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Showing 1 - 5 of 5 matches in All Departments
Anthony Hopkins plays the legendary director in this biopic that chronicles the personal and professional relationship between Hitchcock and his wife Alma Reville (Helen Mirren) during the making of his 1960 classic 'Psycho'. It's 1959 and, increasingly worried about his relevance, Hitchcock decides a change of direction is what is needed. He settles on adapting Robert Bloch's true crime novel 'Psycho', despite the protestations of both Alma and Paramount President Barney Balaban (Richard Portnow). Having to mortgage their house to pay for the film, Alma's initial opposition soon gives way to support, as she dutifully throws herself fully behind the project. But as her husband begins to indulge himself in his trademark flights of fancy with a variety of blonde stars, Alma, whilst trying to keep the marriage on the rails, is determined that her own needs take centre stage.
I just wanted to see you. Before the end. A taut psychological thriller about obsession, fame and betrayal, for fans of Black Mirror. Cat is in love. Always the sensible one, she can’t believe that she’s actually dating, not to mention dating a star. But the fandom can’t know. They would eat her alive. And first at the buffet would definitely be her best friend, Evie. Amy uses Heartstream, a social media app that allows others to feel your emotions. She broadcasted every moment of her mother’s degenerative illness, and her grief following her death. It’s the realest, rawest reality TV imaginable. But on the day of Amy’s mother’s funeral, Amy finds a strange woman in her kitchen. She’s rigged herself and the house with explosives – and she’s been waiting to talk to Amy for a long time. Who is she? A crazed fan? What does she want? Amy and Cat are about to discover how far true obsession can go.
'I couldn't have asked for a more satisfying finale' Tor.com In this thrilling conclusion to the Skyscraper Throne trilogy, Beth will come face-to-face with the goddess of the streets . . . Perfect for fans of Neil Gaiman's Neverwhere. Ever since Beth and Pen found their way into the hidden corners of London, the presence of its ruthless goddess, Mater Viae, has haunted its twisting streets. Now Mater Viae has returned with deadly consequences. The streets are wracked by convulsions as wires and pipe go into spasm, bunching the city into a crippled new geography; pavements flare to thousand-degree fevers, incinerating pedestrians; and towers fall, their foundations decayed. It seems there is nothing Beth and Pen can do to stop this insane goddess. As the city sickens, so does Beth - her essence now part of this secret London. But when it is revealed that Mater Viae's plans for dominion stretch far beyond the borders of the city, Beth must make a choice: flee, or sacrifice her city in order to save it. Our Lady of the Street is the third book and thrilling conclusion in The Skyscraper Throne trilogy.
'An impeccably dark parable, endlessly inventive and utterly compelling' M R Carey, author of The Girl with all the Gifts Beth's world is falling apart. Then she discovers a hidden London, full of marvels, magic . . . and menace. Perfect for fans of Neil Gaiman's Neverwhere. Hidden under the surface of everyday London is a city where wild train spirits stampede over the tracks and glass-skinned dancers with glowing veins light the streets. When a devastating betrayal drives her from her home, Beth stumbles into the secret city, where she finds Filius Viae, London's ragged crown prince, just when he needs someone the most. For an ancient enemy has returned to the darkness under St Paul's Cathedral, bent on reigniting a centuries-old war. Desperate to find a way to save the city they both love, they find themselves in a desperate race through this bizarre urban wonderland, but when Beth's best friend is captured, she must choose between this wondrous existence and the life she left behind. The City's Son is the first book of The Skyscraper Throne trilogy: a story about family, friends and monsters, and how you can't always tell which is which.
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