This book presents a comprehensive, contrastive account of the phonological structures and characteristics of Swedish. After an introduction on the history of the language and its relation to other Scandinavian languages, the book is divided into parts dealing with segmental phonology, lower prosodic phonology, stress and tone, morphology-phonology interactions, higher prosodic phonology, and intonation. The book concludes with concise accounts of phonotactics and the relationship between phonology and orthography. Tomas Riad's approach is data-oriented and, insofar as possible, theory-neutral. As well as making an important contribution to its subject, his book provides new insights into how morphology largely determines the distribution of stress in a Germanic language, and how tonal accent may signal wellformedness in word formation.

Despite the recent advances in the integration of lexical tone and intonation in phonological theory, all too often the study of intonation and the study of lexical tone are viewed as belonging to different research traditions. This collection strengthens the integrated approach by studying tone and intonation within a common framework, and by tracing their interaction in specific prosodic systems. Some papers deal with the structural properties of lexical tone andintonation, while others focus on the historical development of prosodic systems. The volume also includes a re-evaluation of a classic paper on thetypology of tone rules, and a survey of features signalling question intonation in African languages.

This volume presents 14 experimental studies of lexical tone and intonation in a wide variety of languages. Six papers deal with the discriminability or the function of intonation contours and lexical tones in specific languages, as established on the basis of listener responses, as well as with brain activation patterns resulting from the perception of tonal and intonational stimuli. The remaining eight papers report on detailed phonetic findings on a variety of tonal phenomena in a number of languages, including declination in tone languages, final lowering, consonant-tone interactions and pitch target alignment.