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Ossie Clark came from a modest, diligent working-class family, an ordinary boy who went on to do extraordinary things. He was born in Liverpool and raised in the industrial Lancashire town of Warrington, famous for its factories and the birthplace of Lewis Carroll. The author never knew Ossie, but they attended the same technical school, Beamont. Seventeen years apart, both made their way to the enclave of Notting Hill in West London. Ossie found fame and fortune as the go-to fashion designer to the stars in the swinging 60s and psychedelic 70s. Once dubbed the King of the Kings Road, this is one of the most extraordinary stories of a man who had it all. It’s a classic tale of a rise from anonymity to the pinnacle of the fashion world, with the ultimate betrayal, told from the perspective of a fellow Northerner. The author has dramatized Ossie's life with facts and informed imagination.
Tommy Kennedy IV's final autobiography enters the millennium years with energy, pace and sincerity. Immediately, we are swept into the heart of London's Notting Hill and into the hypnotic centre of its vibrant music scene. Tommy's management of the bands in his care is in equal measure affectionate, creative and dedicated. Characters such as Big Alan Clayton, The Assassin and Whiplash Jackson, Steve Dior, Alan Blizzard, Billy Idle, Rainbow George are presented in vivid techno-colour against the kaleidoscope of a cascading sub-culture. The writing sparkles with anecdotal humour as we observe their interactions which are always interesting, sometimes hilarious and often tragic. When a series of tragedies manifest into his own life Tommy reacts with his characteristic optimism and the unexpected events do not serve to dampen his passion for adventure. It is the birth of his son which gives Tommy a new lease of life, transporting him into an era where his ego is relinquished in favour of altruism and a more conscious way of living. This is what makes this volume a must read, as despite the many adversities we are never presented with a tale of victimisation. On the contrary, the work emerges as a celebration of community cohesion, freedom and friendship. This volume ends in 2020 as Tommy reaches his sixtieth year. The ultimate message for his readers is that they, like Tommy, can move forward confidently with a realisation that even a global pandemic will not and can not diminish the human spirit.
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