Whenever I speak with aspiring Hollywood writers, the first question they ask is How do I break in? How do I get an agent and how do I get that first job. ] But getting an agent and that first job isn t going to get you very far. What aspiring writers should be asking is How do I build a successful career in Hollywood? ] The agent and the first job is just the beginning. Hollywood is full of writers who sold one or two scripts and were never heard from again. What it takes to succeed on your first job and then build on it to get the next job and the next is what separates the one script wonder ] from the writer with a Hollywood career. Among the questions aspiring writers really need to ask are: -How Do I Know When My Spec Script Is Ready For Submission? -What Does An Agent Look For In A Writer Beyond Their Scripts? -Once I Have An Agent What Else Should I Be Doing? -When I Go To A Meet & Greet, ] What Do I Say? -How Do I Prepare For The Different Types Of Pitch Meetings? -How Do I Handle Notes I Disagree With? -Do I Need A Lawyer And A Manager? Most writers discover the answers to these questions through trial and error. But in Hollywood, errors can be costly to a writer s career. More than one writer has seen his career thwarted due to a simple lack of awareness. The goal of Writing For The Hollywood $ ] is to arm aspiring writers with as much information as possible so not only will the road to their first agent and sale be easier, but they ll also be able to avoid costly mistakes and have a much better chance of turning that first job into a another and another. Writing For The Hollywood $ ] begins by asking the writer to do some serious self-examination as it lists the basic ingredients ] beyond a good script that a writer will need if they expect to build a career as a Hollywood writer. From here it goes on to cover topics such as dealing with executives, the different types of pitch meetings, the script notes process, the realities of working on a television writing staff and avoiding potential land mines that can damage a writer s forward progress. Writing for The Hollywood $ ] provides invaluable information for anyone who s ever aspired to write for the screen, by someone who s actually been there and done it.

Whenever I speak with aspiring Hollywood writers, the first question they ask is How do I break in? How do I get an agent and how do I get that first job. ] But getting an agent and that first job isn t going to get you very far. What aspiring writers should be asking is How do I build a successful career in Hollywood? ] The agent and the first job is just the beginning. Hollywood is full of writers who sold one or two scripts and were never heard from again. What it takes to succeed on your first job and then build on it to get the next job and the next is what separates the one script wonder ] from the writer with a Hollywood career. Among the questions aspiring writers really need to ask are: -How Do I Know When My Spec Script Is Ready For Submission? -What Does An Agent Look For In A Writer Beyond Their Scripts? -Once I Have An Agent What Else Should I Be Doing? -When I Go To A Meet & Greet, ] What Do I Say? -How Do I Prepare For The Different Types Of Pitch Meetings? -How Do I Handle Notes I Disagree With? -Do I Need A Lawyer And A Manager? Most writers discover the answers to these questions through trial and error. But in Hollywood, errors can be costly to a writer s career. More than one writer has seen his career thwarted due to a simple lack of awareness. The goal of Writing For The Hollywood $ ] is to arm aspiring writers with as much information as possible so not only will the road to their first agent and sale be easier, but they ll also be able to avoid costly mistakes and have a much better chance of turning that first job into a another and another. Writing For The Hollywood $ ] begins by asking the writer to do some serious self-examination as it lists the basic ingredients ] beyond a good script that a writer will need if they expect to build a career as a Hollywood writer. From here it goes on to cover topics such as dealing with executives, the different types of pitch meetings, the script notes process, the realities of working on a television writing staff and avoiding potential land mines that can damage a writer s forward progress. Writing for The Hollywood $ ] provides invaluable information for anyone who s ever aspired to write for the screen, by someone who s actually been there and done it.

Twelve all-new stories of women's resilience, empowerment, and fulfillment, by bestselling and award-winning authors. In this engaging anthology of never-before published stories, twelve authors are united by their unique visions of the female experience. A young woman is torn between the security of her fiance and the excitement of an old flame; a desperate wife is forced into the workplace for the first time in her life; an ambitious professional woman finally finds the courage to take control of her career; and her man; an emotionally fragile divorcee finds resolve in the ethereal visitations of an archangel... These are just some of the women who discover and rediscover their own wonderfully fallible but ultimately strong selves in the shadow of love, romantic love, platonic love, new love, and lost love. Readers will be touched, inspired, charmed, and entertained by these original stories of disparate longings, unsettled lives, and the power of love. Includes 12 stories by New York Times Bestselling Author Lori Foster and Erin McCarthy, Toni Blake, Dianne Castell, Karen Kelley, Rosemary Laurey, Janice Maynard, LuAnn McLane, Lucy Monroe, Patricia Sargeant, Kay Stockham, and J.C. Wilder. A PORTION OF THE PROCEEDS FROM THE POWER OF LOVE GOES TO THE BATTERED WOMEN'S SHELTER OF CINCINNATI

He was her first: the first man she longed for, the first man she truly desired. Then he betrayed her and broke her heart. Now her revenge will be oh-so-sweet . . . and hot!

Trish Henderson has returned home to Eden to take care of some family business . . . and some personal business, as well. Though she's achieved remarkable success as a high-powered Chicago attorney, Trish has never forgotten her small-town high school sweetheart, Joe Ramsey, or the devastation of heartbreak.

Now she's come face-to-face with the gorgeous sex god Joe has grown into, and she's determined to get him out of her system once and for all--and maybe take a little revenge, too. And this time, she has all the power. After all, where is it written that only men can explore and enjoy a physical relationship without commitment? Her plan: seduce him for just one night, then walk away . . .

But there's just one problem. Trish is about to find out that one night with Joe may never be enough . . .

Five days before her wedding to a man she admires but doesn't love, Katrina Spencer escapes to a private island. There, she can let the sun warm her body as she contemplates a future without the passion she craves. Then she lazily opens her eyes, only to see Brock Denton . . . muscular, half-naked, the one who got away--the one who makes her body tingle with arousal.How Brock arrived is a mystery, but it's clear he's in danger. Kat faces danger, too, in the arms of a man who is determined to free her from her every inhibition with his hands, his mouth, and more! Kat has five steamy days and five sultry nights to make up her mind--return home to a man she doesn't love, or satisfy her wildest passions with Brock and let herself be . . . swept away.

A young woman discovers the unspoken pleasures of peril in this repackaged favorite from "USA Today "bestselling author Toni Blake.

From the seductive rhythms of Bourbon Street to the sultry climes of the bayou, a woman s search for the truth leads her into danger and passion beyond her wildest dreams.

Advertising executive Stephanie Grant knows how to sell an idea, but she s never had to sell herself before. Walking into the Big Easy s most exclusive bordello, however, she s ready to do just that. What Stephanie doesn t expect is to encounter a man who sees right through her disguise, laying bare not only what she wants, but what she needs.

The lithe blonde who glides up to Jake Broussard s bar could have any man she chooses, but that isn t her endgame. The ex-cop quickly catches on to Stephanie s real plan, and it won t be long before Chez Sophia s rich and powerful clientele do the same. Stephanie s playing with fire. Good thing this hometown boy likes it hot.