In Sweet Land of Liberty, Tom Sancton examines how the French left perceived and used the image of the United States against the backdrop of major historical developments in both countries between the Revolution of 1848 and the Paris Commune of 1871. Along the way, he weaves in the voices of scores of French observers-including those of everyday French citizens as well as those of prominent thinkers and politicians such as Alexis de Tocqueville, Victor Hugo, and Georges Clemenceau-as they looked to the democratic ideals of their American counterparts in the face of rising authoritarianism on the European continent. Louis Napoleon's bloody coup in December 1851 disbanded France's Second Republic and ushered in an era of increased political oppression, effectively forging together a disparate group of dissidents who embraced the tradition of the French Revolution and advocated for popular government. As they pursued their opposition to the Bonapartist regime, the French left looked to the American example as both a democratic model and a source of ideological support in favor of political liberty. During the 1850s, however, the left grew increasingly wary of the United States, as slavery, rapacious expansionism, and sectional frictions tarnished its image and diminished its usefulness. The Civil War, Sancton argues, marked a critical turning point. While Napoleon III considered joint Anglo-French recognition of the Confederacy and launched an ill-fated invasion of Mexico, his opponents on the left feared the collapse of the great American experiment in democracy and popular government. The Emancipation Proclamation, the Union victory, and Lincoln's assassination ignited powerful pro-American sentiment among the French left that galvanized their opposition to the imperial regime. After the fall of the Second Empire and the founding of the conservative Third Republic in 1870, the relevance of the American example waned. Moderate republicans no longer needed the American model, while the more progressive left became increasingly radicalized following the bloody repression of the Commune in 1871. Sancton argues that the corruption and excesses of Gilded Age America established the groundwork for the anti-American fervor that came to characterize the French left throughout much of the twentieth century. Sweet Land of Liberty counters the long-held assumption that French workers, despite the distress caused by a severe cotton famine in the South, steadfastly supported the North during the Civil War out of a sense of solidarity with American slaves and lofty ideas of liberty. On the contrary, many workers backed the South, hoped for an end to fighting, and urged French government intervention. More broadly, Sancton's analysis shows that the American example, though useful to the left, proved ill-adapted to French republican traditions rooted in the Great Revolution of 1789. For all the ritual evocations of Lafayette and the ""traditional Franco-American friendship,"" the two republics evolved in disparate ways as each endured social turmoil and political upheaval during the second half of the nineteenth century.

Visit the book's website at www.otherpress.com/songformyfathers.
Tulane Reading Project 2006
Former Time Paris Bureau Chief and bestselling author Tom Sancton returns to the New Orleans of his youth and the music that shaped and guided his life.
Song for my Fathers is the story of a young white boy driven by a consuming passion to learn the music and ways of a group of aging black jazzmen in the twilight years of the segregation era. Contemporaries of Louis Armstrong, most of them had played in local obscurity until Preservation Hall launched a nationwide revival of interest in traditional jazz. They called themselves "the mens." And they welcomed the young apprentice into their ranks.
The boy was introduced into this remarkable fellowship by his father, an eccentric Southern liberal and failed novelist whose powerful articles on race had made him one of the most effective polemicists of the early Civil Rights movement. Nurtured on his father's belief in racial equality, the aspiring clarinetist embraced the old musicians with a boundless love and admiration. In a sense, they became his spiritual fathers and role models. Meanwhile his real father, who had first led the boy to the "mens" and shared his reverence for them, later recoiled in horror at the idea that his son might lose his way in the world of late-night jazz joints, French Quarter bar rooms, and a precarious life on the margins of society. The tension between the father's determination to control the boy's destiny and his son's abiding passion for the music is a major theme of the book.
The narrative unfolds against the vivid backdrop of New Orleans in the 1950s and '60s. But that magical town is more than decor; it is perhaps the central player, for this story could not have taken place in any other city in the world. Written several years before Katrina crashed into New Orleans and changed its face forever, Song for My Fathers seems all the more moving in the wake of that cataclysm.