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Showing 1 - 10 of 10 matches in All Departments
"It is the horrible texture of a fabric that should be woven of ships' cables and hawsers. A Polar wind blows through it, and birds of prey hover over it." So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception. This edition of Moby-Dick, which reproduces the definitive text of the novel, includes valuable explanatory notes, along with maps, illustrations, and a glossary of nautical terms.
Bergsonian "vitalism" challenged the dominance of Spencerian
determinism in the early twentieth century and seemed to offer a
new foundation for belief in human freedom and individual
possibility. Quirk traces the impact of Bergsonism upon the
American sensibility and shows how individual writers --
particularly two such different artists as Willa Cather and Wallace
Stevens -- appropriated vitalistic notions and made them serve the
peculiar requirements of their own unique creative imaginations.
Scholars have long noted the role that college literary anthologies play in the rising and falling reputations of American authors. Canons by Consensus examines this classroom fixture in detail to challenge and correct a number of assumptions about the development of the literary canon throughout the 20th century. Joseph Csicsila analyzes more than 80 anthologies published since 1919 and traces not only the critical fortunes of individual authors, but also the treatment of entire genres and groupings of authors by race, region, gender, and formal approach. In doing so, he calls into question accusations of deliberate or inadvertent sexism and racism. Selections by anthology editors, Csicsila demonstrates, have always been governed far more by prevailing trends in academic criticism than by personal bias. Academic anthologies are found to constitute a rich and often overlooked resource for studying American literature, as well as an irrefutable record of the academy’s changing literary tastes throughout the last century.
During the pivotal period of America?s international emergence, between the Civil War and WWI, the aligned literary movements of Realism and Naturalism not only shaped the national literature of the age, but also left an indelible and far-reaching influence on twentieth-century American and world literature. Seeking to strip narrative from pious sentimentalities, and, according to William Dean Howells, to ?Apaint? life as it is, and human feelings in their true proportion and relation,? Realism is best represented by this volume?s masterly pieces by Twain, Henry James, Stephen Crane, Kate Chopin, and Willa Cather among others. The joining of Realist methods with the theories of Marx, Darwin, and Spencer to reveal the larger forces (biological, evolutionary, historical) which move humankind, are exemplified here in the fiction of such writers as Jack London, Frank Norris, and Theodore Dreiser.
Satirist, novelist, and keen observer of the American scene, Mark
Twain remains one of the world's best-loved writers. This
delightful collection of Twain's favorite and most memorable
writings includes selected tales and sketches such as "The
Celebrated Jumping Frog of Calaveras County, How I Edited an
Agricultural Journal Once, Jim Baker's Blue-Jay Yarn, " and "A True
Story." It also features excerpts from his novels and travel books
(including "Roughing It, The Innocents Abroad," and "Life on the
Mississippi," among others; autobiographical and polemical
writings; as well as selected letters and speeches. The collection
also reprints the complete text of "Adventures of Huckleberry
Finn," including the often omitted "raftsmen" passage.
This collection of essays describes the genesis of ten classic
works of American literature. Using biographical, cultural, and
manuscript evidence, the contributors tell the "stories of
stories," plotting the often curious and always interesting ways in
which notable American books took shape in a writer's mind.
This award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. Dictionary of Literary Biography provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history. Dictionary of Literary Biography systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods. For a listing of Dictionary of Literary Biography volumes sorted by genre click here. 01
Designed for the general reader, this set presents literature not as a simple inventory of authors or titles but rather as a historical and cultural field viewed from a wide array of contemporary perspectives. The set, which is "new historicist" in its approach to literary criticism, endorses the notion that not only does history affect literature, but literature itself informs history.
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