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Dance, Human Rights, and Social Justice: Dignity in Motion presents
a wide-ranging compilation of essays, spanning more than 15
countries. Organized in four parts, the articles examine the
regulation and exploitation of dancers and dance activity by
government and authoritative groups, including abusive treatment of
dancers within the dance profession; choreography involving human
rights as a central theme; the engagement of dance as a means of
healing victims of human rights abuses; and national and local
social/political movements in which dance plays a powerful role in
helping people fight oppression. These groundbreaking papers both
detailed scholarship and riveting personal accounts encompass a
broad spectrum of issues, from slavery and the Holocaust to the
Bosnian and Rwandan genocides to the Israeli-Palestinian conflict;
from First Amendment cases and the AIDS epidemic to discrimination
resulting from age, gender, race, and disability. A range of
academics, choreographers, dancers, and dance/movement therapists
draw connections between refugee camp, courtroom, theater,
rehearsal studio, and university classroom.
Moni Mekhala and Ream Eyso retells the sacred drama of the same
name, a tale in which rivaling students of a powerful hermit bring
life to lightning, thunder, and rain. Weaving together interviews,
essays, photographs, and illustrations, the book uses the story to
explore the evolution of the Khmer classical dance tradition, the
passage of leadership within artistic tradition nearly destroyed by
genocide, and the circumstances of today's women. Additional
contributors include award-winning choreographer Sophiline Cheam
Shapiro, cultural anthropologist Toni Shapiro-Phim, and visual
artist Brian Mendez. " An] enlightening and engaging exploration of
one of the most important works in the Cambodian dance drama
repertory... A love letter to the character of Moni Mekhala and all
of the women who have safeguarded this exquisite art form for
generations, this book is a testament to the power of myth in our
everyday lives." Cecily Cook Senior Program Officer, Asian Cultural
Council - New York "This book is profoundly artist-centered and
thus offers an utterly unique and intimate account of Khmer
classical dance. This is the first book to acknowledge how gender
and sexuality can be interrogated through Khmer dance, whether in
the distant Cambodian past, in a post-genocide present, or in Long
Beach, California." Dr. Deborah Wong Professor of Music, University
of California - Riverside President of Board of Directors, Alliance
for California Traditional Arts "Lovingly conceived... Moni Mekhala
and Ream Eyso captures the essence of a woman's strength and
resilience in the midst of raging violence. It is a book I would
want to get as a gift to all the girls and women in the various
circles of my life." Chivy Sok Cambodian American human rights
advocate and co-founder of Devata Giving Circle
The South China Sea has a rich and turbulent history. Today
territorial disputes in the region including China, Taiwan,
Vietnam, Philippines and Indonesia make it potentially one of the
most dangerous points of conflict in Asia and millions of people
have crossed its waters in search of safer shores. This new book
reveals the ways in which the peoples of the South China Sea region
have used dance as a means of contending with the immense
political, economic and cultural rifts that have affected their
lives. Drawing on the stories of indigenous dancers in southern
China, the Philippines, Indonesia, Singapore, Malaysia, Thailand,
Cambodia, Laos and Vietnam, it offers unique insights into the ways
in which people have used creative movement as a means of
understanding the divisions and alienation that conflict, diaspora
and globalization have brought and as a first step towards
reclaiming their identities and their worlds."
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