From the author of the New York Times bestseller The Imperfectionists, the story of a chameleonic writer desperate to finish her final book, and the indelible characters from her own life who intrude on those efforts with increasingly unpredictable results. Dora Frenhofer, a once successful but now aging and embittered novelist, knows her mind is going. She is determined, however, to finish her final book, and reverse her fortunes, before time runs out. Alone in her London home during the pandemic, she creates, and is in turn created by, the fascinating real characters from her own life.

Like a twenty-first-century Scheherazade, Dora spins stories to ward off her end. From New Delhi to New York, Copenhagen to Los Angeles, Australia to Syria to Paris, Dora’s chapters trot the globe, inhabiting the perspectives of her missing brother, her estranged daughter, her erstwhile lover, and her last remaining friend, among others in her orbit. As her own life comes into ever sharper focus, so do the signal events that have made her who she is, leaving us in Dora’s thrall until, with an unforeseen twist, she snaps the final piece of the puzzle into place.

The Imposters is Tom Rachman at his inimitable best. With his trademark style—at once “deliciously ironic and deeply affectionate” (The Washington Post)—he has delivered a novel whose formal ingenuity and flamboyant technique are matched only by its humanity and generosity.

The Imposters is the first novel in stories that Tom Rachman has written since his international bestseller The Imperfectionists. 'An astonishing achievement - brutally funny, humane, dizzying - will win Rachman the readership he deserves' Patrick Gale 'Easily the best thing I have read in ages' Rebecca Wait 'Clever and full of tricks from start to finish' Spectator It's set during a crisis in democracy, a society in lockdown linked digitally but convulsed by a social media frenzy, and is told by a little-known, little-read Dutch novelist named Dora Frenhofer who has decided that her life as an old woman in this post-truth pandemic world has become too much. But like a twenty-first century Scheherazade Dora spins stories to fend off the evil day, conjuring connections from her past to give meaning to the present. She imagines the fate of her missing brother, lost on the hippie trail in India in the sixties; the loneliness of her estranged daughter Beck, whose career writing stand-up shows for Netflix dramatizes the culture wars; Danny, an almost equally unfashionable writer she meets at a festival; the tortured history of the van driver who takes her unwanted books away; the nonchalant courier who nearly ran her over in the rain; her former lover, the sophisticated food critic; her last remaining friend. And finally, Dora's own last chapter. The Imposters is Rachman at his inimitable best, a writer whose formal ingenuity and flamboyant technique is matched by his humanity and generosity.

***SHORTLISTED FOR THE COSTA NOVEL AWARD*** 'Wickedly funny, deeply touching . . . I confess this was the first of Rachman's novels I'd read but I was so swept away by it that I raced out to buy the other three' PATRICK GALE 'Relentlessly entertaining' Daily Mail Rome, 1955 The artists are gathering together for a photograph. In one of Rome's historic villas, a party glitters with socialites and patrons. Bear Bavinsky, creator of vast, masculine, meaty canvases, is their god. He is at the centre of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, while Natalie faces her own wars with the art world. Trying to live up to his father's name - one of the twentieth century's fiercest and most controversial painters - Pinch never quite succeeds. Yet by the end of a career of twists and compromises, he enacts an unexpected rebellion that will leave forever his mark upon the Bear Bavinsky legacy. What makes an artist? In The Italian Teacher, Tom Rachman displays a nuanced understanding of art and its demons. Moreover, in Pinch he achieves a portrait of vulnerability and frustrated talent that - with his signature humour and humanity - challenges the very idea of greatness.

'Ingenious' New York Times 'Mesmerising' The Times 'Loveable' Evening Standard Nine-year-old Tooly is spirited away from Bangkok by a seductive group of outsiders who take her from city to city across the globe. At twenty, she is wandering the streets of Manhattan with a scribbled-on map, scamming strangers for her shadowy protector, Venn. Now, aged thirty-one, she runs a second-hand bookshop on the Welsh borders and has found peace with her strange upbringing - until she's called to return to New York to see her dying father. Warm, hilarious and fizzing with intelligence, The Rise and Fall of Great Powers is a masterpiece about the search for identity.

The Imposters is the first novel in stories that Tom Rachman has written since his international bestseller The Imperfectionists. 'An astonishing achievement - brutally funny, humane, dizzying - will win Rachman the readership he deserves' Patrick Gale It's set during a crisis in democracy, a society in lockdown linked digitally but convulsed by a social media frenzy, and is told by a little-known, little-read Dutch novelist named Dora Frenhofer who has decided that her life as an old woman in this post-truth pandemic world has become too much. But like a twenty-first century Scheherazade Dora spins stories to fend off the evil day, conjuring connections from her past to give meaning to the present. She imagines the fate of her missing brother, lost on the hippie trail in India in the sixties; the loneliness of her estranged daughter Beck, whose career writing stand-up shows for Netflix dramatizes the culture wars; Danny, an almost equally unfashionable writer she meets at a festival; the tortured history of the van driver who takes her unwanted books away; the nonchalant courier who nearly ran her over in the rain; her former lover, the sophisticated food critic; her last remaining friend. And finally, Dora's own last chapter. The Imposters is Rachman at his inimitable best, a writer whose formal ingenuity and flamboyant technique is matched by his humanity and generosity.

'Spectacular' New York Times 'Sublime writing' The Times Funny, poignant, occasionally breathtaking' Financial Times The newspaper was founded in Rome in the 1950s, a product of passion and a multi-millionaire's fancy. Eccentric and beloved, it now faces demise in the new digital era. Still, the staff barely notice. The editor-in-chief is pondering sleeping with an old flame. The obsessive reader is intent on finishing every old edition, leaving her trapped in the past. And the publisher is less interested in his struggling newspaper than in his magnificent basset hound, Schopenhauer. The Imperfectionists interweaves the stories of eleven unusual and endearing characters in a novel about endings - the end of life, the end of sexual desire, the end of the era of newspapers - and about what might rise afterwards.

SHORTLISTED FOR THE EDGE HILL PRIZE Almost-true stories for a post-truth world Wrong! Not Nice! Sad! A Manhattan party on election night. Liberal media types gather with big grins and high-end canapes to watch the Trump-Clinton results come in, expecting a smooth victory for Hillary. As the outcome shifts and they descend into panic, the host stands abruptly before her guests, confessing a shocking crime of years before. What follows is a series of witty, cutting, addictive tales of Trump times, portraying Democrats and Republicans in a divided America, from powerful to powerless, angry to thwarted, from a Starbucks barista who dreams of making it on the stage, to a couple whose online date goes bitterly awry, to a charmingly wicked U.S. businessman living undercover in rural Italy. Basket of Deplorables is a timely take on the craziness of today: almost-true fiction for a post-truth world.

One of most acclaimed books of the year, ""Tom Rachman's debut novel follows the topsy-turvy private lives of the reporters and editors of an English-language newspaper in Rome.