This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. Fantasy Travel shows people sitting proudly and playfully in studio mock-ups of aeroplanes, cars, speedboats and hot air balloons. Such modes of transport were beyond the dreams of the average person in the early twentieth century but the photographic studios allowed them to indulge wild flights of fancy and take away the resulting postcards.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. With an illuminating foreword by Eric Musgrave, 'Menswear' presents postcards of men in all manner of outfits, whether formal, practical or casual, dating from around 1900 up to c. 1949. Most of the subjects are posing for portraits, displaying both their individual style and an interpretation of the fashions of the time. The rich variety of accessories on display includes ties, gloves, pocket squares, walking sticks, canes, boutonnieres and spats.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term 'anachronism' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

International bestseller Tom Phillips (Humans; Truth; Conspiracy) is back with a fascinating and hilarious look at armageddon through the ages

Do you feel like we're living in the end times? Does it seem like everything is on fire, and one disaster follows another?

Here's a small comfort: you're not the first to feel that way. If there's one thing that people throughout history have agreed on, it's that history wasn't going to be around for much longer.

This book is about the apocalypse, and how humans have always believed it to be very f*cking nigh. Across thousands of years, we'll meet weird cults, failed prophets and mass panics, holy warriors leading revolts in anticipation of the last days, and suburbanites waiting for aliens to rescue them from a doomed Earth. We'll journey back to the 'worst period to be alive', as the world reeled from a simultaneous pandemic and climate crisis. And we'll look to the future to ask the unnerving question: how might it all end?

But it's also a book about how we live in a world where catastrophe is always looming - whether it's a madman with a nuclear button or the slow burn of environmental collapse. Because when we talk about the end of the world, what we really mean is the end of our world. Our obsession with doomsday is really about change: our fear of it, and our desire for it, and how - ultimately - we can find hope in it.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to own portraits of themselves. Each of the books in the series contains two hundred images chosen from a visually rich vein of social history. Their covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument."
"Women & Hats" explores the remarkable range found in the world of millinery, from outrageous Edwardian creations to the inventive austerities of World War II. Each of these unique and visually stunning books give a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike.

To celebrate the acquisition of the Tom Phillips archive, the Bodleian Library has asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Readers shows people reading (or pretending to read) a wide variety of material from the Bible to Film Fun, either in the photographer's studio, in their own home or holidaying on the beach. Each book contains 200 images chosen with the eye of a leading artist from a visually rich vein of social history. Their covers will also feature a thematically linked painting, especially created for each title, from Tom Phillips' signature work, A Humument.

The final edition of the late Tom Phillips's 'defining masterpiece of postmodernism'. In 1966 the artist Tom Phillips discovered A Human Document (1892), an obscure Victorian romance by W.H. Mallock, and set himself the task of altering every page, by painting, collage or cut-up techniques, to create an entirely new version. Some of Mallock's original text remains intact and through the illustrated pages the character of Bill Toge, Phillips's anti-hero, and his romantic plight emerges. First published in 1973, A Humument - as Phillips titled his altered book - quickly established itself as a cult classic. From that point, the artist worked towards a complete revision of his original, adding new pages in successive editions. That process is now finished. This final edition presents an entirely new and complete version of A Humument. It includes a revised Introduction by the late artist, in which he reflects on the 50-year project, and 92 new illustrated pages.

This title was first published in 2000. Most children enjoy drawing and use it to express a wide range of experiences and emotions. Drawing can offer an avenue of expression where words fail. So why do many people stop drawing after the early school years? This is an examination of the early work of John Everett Millais, Henri de Toulouse-Lautrec, Pablo Picasso, Michael Rothenstein, Gerard Hoffnung, Sarah Raphael and David Downes to investigate the reasons why these artists were able to sustain and develop their drawing skill and expressive potential while others failed. The close study of these artists' early drawings reveals their sequences of progress and their eventual achievement. The author, a former President of the National Society for Education in Art and Design, shares the experience of a lifetime's work in art education to explore the mysteries of drawing fluency, its often precocious beginnings, and the personal, social and cultural circumstances which help or hinder its development.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Bicycles," as its title suggests, documents the great age of the safety bicycle, which was welcomed as a technology of emancipation for both women and men. Also included are portraits of competitive racers and newly pedaling toddlers. "
"These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

This title was first published in 2000. Most children enjoy drawing and use it to express a wide range of experiences and emotions. Drawing can offer an avenue of expression where words fail. So why do many people stop drawing after the early school years? This is an examination of the early work of John Everett Millais, Henri de Toulouse-Lautrec, Pablo Picasso, Michael Rothenstein, Gerard Hoffnung, Sarah Raphael and David Downes to investigate the reasons why these artists were able to sustain and develop their drawing skill and expressive potential while others failed. The close study of these artists' early drawings reveals their sequences of progress and their eventual achievement. The author, a former President of the National Society for Education in Art and Design, shares the experience of a lifetime's work in art education to explore the mysteries of drawing fluency, its often precocious beginnings, and the personal, social and cultural circumstances which help or hinder its development.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Weddings" captures all the excitement and drama of the stages of the ceremony from preparations to wedding vehicles to family and friends in lively scenes in churches and homes. These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

Pathfinder's most-popular campaign ever returns in this massive new hardcover compilation updated to the latest Pathfinder rules! In this new, revised version of the classic Kingmaker Adventure Path campaign, the Stolen Lands have long been the domain of bandits and monsters, but no longer! Your party has been granted a charter to explore these wilds, defeat its dangers, and build a brand new nation. Yet not everyone will welcome you as new neighbors, and powerful supernatural forces have their own plans for the region. Can you defeat your kingdom's enemies and become leaders of one of the greatest new nations in the world? This hardcover edition of the Kingmaker Adventure Path contains: * All six chapters of the original Kingmaker Adventure Path, expanded and updated for use with Pathfinder Second Edition. * Hundreds of pages of new content that expands the campaign to cover the full range of levels from 1 to 20. * Works with tie-in Bestiaries (sold separately) to allow easy conversion to Pathfinder First Edition or the Fifth Edition rules of the world's oldest roleplaying game! * Extensive rules for building and running kingdoms, settlements, and armies, along with narrative-based rules for resolving mass combat encounters. * Eleven new alchemical items and spells to discover. * Sixteen new monsters, ranging from mundane but dangerous wild animals to potent supernatural threats that will challenge even the most powerful of heroes.

'Uproarious . . . [Phillips and Elledge] pair the abundant good humour of this book with a warning about the corrosive effects of conspiracy theories' The Times From the Satanic Panic to the anti-vaxx movement, the moon landing to Pizzagate, it's always been human nature to believe we're being lied to by the powers that be (and sometimes, to be fair, we absolutely are). But while it can be fun to indulge in a bit of Deep State banter on the group chat, recent times have shown us that some of these theories have taken on a life of their own - and in our dogged quest for the truth, it appears we might actually be doing it some damage. In Conspiracy, Tom Phillips and Jonn Elledge take us on a fascinating, insightful and often hilarious journey through conspiracy theories old and new, to try and answer a vital question for our times: how can we learn to log off the QAnon message boards, and start trusting hard evidence again? Praise for the Brief History series: 'Witty, entertaining and slightly distressing... You should probably read it' Sarah Knight, author of The Life-Changing Magic of Not Giving a F*ck 'Brilliant. Utterly, utterly brilliant' Jeremy Clarkson 'Very funny' Mark Watson 'Both readable and entertaining' Telegraph

Apollonius Rhodius' Argonautica is a voyage across time as well as space. The Argonauts encounter monsters, nymphs, shepherds, and kings who represent earlier stages of the cosmos or human society; they are given glimpses into the future, and themselves effect changes in the world through which they travel. Readers undergo a still more complex form of temporal transport, enabled not just to imagine themselves into the deep past, but to examine the layers of poetic and intellectual history from which Apollonius crafts his poem. Taking its lead from ancient critical preoccupations with poetry's ethical significance, this volume argues that the Argonautica produces an understanding of time and temporal experience which ramifies variously in readers' lives. When describing the people and creatures who occupied the past, Apollonius extends readers' capacity for empathetic response to the worlds inhabited by others. In the ecphrasis of Jason's cloak and the account of Jason's conversations with Medea, readers are invited to scrutinize the relationship between exempla and temporal change, while episodes such as the taking of the Golden Fleece explore links between perceptions and their temporal situation. Running through the poem, and through the readings that comprise this book, is an attention to the intellectual potential of the 'untimely' - objects, experience, and language which do not belong straightforwardly to a particular time. Treatment of such phenomena is crucial to the poem's aspiration to inform and expand readers' understanding of themselves as subjects in and of history.

'TOM PHILLIPS IS A VERY CLEVER, VERY FUNNY MAN' Greg Jenner This is a book about TRUTH - and all the ingenious ways, throughout history, that we've managed to avoid it. We live in a 'post-truth' age, we're told. The US has a president who openly lies on a daily basis (or who doesn't even know what's true, and doesn't care). The internet has turned our everyday lives into a misinformation battleground. People don't trust experts any more. But was there ever really a golden age of truth-telling? As the editor of the UK's leading independent fact-checker, Tom Phillips deals with complete bollocks every day. Here, he tells the story of how we humans have spent history lying to each other - and ourselves - and asks an important question: how can humanity move towards a truthier future? PRAISE FOR HUMANS: A BRIEF HISTORY OF HOW WE F*CKED IT ALL UP: 'F*cking brilliant' Sarah Knight, The Life-Changing Magic of Not Giving a F*ck 'Very funny' Mark Watson 'In dark times, it's reassuring to learn that we've always been a bunch of clueless f*cking nitwits' Stuart Heritage, Don't Be a Dick, Pete 'A light-touch history of moments when humans have got it spectacularly wrong... Both readable and entertaining' Telegraph

Online dating was supposed to make life easier, to help us bypass cheesy chat-up lines and avoid those awkward getting-to-know-you chats. But thanks to Tinder, the world's favourite dating app, you can now be horrified by lewd come-ons, cringe at incompetent smalltalk and wonder at what some people think passes for 'banter' in the comfort of your own home! Isn't technology great? Featuring some of the most awkward, embarrassing and outright insane Tinder conversations ever committed to smartphone, this is an essential - and entertaining - guide to how NOT to use Tinder.

Pindar's Library is the first volume to explore how readers during the Hellenistic period encountered Pindar's poetry in book form, analysing in detail the role played by Pindar's literary, cultic, and scholarly reception in affecting readers' engagement with his epinician odes. The volume examines the poet's literary devices of encomiastic techniques, mythical narratives, and paraenetic discourses against the background of the song culture of the fifth century, considering the poems as both material documents and performance pieces. With a particular focus on the poems that begin and end the Olympian and Pythian books, the volume considers the continuities between reading and attending performances, highlighting elements of readers' experiences distinctive to Hellenistic culture. It also investigates the issue of quotations of poets in ancient commentaries, and how such citations influenced readers' understanding of intertextual relationships. Throughout the volume, the relations between Pindar's epinicians and the contextual factors that influence their reception are seen in dialogic terms: as well as exerting a powerful influence over subsequent literature, the poems are also recontextualized in ways that shift and extend their cultural significance.

Tom Phillips' first full-length collection navigates terrains which range from Eastern Europe, Australia and the Home Counties to his own back garden in Bristol. From the different perspectives these vantage points offer, it unearths connections between chance meetings and `big history', family stories and the state we're in. It also looks at poetry itself as a ground on which to recreate - and negotiate with - one thing that nobody can change: the past.

How does a goddess become a witch? Why do the 9 o'clock horses roam the streets of Leicester? Where can you find a bleeding gravestone? And should you be afraid of the shag-dog? Everywhere has a story to tell. Every building, road, forest and field. Some are true, some are not. These stories have been passed down through the ages so that we don't forget them, and now they are being passed on to you. They will open your eyes to the wonders of what lies just around the corner. You will become the keeper of these local tales. Leicestershire Folk Tales for Children is a book to read on your own, together or out loud. Bring our folk tales to life and let them leap off the page.

The Essential Minecraft Dungeons Guide is full of game-busting tips and info on magic, weapons, combat skills, multiplayer tricks and more. It's all you need to defeat the Arch-Illager and save the day! No two games of Minecraft Dungeons are the same, so you're going to need this independent and unofficial handbook to find out everything about the best weapons, power-ups, items and strategies. The book even includes a full list of enemies you'll encounter, so you'll be completely prepared. No Minecraft Dungeons player should venture into the darkness without it!

Recent decades have seen a major expansion in our understanding of how early Greek lyric functioned in its social, political, and ritual contexts, and the fundamental role song played in the day-to-day lives of communities, groups, and individuals has been the object of intense study. This volume places its focus elsewhere, and attempts to illuminate poetic effects that cannot be captured in functional terms alone. Employing a range of interpretative methods, it explores the idea of lyric performances as 'textual events'. Some chapters investigate the pragmatic relationship between real performance contexts and imaginative settings, while others consider how lyric poems position themselves in relation to earlier texts and textual traditions, or discuss the distinctive encounters lyric poems create between listeners, authors, and performers. Individual lyric texts and authors, such as Sappho, Alcaeus, and Pindar, are analysed in detail, alongside treatments of the relationship between lyric and the Homeric Hymns. Building on the renewed concern with the aesthetic in the study of Greek lyric and beyond, Textual Events aims to re-examine the relationship between the poems' formal features and their historical contexts. Lyric poems are a type of socio-political discourse, but they are also objects of attention in themselves. They enable reflection on social and ritual practices as much as they are embedded within them. As well as expressing cultural norms, lyric challenges listeners to think about and experience the world afresh.

What difference does music make to performance poetry, and how did the ancients themselves understand this relationship? Although scholars have long recognized the importance of music to ancient performance culture, little has been written on the specific effects that musical accompaniment, and features such as rhythmical structure and melody, would have created in individual poems. This volume attempts to answer these questions by exploring more fully the relationship between music and language in the poetry of ancient Greece. Arranged into two parts, the essays in the first half engage closely with the evidential and interpretative challenges posed by the interaction of ancient music and poetry, and propose original readings of a range of texts by authors such as Homer, Pindar, and Euripides, as well as later poets such as Seikilos and Mesomedes. While they emphasize different formal features, they also argue collectively for a two-way relationship between music and language: attention to the musical features of poetic texts, insofar as we can reconstruct them, enables us to better understand not only their effects on audiences, but also the various ways in which they project and structure meaning. In the second part, the focus shifts to ancient attempts to conceptualize interactions between words and music; the essays in this section analyse the contested place that music occupied in the works of Plato, Aristotle, Plutarch, and other critical writers of the Hellenistic and Imperial periods. Thinking about music is shown to influence other domains of intellectual life, such as literary criticism, and to be vitally informed by ethical concerns. These essays illustrate the importance of music for intellectual culture in ancient Greece and the ancients' abiding concern to understand and control its effects on human behaviour.