Keith Moon was more than just rock's greatest drummer, he was a phenomenal character and an extravagant hell raiser who - in a final, uncharacteristic act of grace - actually did die before he got old. This new edition includes a newly written After word that consiers Moon's lasting legacy, the death of John Entwistle and The Who's ongoing career in the new millennium. In this astonishing biography, Tony Fletcher questions the myths, avoids the time-honoured anecdotes and talks afresh to those who where closest to Moon including Kim, his wife of eight years, and Linda, his sister and Annette Walter-Lax, his main girlfriend of the final years. Also interviewed are Oliver Reed, Larry Hagman, David Putnam, Alice Cooper, Dave Edmunds, Jeff Beck, John Entwistle and many others who worked and partied with him. In interviewing over 100 people who knew Moon, Fletcher reveals the truth behind the 'famous' stunts that never occured - and the more outrageous ones that did! He also uncovers astonishing details about Moon's outrageous extravagance which was financed by The Who's American success.

Known for the classics "Knock on Wood," "634-5789," "Raise Your Hand," "Big Bird," and "I've Never Found a Girl (To Love Me Like You Do)," among others, Eddie Floyd's career as a soul legend spans over sixty years. His professional singing career began in Detroit in the 1950s as a founding member of the Falcons, considered "The First Soul Group." A solo artist and songwriter for Memphis's famed Stax Records from 1966 until 1975, Floyd has subsequently been the singer for the Blues Brothers Band and for Bill Wyman's Rhythm Kings, while continuing to perform and record solo. In Knock! Knock! Knock! On Wood , Floyd recounts how a three-year stint in an Alabama reform school shaped his young life; recalls the early years of R&B in Detroit alongside future Motown and Stax legends; discusses the songwriting sessions with Steve Cropper and Booker T. Jones that produced his biggest hits; addresses his complicated life-long relationship with the often-unpredictable Wilson Pickett; shares his memories of friend Otis Redding; reveals his unlikely involvement in the rise of southern rock darlings Lynyrd Skynyrd; and offers an insider perspective on the tragic downfall of Stax Records. With input from Bruce Springsteen, Bill Wyman, Paul Young, William Bell, Steve Cropper, and others, Knock! Knock! Knock! On Wood captures Eddie's tireless work ethic and warm personality for an engrossing first-hand account of one of the last true soul survivors.

Tony Fletcher's biography of the enigmatic quartet from Athens, Georgia, benefits not only from Tony's long association with the band but also by the co-operation of the band itself. However, R.E.M. - being R.E.M. - were disinclined to reveal this at the time the book was first published in 1989 and Tony was thus obliged to keep this under his hat. All such restrictions have since been lifted for newer editions, of which there have been several, and this latest incarnation of the book - now retitled Perfect Circle - brings the story to its natural conclusion with R.E.M.'s decision to disband in September, 2011. Discussing fame, fortune and sexuality with the same keen eye he casts on the group's astonishing musical catalogue, Perfect Circle is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time. Drawing on dozens of interviews with friends, associates and the band members themselves, this is not just the story of one group's rise through cult status, but the story of American rock.

One of Britain's best-loved and most successful fanzines, Jamming! documented the musical landscape as it evolved between 1977 and 1986. Fully illustrated throughout, The Best of Jamming! includes numerous stand-out pieces from the zine's impressive 36 issue-run, from early features on The Jam, The Smiths, Run-D.M.C, Cocteau Twins and The Beat, to surprise exclusive interviews with Paul McCartney, U2 and Pete Townshend. Personal letters from Mark E. Smith, Paul Weller and others appear alongside arts, sports and politics features, poetry and a Foreword by Billy Bragg. Having guided Jamming! from a 6-page school publication to a nationally distributed monthly, editor Tony Fletcher provides behind-the-scenes insights, while musicians and former contributors reflect on their interviews and Jamming!'s long-lasting influence. An immensely evocative read, The Best of Jamming! perfectly encapsulates the excitement and unprecedented potential of the DIY era.

The ultimate book on records by The Clash. An album by album, track by track, examination of every song released by The Clash, from their first single 'White Riot' to Combat Rock and beyond. Includes sections on compilations, live recordings, films, and post-Clash work by Joe Strummer and Mick Jones. Features include a chronology of key events in the story of the Clash. An album by album, track by track analysis. Details of reissues and the state of the current Clash catalogue. 16 pages of pictures

To this day, they were, their fans believe, the best band in the world. Critics and sales figures told a similar story. Yet for all their brilliance and adoration - their famously energetic live shows routinely interrupted by stage invasions - The Smiths were continually plagued by their reticence to play the game, and by the time of 1987's Strangeways Here We Come, they had split. Tony Fletcher's A Light That Never Goes Out - part celebration, part paean - moves from Manchester in the nineteenth-century to the present day to tell the complete story of The Smiths. The product of extensive research and unprecedented access, it will serve to confirm The Smiths as one of the most important and influential rock groups of all time.

Wilson Pickett was arguably the greatest male soul screamer of the 1960s and '70s. Well known for his unprecedented string of Soul hits, including "In the Midnight Hour," "Land of 1,000 Dances," and "Mustang Sally," Pickett has sold millions of albums, and tens of millions of singles. A first ballot inductee into the Rock & Roll Hall of Fame, he collaborated with some of the biggest names in '60s and '70s pop, rock, and soul, recorded for the most renowned labels in soul and R&B, and was a legendary presence on stage, his performances frequently culminating in stage invasions by frenzied audience members of all colors eager to bask (and dance) in his radiant aura. Equally well known for his personal troubles, his musical brilliance and success - like that of so many other superstars - Pickett's career was punctuated by violence, drug and alcohol addictions, and fits of erratic and wild behavior. In In the Midnight Hour, veteran music journalist and biographer Tony Fletcher not only tells the full story of Wilson Pickett's incredible career, and troubled life, but goes beyond the individual anecdotes to illustrate how Pickett's journey - geographic, musical, and cultural - was emblematic of both that of his generation of southern black men, and that of black American music in the second half of the twentieth century. He grew up in Alabama under Jim Crow in '40s where he experienced the peak of the gospel circuit before moving north to Detroit as part of the Second Great Migration, where he recorded for the nascent Tamla/Motown label. In the 60s he participated in integrated recording sessions for Stax and Atlantic, before moving back to Alabama where he took part in sessions at Muscle Shoals that made the studios signature sound famous, and at the beginning of the '70s, found himself in Philadelphia where he was instrumental in the birth of the Philly Soul sound. While centered around Wilson Pickett and his music, In the Midnight Hour will also be about the roller-coaster journey he took in his life, the social upheavals that surrounded him, the genre he helped shape along the way, and the pitfalls of the fame that success brought him. The first biography of one the most famous, influential, and fascinating figures in soul and R&B, In the Midnight Hour will find an eager audience among fans of Wilson Pickett, and soul and R&B music in general, as well as readers interested in the development of black music during the second half of the twentieth century.

Formed in Athens, Georgia in 1980, R.E.M. released their first single, Radio Free Europe, in 1981. By the time the band broke up they had recorded fifteen studio albums, 63 singles, sold more than 85 million records, signed the biggest recording contract in music history, and were inducted into the Rock and Roll Hall of Fame in their first year of eligibility.

The Who's Keith Moon was the bad boy of rock & roll. Alongside Pete Townshend, Roger Daltrey, and John Entwistle, Moon was the most manic member of an aggressive and fabulously successful band, a full-throttle hedonist who lived at the center of an unending party. He was also a musical genius who inspired whole generations of artists, a generous friend to nearly everyone who crossed his path, and a guileless man of immense personal charm to whom the sweetest sound on earth was surf music.

Decades after his death, Moon is still revered as the greatest drummer in rock history and the wildest personality in an age of pop excess. Venerated music journalist Tony Fletcher interviewed dozens of Moon's friends, family, and peers--including John Entwistle, Ginger Baker, Jeff Beck, Ann-Margret, and Alice Cooper--to find the truth behind the legend. The result is one of the greatest rock biographies ever written. A brilliant portrait of both the tender and self-destructive sides of this singular personality.