In the heat of late summer, two New Orleans families--one black and one white--confront a storm that will change the course of their lives.

SJ Williams, a carpenter and widower, lives and works in the Lower Ninth Ward community where he was born and raised. Across town, Craig Donaldson, a Midwestern transplant and the editor of the city's alternative paper, faces deepening cracks in his family. When the news of the gathering hurricane spreads--and when the levees give way and the floodwaters come--the fate of each family changes forever.

The author of City of Refuge returns with a startling and powerful novel of race, violence, and identity set on the eve of the Civil War. The year is 1855. Blackface minstrelsy is the most popular form of entertainment in a nation about to be torn apart by the battle over slavery. Henry Sims, a fugitive slave and a brilliant musician, has escaped to Philadelphia, where he earns money living by his wits and performing on the street. He is befriended by James Douglass, leader of a popular minstrel troupe struggling to compete with dozens of similar ensembles, who imagines that Henry's skill and magnetism might restore his troupe's sagging fortunes. The problem is that black and white performers are not allowed to appear together onstage. Together, the two concoct a masquerade to protect Henry's identity, and Henry creates a sensation in his first appearances with the troupe. Yet even as their plan begins to reverse the troupe's decline, a brutal slave hunter named Tull Burton has been employed by Henry's former master to track down the runaway and retrieve him, by any means necessary. Bursting with narrative tension and unforgettable characters, shot through with unexpected turns and insight, A Free State is a thrilling reimagining of the American story by a novelist at the height of his powers.

It is 1883, and America is at a crossroads. At a tiny college in Upstate New York, an idealistic young professor has managed to convince Mark Twain, Frederick Douglass, Herman Melville, Walt Whitman, Harriet Beecher Stowe, Confederate memoirist Forrest Taylor, and romance novelist Lucy Comstock to participate in the first (and last) Auburn Writers' Conference for a public discussion about the future of the nation. By turns brilliantly comic and startlingly prescient, The Auburn Conference vibrates with questions as alive and urgent today as they were in 1883-the chronic American conundrums of race, class, and gender, and the fate of the democratic ideal.

Ten years after Hurricane Katrina, revisit Tom Piazza's award-winning appraisal of a city in crisis--with a new afterword placing the story of New Orleans in the context of the ongoing threat to America's coastal populations.In the decade since Hurricane Katrina devastated the city of New Orleans, Americans have learned much from the resilience of this proud, battered city. And yet, even as the city has regained some of its lost footing, other regions around the country continue to be battered by hurricanes, snow and ice storms, and massive weather events like Superstorm Sandy, which devastated the mid-Atlantic coast seven years later. Published just months after the storm, Why New Orleans Matters was immediately hailed as a passionate and eloquent celebration of the city as both a cultural center and a home to millions of residents from varied--and sometimes precarious--walks of life. Award-winning author Tom Piazza, a longtime New Orleans resident, evoked the sensuous rapture of the city that gave us jazz music and Creole cooking, but also examined its deep undercurrents of corruption, racism, and injustice, and explored how its people endure and transcend those conditions. Perhaps most important, he asked that we all, as Americans consider our shared responsibility to this great and neglected metropolis and all the things it has shared with the world: its grace and beauty, resilience and soul.In the years since its first publication, Piazza has continued to explore the story of New Orleans and its people in many ways--most notably in his novel City of Refuge and as a writer for the acclaimed HBO series Treme, created by David Simon. Now, he revisits Why New Orleans Matters--and, in an all-new foreword for this edition, re-examines the story of Katrina as a cautionary tale for a nation that has too often neglected both its treasures and, far more important, its people.

Exploring the diverse landscape of American life, the stories in Blues and Trouble: Twelve Stories capture the lives of people caught between circumstance and their own natures or on the run from fate, from a Jewish couple encountering a dealer in Nazi memorabilia to the troubled family of a Gulf Coast fisherman awaiting a hurricane. Tom Piazza's debut short story collection, originally published in 1996, heralded the arrival of a startlingly original and vital presence in American fiction and letters. Set in Memphis, New Orleans, Florida, Texas, New York City, and elsewhere, the stories echo voices from Ernest Hemingway to Robert Johnson in their sharp eye for detail and their emotional impact. New to this volume is an introduction written by the author. Drawing themes, forms, and stylistic approaches from blues and country music, these stories present a tough, haunting vision of a landscape where the social and spiritual ground shifts constantly underfoot.

Tom Piazza's sharp intelligence, insight, and passion fuel this new collection of writings on music, literature, New Orleans, and America itself in desperate times.

For his first book since his award-winning novel City of Refuge and his stunning and influential post-Katrina polemic Why New Orleans Matters, Piazza selects the best of his writings on American roots music and musicians, including his Grammy-winning album notes for Martin Scorsese Presents: The Blues; his classic profile of bluegrass legend Jimmy Martin; essays on Jimmie Rodgers, Charley Patton, and Bob Dylan; and much more.

In the book's second section, Piazza turns his attention to literature, politics, and post-Katrina America in articles and essays on subjects ranging from Charlie Chan movies to the life and work of Norman Mailer, from the New Orleans housing crisis to the BP oil spill, from Jelly Roll Morton's Library of Congress recordings to the future of books. The third and final section delivers a startlingly original meditation on fiction, sentimentality, and cynicism--a major new essay from this brilliant, unpredictable, and absolutely necessary writer.

A sharp, searching novel of an American son and the family he left behind 埦rom a writer of rare breadth and human insight.

"My Cold War" is a critically acclaimed debut novel of extraordinary depth and range: the story of a man's alienation and attempts at reconnection with his family, and a rich exploration of the thorny implications of American popular culture.

At its center is John Delano, a professor of Cold War Studies and successful mass-market historian a la Stephen Ambrose or Ken Burns. Raised by an awkward, embittered father and a frustrated mother in a Levittown-style suburb on Long Island, Delano has made a name for himself as a gimmicky interpreter of Cold War America, a controversial but popular repackager of events like the JFK assassination for those who lived through them without noticing.

And yet, as the novel opens, Delano has reached an impasse: during a crisis of confidence, he shelves a major new book project in favor of a quest to drive to the Midwest and seek out his estranged younger brother. But when the trip ends in a sobering discovery that his brother has led a life of desperate transience, grasping at straws and scapegoats 埨e undergoes an epiphany that propels him back to the newly sacred ground where he and his brother were raised.

Long recognized as a writer of exceptional vision and unflinching candor, Tom Piazza has crafted a novel full of incident and argument, a book that speaks with depth and range about what it has meant to be American in our time.