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Gardzienice theatrical company, The Wedding Jerzy Staniewski
This book presents a pioneering critical study of Complicite's work
throughout the years. Drawing on an extensive overview of the
available research material - including interviews, manuscripts and
the company's own archive - the book is framed within a clearly
defined research perspective and explores the singularity of
theatre communication. The book results from an encounter between
the London-based - but cosmopolitan in scope - company, and a fresh
application of the form-oriented scholarship of Eastern Europe,
Yuri Lotman's semiosphere in particular. Focused on the aesthetics
of Complicite, this study achieves a critical distance and
undertakes multidimensional scrutiny of the available research
material. By identifying the principles of Complicite's aesthetics,
the book attempts to grasp the company's artistic paradigm. It
focuses on ways of creating, preserving, and decoding meanings,
rather than on the nuances of performance or contextual issues.
This book presents a pioneering critical study of Complicite's work
throughout the years. Drawing on an extensive overview of the
available research material - including interviews, manuscripts and
the company's own archive - the book is framed within a clearly
defined research perspective and explores the singularity of
theatre communication. The book results from an encounter between
the London-based - but cosmopolitan in scope - company, and a fresh
application of the form-oriented scholarship of Eastern Europe,
Yuri Lotman's semiosphere in particular. Focused on the aesthetics
of Complicite, this study achieves a critical distance and
undertakes multidimensional scrutiny of the available research
material. By identifying the principles of Complicite's aesthetics,
the book attempts to grasp the company's artistic paradigm. It
focuses on ways of creating, preserving, and decoding meanings,
rather than on the nuances of performance or contextual issues.
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