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This chronicle of ten controversial mid-Victorian trials features
brother versus brother, aristocrats fighting commoners, an imposter
to a family's fortune, and an ex-priest suing his ex-wife, a nun.
Most of these trials-never before analyzed in depth-assailed a
culture that frowned upon public displays of bad taste, revealing
fault lines in what is traditionally seen as a moral and regimented
society. The author examines religious scandals, embarrassments
about shaky family trees, and even arguments about which
architecture is most likely to convert people from one faith to
another.
Tom Zaniello's fascinating new guide to films about globalization
its origins, its relationship with colonialism, neocolonialism, the
growth of migratory labor, and movements to counter or protest its
adverse effects offers readers and viewers the opportunity to both
discover new films and see well-known works in a new way. From
Afro@Digital to Zoolander, Zaniello discusses 201 films, including
features such as The Constant Gardener, Dirty Pretty Things, and
Syriana; documentaries and other nonfiction films such as Blue
Vinyl, Darwin's Nightmare, and Wal-Mart: The High Cost of Low
Price; online films; and television productions. Zaniello casts a
wide net to provide cinematic representations of globalization from
all angles: -films about global labor and labor unions affected by
globalization;-films about global capital and multinational
corporations;-films about the transnational organizations (WB, IMF,
WTO) most closely identified with globalization and global
capital;-films about labor history and the daily life of
working-class people as they relate to the development of
globalization;-films about the environment directly related to
changes in labor or capital; and-films about changes in both the
workplace and the corporate office in the era of multinational
corporations. Each entry in The Cinema of Globalization offers a
summary of the main issues in the film and their relationship to
globalization, sometimes a reference to the film's place in a
director's work or tradition of cinema, and an often-opinionated
assessment of the film's strengths and weaknesses. Like the best
film guides, this book is an addictive reading experience full of
ideas for future viewing. At the same time, it serves as an
inviting and accessible introduction to a difficult topic the
central themes and aspects of globalization.To read Tom Zaniello's
blog on the cinema of labor and globalization, featuring even more
reviews, visit http: //tzaniello.wordpress.com."
Tom Zaniello's fascinating new guide to films about globalization
its origins, its relationship with colonialism, neocolonialism, the
growth of migratory labor, and movements to counter or protest its
adverse effects offers readers and viewers the opportunity to both
discover new films and see well-known works in a new way. From
Afro@Digital to Zoolander, Zaniello discusses 201 films, including
features such as The Constant Gardener, Dirty Pretty Things, and
Syriana; documentaries and other nonfiction films such as Blue
Vinyl, Darwin's Nightmare, and Wal-Mart: The High Cost of Low
Price; online films; and television productions. Zaniello casts a
wide net to provide cinematic representations of globalization from
all angles: -films about global labor and labor unions affected by
globalization;-films about global capital and multinational
corporations;-films about the transnational organizations (WB, IMF,
WTO) most closely identified with globalization and global
capital;-films about labor history and the daily life of
working-class people as they relate to the development of
globalization;-films about the environment directly related to
changes in labor or capital; and-films about changes in both the
workplace and the corporate office in the era of multinational
corporations. Each entry in The Cinema of Globalization offers a
summary of the main issues in the film and their relationship to
globalization, sometimes a reference to the film's place in a
director's work or tradition of cinema, and an often-opinionated
assessment of the film's strengths and weaknesses. Like the best
film guides, this book is an addictive reading experience full of
ideas for future viewing. At the same time, it serves as an
inviting and accessible introduction to a difficult topic the
central themes and aspects of globalization.To read Tom Zaniello's
blog on the cinema of labor and globalization, featuring even more
reviews, visit http: //tzaniello.wordpress.com."
The revised and expanded edition of Working Stiffs, Union Maids,
Reds, and Riffraff offers 350 titles compared to the original
edition's 150. The new book is global in scope, with examples of
labor films from around the world. Viewers can turn to this
comprehensive, annotated guide for films about unions or labor
organizations; labor history; working-class life where an economic
factor is significant; political movements if they are tied closely
to organized labor; production or the struggle between labor and
capital from a "top-down" either entrepreneurial or managerial
perspective. Each entry includes a critical commentary, production
data, cast list, MPAA rating (if any), suggested related films,
annotated references to books and websites for further reading, and
information about availability of films for rental and/or purchase.
This edition addresses both historical and contemporary films and
features many more documentaries and hard-to-find information about
agitprop and union-financed films.Working Stiffs, Union Maids,
Reds, and Riffraff: An Expanded Guide to Films about Labor features
fifty-eight production stills and frame enlargements. It also
includes a greatly expanded Thematic Index of Films. Two new
sections will help the reader discover labor films in chronological
order or by nationality or affiliation with certain cinematic
movements. To read Tom Zaniello's blog on the cinema of labor and
globalization, featuring even more reviews, visit http:
//tzaniello.wordpress.com.Praise for the earlier edition "Zaniello
has created a useful and far-reaching guide with abundant
information. . . . These are the sorts of films that prove what
James Agee wrote in these pages nearly fifty years ago: 'The only
movies whose temper could possibly be described as heroic, or
tragic, or both, have been made by leftists.'" The Nation"Zaniello
has done a monumental job identifying the films that should be
included in this genre. . . . Working Stiffs, Union Maids, Reds,
and Riffraff is sorely needed and long overdue." Cineaste"An
engaging and opinionated book. . . . Even though mining, trucking,
Jimmy Hoffa, and class warfare are the book's major themes, what
holds the project together is Zaniello's sense of fun and wit.
Zaniello is] a better writer than most major film critics." Village
Voice Literary Supplement"
The revised and expanded edition of Working Stiffs, Union Maids,
Reds, and Riffraff offers 350 titles compared to the original
edition's 150. The new book is global in scope, with examples of
labor films from around the world. Viewers can turn to this
comprehensive, annotated guide for films about unions or labor
organizations; labor history; working-class life where an economic
factor is significant; political movements if they are tied closely
to organized labor; production or the struggle between labor and
capital from a "top-down" either entrepreneurial or managerial
perspective. Each entry includes a critical commentary, production
data, cast list, MPAA rating (if any), suggested related films,
annotated references to books and websites for further reading, and
information about availability of films for rental and/or purchase.
This edition addresses both historical and contemporary films and
features many more documentaries and hard-to-find information about
agitprop and union-financed films.Working Stiffs, Union Maids,
Reds, and Riffraff: An Expanded Guide to Films about Labor features
fifty-eight production stills and frame enlargements. It also
includes a greatly expanded Thematic Index of Films. Two new
sections will help the reader discover labor films in chronological
order or by nationality or affiliation with certain cinematic
movements. To read Tom Zaniello's blog on the cinema of labor and
globalization, featuring even more reviews, visit http:
//tzaniello.wordpress.com.Praise for the earlier edition "Zaniello
has created a useful and far-reaching guide with abundant
information. . . . These are the sorts of films that prove what
James Agee wrote in these pages nearly fifty years ago: 'The only
movies whose temper could possibly be described as heroic, or
tragic, or both, have been made by leftists.'" The Nation"Zaniello
has done a monumental job identifying the films that should be
included in this genre. . . . Working Stiffs, Union Maids, Reds,
and Riffraff is sorely needed and long overdue." Cineaste"An
engaging and opinionated book. . . . Even though mining, trucking,
Jimmy Hoffa, and class warfare are the book's major themes, what
holds the project together is Zaniello's sense of fun and wit.
Zaniello is] a better writer than most major film critics." Village
Voice Literary Supplement"
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