. Across thousands of years, we'll meet weird cults, failed prophets and mass panics, holy warriors leading revolts in anticipation of the last days, and suburbanites waiting for aliens to rescue them from a doomed Earth. We'll journey back to the 'worst period to be alive', as the world reeled from a simultaneous pandemic and climate crisis. And we'll look to the future to ask the unnerving question: how might it all end?

But it's also a book about how we live in a world where catastrophe is always looming - whether it's a madman with a nuclear button or the slow burn of environmental collapse. Because when we talk about the end of the world, what we really mean is the end of our world. Our obsession with doomsday is really about change: our fear of it, and our desire for it, and how - ultimately - we can find hope in it.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term 'anachronism' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. Fantasy Travel shows people sitting proudly and playfully in studio mock-ups of aeroplanes, cars, speedboats and hot air balloons. Such modes of transport were beyond the dreams of the average person in the early twentieth century but the photographic studios allowed them to indulge wild flights of fancy and take away the resulting postcards.

The final edition of the late Tom Phillips's 'defining masterpiece of postmodernism'. In 1966 the artist Tom Phillips discovered A Human Document (1892), an obscure Victorian romance by W.H. Mallock, and set himself the task of altering every page, by painting, collage or cut-up techniques, to create an entirely new version. Some of Mallock's original text remains intact and through the illustrated pages the character of Bill Toge, Phillips's anti-hero, and his romantic plight emerges. First published in 1973, A Humument - as Phillips titled his altered book - quickly established itself as a cult classic. From that point, the artist worked towards a complete revision of his original, adding new pages in successive editions. That process is now finished. This final edition presents an entirely new and complete version of A Humument. It includes a revised Introduction by the late artist, in which he reflects on the 50-year project, and 92 new illustrated pages.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Bicycles," as its title suggests, documents the great age of the safety bicycle, which was welcomed as a technology of emancipation for both women and men. Also included are portraits of competitive racers and newly pedaling toddlers. "
"These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

This title was first published in 2000. Most children enjoy drawing and use it to express a wide range of experiences and emotions. Drawing can offer an avenue of expression where words fail. So why do many people stop drawing after the early school years? This is an examination of the early work of John Everett Millais, Henri de Toulouse-Lautrec, Pablo Picasso, Michael Rothenstein, Gerard Hoffnung, Sarah Raphael and David Downes to investigate the reasons why these artists were able to sustain and develop their drawing skill and expressive potential while others failed. The close study of these artists' early drawings reveals their sequences of progress and their eventual achievement. The author, a former President of the National Society for Education in Art and Design, shares the experience of a lifetime's work in art education to explore the mysteries of drawing fluency, its often precocious beginnings, and the personal, social and cultural circumstances which help or hinder its development.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. With an illuminating foreword by Eric Musgrave, 'Menswear' presents postcards of men in all manner of outfits, whether formal, practical or casual, dating from around 1900 up to c. 1949. Most of the subjects are posing for portraits, displaying both their individual style and an interpretation of the fashions of the time. The rich variety of accessories on display includes ties, gloves, pocket squares, walking sticks, canes, boutonnieres and spats.

The Essential Minecraft Dungeons Guide is full of game-busting tips and info on magic, weapons, combat skills, multiplayer tricks and more. It's all you need to defeat the Arch-Illager and save the day! No two games of Minecraft Dungeons are the same, so you're going to need this independent and unofficial handbook to find out everything about the best weapons, power-ups, items and strategies. The book even includes a full list of enemies you'll encounter, so you'll be completely prepared. No Minecraft Dungeons player should venture into the darkness without it!

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to own portraits of themselves. Each of the books in the series contains two hundred images chosen from a visually rich vein of social history. Their covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument."
"Women & Hats" explores the remarkable range found in the world of millinery, from outrageous Edwardian creations to the inventive austerities of World War II. Each of these unique and visually stunning books give a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike.

To celebrate the acquisition of the Tom Phillips archive, the Bodleian Library has asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Readers shows people reading (or pretending to read) a wide variety of material from the Bible to Film Fun, either in the photographer's studio, in their own home or holidaying on the beach. Each book contains 200 images chosen with the eye of a leading artist from a visually rich vein of social history. Their covers will also feature a thematically linked painting, especially created for each title, from Tom Phillips' signature work, A Humument.

This title was first published in 2000. Most children enjoy drawing and use it to express a wide range of experiences and emotions. Drawing can offer an avenue of expression where words fail. So why do many people stop drawing after the early school years? This is an examination of the early work of John Everett Millais, Henri de Toulouse-Lautrec, Pablo Picasso, Michael Rothenstein, Gerard Hoffnung, Sarah Raphael and David Downes to investigate the reasons why these artists were able to sustain and develop their drawing skill and expressive potential while others failed. The close study of these artists' early drawings reveals their sequences of progress and their eventual achievement. The author, a former President of the National Society for Education in Art and Design, shares the experience of a lifetime's work in art education to explore the mysteries of drawing fluency, its often precocious beginnings, and the personal, social and cultural circumstances which help or hinder its development.

'Uproarious . . . [Phillips and Elledge] pair the abundant good humour of this book with a warning about the corrosive effects of conspiracy theories' The Times From the Satanic Panic to the anti-vaxx movement, the moon landing to Pizzagate, it's always been human nature to believe we're being lied to by the powers that be (and sometimes, to be fair, we absolutely are). But while it can be fun to indulge in a bit of Deep State banter on the group chat, recent times have shown us that some of these theories have taken on a life of their own - and in our dogged quest for the truth, it appears we might actually be doing it some damage. In Conspiracy, Tom Phillips and Jonn Elledge take us on a fascinating, insightful and often hilarious journey through conspiracy theories old and new, to try and answer a vital question for our times: how can we learn to log off the QAnon message boards, and start trusting hard evidence again? Praise for the Brief History series: 'Witty, entertaining and slightly distressing... You should probably read it' Sarah Knight, author of The Life-Changing Magic of Not Giving a F*ck 'Brilliant. Utterly, utterly brilliant' Jeremy Clarkson 'Very funny' Mark Watson 'Both readable and entertaining' Telegraph

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Weddings" captures all the excitement and drama of the stages of the ceremony from preparations to wedding vehicles to family and friends in lively scenes in churches and homes. These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

Online dating was supposed to make life easier, to help us bypass cheesy chat-up lines and avoid those awkward getting-to-know-you chats. But thanks to Tinder, the world's favourite dating app, you can now be horrified by lewd come-ons, cringe at incompetent smalltalk and wonder at what some people think passes for 'banter' in the comfort of your own home! Isn't technology great? Featuring some of the most awkward, embarrassing and outright insane Tinder conversations ever committed to smartphone, this is an essential - and entertaining - guide to how NOT to use Tinder.

'This book is brilliant. Utterly, utterly brilliant. Apart from the epilogue, which is idiotic' Jeremy Clarkson 'F*cking brilliant' Sarah Knight AN EXHILARATING JOURNEY THROUGH THE MOST CREATIVE AND CATASTROPHIC F*CK-UPS OF HUMAN HISTORY In the seventy thousand years that modern human beings have walked this earth, we've come a long way. Art, science, culture, trade - on the evolutionary food chain, we're real winners. But, frankly, it's not exactly been plain sailing, and sometimes - just occasionally - we've managed to really, truly, quite unbelievably f*ck things up. From Chairman Mao's Four Pests Campaign, to the American Dustbowl; from the Austrian army attacking itself one drunken night, to the world's leading superpower electing a reality TV mogul as President... it's pretty safe to say that, as a species, we haven't exactly grown wiser with age. So, next time you think you've really f*cked up, this book will remind you: it could be so much worse... FURTHER PRAISE FOR HUMANS: 'Very funny' Mark Watson 'A light-touch history of moments when humans have got it spectacularly wrong... Both readable and entertaining' The Telegraph 'Chronicles humanity's myriad follies down the ages with malicious glee and much wit ... a rib-tickling page-turner' Business Standard 'A timely, irreverent gallop through thousands of years of human stupidity' Nicholas Griffin, Ping-Pong Diplomacy: The Secret History Behind the Game That Changed the World

'TOM PHILLIPS IS A VERY CLEVER, VERY FUNNY MAN' Greg Jenner This is a book about TRUTH - and all the ingenious ways, throughout history, that we've managed to avoid it. We live in a 'post-truth' age, we're told. The US has a president who openly lies on a daily basis (or who doesn't even know what's true, and doesn't care). The internet has turned our everyday lives into a misinformation battleground. People don't trust experts any more. But was there ever really a golden age of truth-telling? As the editor of the UK's leading independent fact-checker, Tom Phillips deals with complete bollocks every day. Here, he tells the story of how we humans have spent history lying to each other - and ourselves - and asks an important question: how can humanity move towards a truthier future? PRAISE FOR HUMANS: A BRIEF HISTORY OF HOW WE F*CKED IT ALL UP: 'F*cking brilliant' Sarah Knight, The Life-Changing Magic of Not Giving a F*ck 'Very funny' Mark Watson 'In dark times, it's reassuring to learn that we've always been a bunch of clueless f*cking nitwits' Stuart Heritage, Don't Be a Dick, Pete 'A light-touch history of moments when humans have got it spectacularly wrong... Both readable and entertaining' Telegraph

Apollonius Rhodius' Argonautica is a voyage across time as well as space. The Argonauts encounter monsters, nymphs, shepherds, and kings who represent earlier stages of the cosmos or human society; they are given glimpses into the future, and themselves effect changes in the world through which they travel. Readers undergo a still more complex form of temporal transport, enabled not just to imagine themselves into the deep past, but to examine the layers of poetic and intellectual history from which Apollonius crafts his poem. Taking its lead from ancient critical preoccupations with poetry's ethical significance, this volume argues that the Argonautica produces an understanding of time and temporal experience which ramifies variously in readers' lives. When describing the people and creatures who occupied the past, Apollonius extends readers' capacity for empathetic response to the worlds inhabited by others. In the ecphrasis of Jason's cloak and the account of Jason's conversations with Medea, readers are invited to scrutinize the relationship between exempla and temporal change, while episodes such as the taking of the Golden Fleece explore links between perceptions and their temporal situation. Running through the poem, and through the readings that comprise this book, is an attention to the intellectual potential of the 'untimely' - objects, experience, and language which do not belong straightforwardly to a particular time. Treatment of such phenomena is crucial to the poem's aspiration to inform and expand readers' understanding of themselves as subjects in and of history.

Pindar's Library is the first volume to explore how readers during the Hellenistic period encountered Pindar's poetry in book form, analysing in detail the role played by Pindar's literary, cultic, and scholarly reception in affecting readers' engagement with his epinician odes. The volume examines the poet's literary devices of encomiastic techniques, mythical narratives, and paraenetic discourses against the background of the song culture of the fifth century, considering the poems as both material documents and performance pieces. With a particular focus on the poems that begin and end the Olympian and Pythian books, the volume considers the continuities between reading and attending performances, highlighting elements of readers' experiences distinctive to Hellenistic culture. It also investigates the issue of quotations of poets in ancient commentaries, and how such citations influenced readers' understanding of intertextual relationships. Throughout the volume, the relations between Pindar's epinicians and the contextual factors that influence their reception are seen in dialogic terms: as well as exerting a powerful influence over subsequent literature, the poems are also recontextualized in ways that shift and extend their cultural significance.

How does a goddess become a witch? Why do the 9 o'clock horses roam the streets of Leicester? Where can you find a bleeding gravestone? And should you be afraid of the shag-dog? Everywhere has a story to tell. Every building, road, forest and field. Some are true, some are not. These stories have been passed down through the ages so that we don't forget them, and now they are being passed on to you. They will open your eyes to the wonders of what lies just around the corner. You will become the keeper of these local tales. Leicestershire Folk Tales for Children is a book to read on your own, together or out loud. Bring our folk tales to life and let them leap off the page.

Tom Phillips' first full-length collection navigates terrains which range from Eastern Europe, Australia and the Home Counties to his own back garden in Bristol. From the different perspectives these vantage points offer, it unearths connections between chance meetings and `big history', family stories and the state we're in. It also looks at poetry itself as a ground on which to recreate - and negotiate with - one thing that nobody can change: the past.

Recent decades have seen a major expansion in our understanding of how early Greek lyric functioned in its social, political, and ritual contexts, and the fundamental role song played in the day-to-day lives of communities, groups, and individuals has been the object of intense study. This volume places its focus elsewhere, and attempts to illuminate poetic effects that cannot be captured in functional terms alone. Employing a range of interpretative methods, it explores the idea of lyric performances as 'textual events'. Some chapters investigate the pragmatic relationship between real performance contexts and imaginative settings, while others consider how lyric poems position themselves in relation to earlier texts and textual traditions, or discuss the distinctive encounters lyric poems create between listeners, authors, and performers. Individual lyric texts and authors, such as Sappho, Alcaeus, and Pindar, are analysed in detail, alongside treatments of the relationship between lyric and the Homeric Hymns. Building on the renewed concern with the aesthetic in the study of Greek lyric and beyond, Textual Events aims to re-examine the relationship between the poems' formal features and their historical contexts. Lyric poems are a type of socio-political discourse, but they are also objects of attention in themselves. They enable reflection on social and ritual practices as much as they are embedded within them. As well as expressing cultural norms, lyric challenges listeners to think about and experience the world afresh.