Mens health covers a variety of physical, psychological, social, lifestyle and political factors, all of which will be covered in the book. As the whole concept is still emerging, the text will not attempt to be either comprehensive or definitive, but will be seen to add to the pool of knowledge and help set the agenda for future work.

'The Forward Prizes have turned a spotlight on contemporary poetry which is both searching and glamorous' Carol Ann Duffy 100 Prized Poems brings together the best of the poems published over a quarter century in twenty-five editions of the Forward books of poetry, a series highlighting the works commended annually for the prestigious Forward Prizes. The roll-call of poets included is a Who's Who of poetry excellence and includes both familiar names - Simon Armitage, Jackie Kay, Derek Walcott - and fresh voices - Kae Tempest, Kei Miller and Emily Berry. This anthology of anthologies is a great way of encountering the richness that new poetry has to offer.

This fourth collection of Tony Harrison's poetry for stage contains his highly acclaimed translations of Aeschylus, Aristophanes and Euripides. Included are the plays The Oresteia, and The Common Chorus (Parts I and II). This volume contains introductions, written by Tony Harrison, to each of the plays.

Tony Harrison's v. was written during the Miners' Strike of 1984-85 when he visited his parents' grave in a Leeds cemetery and found it vandalised by obscene graffiti. In the book-length poem, he confronts the foul-mouthed skinhead thug responsible, who becomes a foil for his own anger and alienation. The political and media reaction to v. would make a book in itself. This is that book. As well as Tony Harrison's poem and Graham Sykes's photographs, this new edition of v. includes press articles, letters, reviews, a defence of the poem and film by director Richard Eyre, and a transcript of the phone calls logged by Channel Four on the night of the broadcast. Channel Four's film of v. won the Royal Television Society's Best Original Programme Award. The Star: 'A plan to televise a poem packed with obscenities caused outrage last night. ITV chiefs intend to screen a reading of Tony Harrison's verse v. which is full of four-letter words.' Daily Mail: A torrent of four-letter filth... the most explicitly sexual language yet beamed into the nation's living rooms... the crudest, most offensive word is used 17 times.' Gerald Howarth, MP: 'It is full of expletives and I can't see that it serves any artistic purpose whatsoever.' Mary Whitehouse: 'This work of singular nastiness.' Sir Harold Pinter: 'The criticism against the poem has been offensive, juvenile and, of course, philistine. It should certainly be broadcast.' Sir Richard Eyre: 'If I had the slightest influence over educational policy in this country, I'd see that v. was a set text in every school in the country, but of course if we lived in that sort of country, the poem wouldn't have needed to be written.'

This third collection of Tony Harrison's theatre work contains three plays, all of which were written to be performed in specific places in the world. Poetry or Bust, performed in September 1993, is about the Airedale poet John Nicholson (1790-1843) and was devised for the former wool-combing shed at Salts Mill, Saltaire, not a hundred yards from where Saltaire drowned. The Kaisers of Carnuntum was performed on 2 June 1995 in the Roman amphitheatre of Petronell/Carnuntum in Austria and has the bloody Commodus, a Roman Emperor and son of the philosopher Marcus Aureliues, returning to the former Roman frontier town.

In this richly varied selection of Tony Harrison's provocative prose of the last fifty years, the great poet of page, stage and screen presents a lifetime's thinking about art and politics, creativity and mortality. In so doing, he takes us on an extraordinary journey through languages and across continents and millennia, from his Nigerian Lysistrata to the British Raj of his version of Racine's Phedre, to post-Communist Europe for the film Prometheus to a one-off performance of The Kaisers of Carnuntum at the Roman amphitheatre between Vienna and Bratislava, tothe peace camp at Greenham Common, and from a Leeds street bonfire celebrating the defeat of Japan by the new atomic bomb to wines made from the vines on volcanoes. A collection of work filled with passion and humour that educates as it dazzles. 'Slangy, rooted, erudite, rhythmic, Harrison is a titan among poets; a unique Yorkshire brew of Auden, Byron, Brecht and Kipling, with a slug of Roman satire.' Independent

This collection of Tony Harrison's film poetry is published to coincide with his 70th birthday. With introductions by Tony Harrison & Peter Symes, the poems include Arctic Paradise (previously unpublished); Loving Memory (The Muffled Bells, Mimmo Perrella Non e Piu, Cheating the Void, and Letters in the Rock); The Blasphemers' Banquet; The Gaze of the Gorgon; Black Daisies for the Bride; A Maybe Day in Kazakhstan; The Shadow of Hiroshima; Prometheus; Metamorpheus (previously unpublished); Crossings (previously unpublished). Tony Harrison has won both the Whitbread & Geoffrey Faber Memorial Prizes & the Wilfred Owen Award for Poetry.

The first great war between the east and west is over. Hecuba, once queen of Troy, is widowed and enslaved by the conquering Greeks. When her captors demand that her daughter be sacrificed in honour of the great warrior Achilles, and she finds her only surviving son murdered, her mourning turns to a hunger for retribution. One of the most powerful dramas ever written, Hecuba is a vital examination of the psychology of the powerful and the powerless in time of conflict. Euripides' Hecuba, in this translation by Tony Harrison, premiered at the Albery Theatre in March 2005 as part of the RSC's London season.

This fifth collection of Tony Harrison's masterly poetry for the stage contains introductions by the author to each of the plays. The Trackers of Oxyrhynchus was voted one of the best 100 plays of the twentieth century by the National Theatre Millennium Poll: 'One of the most brilliantly original things the National has ever done.' Sunday Times 'A wonderfully witty, provocative piece of theatre.' Guardian 'Harrison has created a glorious piece of total theatre.' Time Out 'Square Rounds is clearly a work of genius . . . It's so brilliant you leave the theatre in a kind of exhilarated pessimism.' Boston Globe 'It would be a stony soul who didn't salute Harrison's reckless theatrical audacity . . . A stunningly original piece of theatre.' Guardian 'Let's hand it to Tony Harrison: when it comes to taking theatrical risks, he has no rival.' The Times Tony Harrison is the recipient of the Northern Rock Foundation Writer's Award 2004.

This first collection of Tony Harrison's poetry for the stage compiles his masterly adaptations of various medieval mystery plays. Rendered in highly alliterative verse, Harrison's plays are, as were their medieval counterparts, intended to make colloquial Northern English language and form a vehicle for the profound religious texts that describe the biblical epic of salvation. Original documents from the Middle Ages are the basis for Harrison's three-part cycle: The Nativity encompasses Creation, The Expulsion, The Flood, Abraham and Isaac, and The Birth of Christ; The Passion covers The Life and Crucifixion of Christ; and Doomsday takes in The Harrowing of Hell and The Last Judgment. Traditionally, mystery plays were acted and produced by the trade guilds, and harrison recalls this in his use of props: a forklift transports God, a screwdriver serves as Christ's scepter, and a manhole cover is the mouth of Hell.

Drawing on pre-Renaissance English religious, linguistic, and theatrical tradition, these plays are part of a movement to celebrate English literature as it existed before the widespread cultural influence of continental Europe. In addition, this volume contains an Introduction that places these classic works in the context both of their medieval origins and of Harrison's own poetry.

Tony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.

'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall

'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn Bragg

Hecuba

'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian

Fram

'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times

'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times

Iphigenia in Crimea

Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.

A BOOK YOU CAN WRITE IN This is not only an exciting fun filled story. It's also a motivational tool that gives a child an "I CAN DO IT" outlook on life. The reader gets to name the main character as well as where the story takes place. By letting the child interact in the book, it will increase the chance of them learning more than they would from just hearing or reading a good story. Within the book there is an empty space for the child to write the name of the bird. This happens every time the birds' name is mentioned. Also there is a blank page for every chapter that the child can draw on if they choose. Follow the little bird born without the ability to fly as he learns about life. Be with him as he meets other animals and learns how, like people, everyone is unique in their own way. See his courage and bravery as he goes against the odds to do something no other bird has ever dared to do. He strives to enter the race the land animals have in the fall. The land animals have never let a bird enter the race. See his determination to enter the race and bring change so in the future it will be acceptable for other birds to race as well. All children are special and have something to give. It's our responsibility as adults to draw out their strengths, giving them every resource available. "I read to my daughter every night, but I have never read her a story as fun and inspirational as A bird that couldn't fly. This is a story I want my child to read over and over again." Author / Teresa Hawker

Tony Harrison published his first pamphlet of poems in 1964 and for over fifty years has been a prominent force in modern poetry. His poetic range is truly far-reaching, from the intimate tenderness of family life and personal love, to war poems written from Bosnia and savage public outcries against politicians. In The Collected Poems, Harrison draws deeply both on classical tradition and on the vernacular of the street. Combining the private and the public in a way Harrison has made distinctly his own, and drawing on his working-class upbringing in Leeds, these are powerful poems for modern times. This is the first complete paperback collection of one of Britain's most controversial and critically acclaimed poets. 'Tony Harrison is the greatest poet of the second half of the 20th century. . . He writes brilliantly about class, love and Britain' Daniel Radcliffe 'Harrison is a masterly technician, and the most fiery and indelible English poet of the age. This book is a vineyard on a volcano' Paul Farley

The thoughtful stories featured in this collection capture the soul of the city of Leeds by tracing the unique contours of 50 years of social and economic change. In one story the Millgarth Police Station reverberates with the early adrenaline rush of a case they won't close for years. Another tells of a teenage boy who trails the city center bars of the 1980s in thrall to his hero, a Leeds United football hooligan. Despite being products of their time, these stories remain distinct from the larger events and wider currents that have shaped the cultural landscape of today's Leeds, a modern city with both problems and promise. Featured authors include Tony Harrison, Jeremy Dyson, Shamshad Khan, Ian Duhig, David Peace, Susan Everett, M. Y. Alam, Andrea Semple, Martyn Bedford, and Tom Palmer.