Tony Hoagland's poems interrogate human nature and contemporary culture with an intimate and wild urgency, located somewhere between outrage, stand-up comedy, and grief. His new poems are no less observant of the human and the worldly, no less sceptical, and no less amusing, but they have drifted toward the greater depths of open emotion. Over six collections, Hoagland's poetry has become bigger, more tender, and more encompassing. The poems in Priest Turned Therapist Treats Fear of God turn his clear-eyed vision toward the hidden spaces - and spaciousness - in the human predicament. Tony Hoagland's poems poke and provoke at the same time as they entertain and delight. He is American poetry's hilarious 'high priest of irony', a wisecracker and a risk-taker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge. This UK edition of Priest Turned Therapist Treats Fear of God also includes additional poems from another recent US collection of his poetry, Recent Changes in the Vernacular (2017).

An eagerly awaited new collection of poems by contemporary favorite Tony Hoagland, author of Donkey Gospel
"How did I come to believe in a government called Tony Hoagland?"
"With an economy based on flattery and self-protection?"
"and a sewage system of selective forgetting?"
"and an extensive history of broken promises?"
""--from "Argentina"
In "What Narcissism Means to Me," award-winning poet Tony Hoagland levels his particular brand of acute irony not only on the personal life, but also on some provinces of American culture. In playful narratives, lyrical outbursts, and overheard conversations, Hoagland cruises the milieu, exploring the spiritual vacancies of American satisfaction. With humor, rich tonal complexity, and aggressive moral intelligence, these poems bring pity to our folly and celebrate our resilience.

In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones and temperatures, by turns confiding, vulgar, bossy or cunning-but above all, alive. The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting and using secondary voices as an enriching source of texture in the poem. A comprehensive appendix contains thirty stimulating models and exercises that will help poets cultivate their craft. Mining his personal experience as a poet and analysing a wide range of examples from Catullus to Marie Howe, Hoagland provides a lively introduction to contemporary poetry and an invaluable guide for any practising writer.

Tony Hoagland's zany poems poke and provoke at the same time as they entertain and delight. He is American poetry's hilarious 'high priest of irony', a wisecracker and a risktaker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge. Unincorporated Persons in the Late Honda Dynasty was his first new collection after What Narcissism Means to Me: Selected Poems (Bloodaxe Books, 2005). The poems - and title - try to make sense of the situation of the individual in our time, and in America in particular - Hoagland's obsessive main subject. They worry over how to preserve a sense of self and values, connectedness and cohesiveness, in an era of market-driven culture, dazzling but toxic entertainment, and degraded and degrading idiocies cultivated by mass culture. Poetry Book Society Recommendation.

Walking the Dog's Shadow rose to the top of nearly eight hundred submissions to win the ninth annual A. Poulin, Jr. Poetry Prize. Tony Hoagland, who served as final judge for the contest, writes, "Deborah Brown's poems remind me a little of the great Polish poet, Wistawa Szymborska. They both make thinking look easy...Brown's poems aren't just about a eureka moment; they taste of the whole journey. Walking the Dog's Shadow is a beautiful book, wise and sure of itself, fresh with wit and gravity, serious and true." Deborah Brown teaches literature and writing at the University of New Hampshire-Manchester.

America's Tony Hoagland (1953-2018) was known for provocative poems which interrogate human nature and contemporary culture with an intimate and wild urgency, located somewhere between outrage, stand-up comedy, and grief. The poems in his final collection Turn Up the Ocean examine with an unflinching eye and mordant humour the reality of living and dying in a time and culture that conspire to erase our inner lives. Hoagland's signature wit and unparalleled observations take in long-standing injustices, the atrocities of American empire and consumerism, and our continuing habit of looking away. In these poems, perseverance depends on a gymnastics of scepticism and comedy, a dogged quest for authentic connection, and the consolations of the natural world. Turn Up the Ocean is a remarkable and moving collection, a fitting testament to Hoagland's devotion to the capaciousness and art of poetry. Tony Hoagland's poems poke and provoke at the same time as they entertain and delight. He was American poetry's hilarious 'high priest of irony', a wisecracker and a risk-taker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushed the poem not just to its limits but over the edge.

In LITTLE OCEANS we enter the wild range of Tony Hoagland's universe as he charts the manners and morals of our contemporary world with his incisive eye and lyric heart.

New poetry from award-winning poet Tony Hoagland.

Are we corrupt or innocent, fragmented or whole? Are responsibility and freedom irreconcilable? Do we value memory or succumb to our forgetfulness? Application for Release from the Dream, Tony Hoagland's fifth collection of poems, pursues these questions with the fierce abandon of one who needs to know how a citizen of 21st-century America can stay human. With whiplash nerve and tender curiosity, Hoagland surveys the damage and finds the wonder that makes living worthwhile. Mirthful, fearless, and precise, these poems are full of judgment and mercy. Tony Hoagland's poems poke and provoke at the same time as they entertain and delight. He is American poetry's hilarious 'high priest of irony', a wisecracker and a risk-taker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge.