Three people have come to visit the grave of Michael, who has died of a heart attack in his early 40s. There's Maureen, his wife of nearly 20 years, whom he helped through a breakdown that followed the death of their infant son. There's Anna, his lover, with whom he secretly lived while working in London during the week. And there's Bob, a friend and father-figure to Michael, who tends the graveyard and harbours his own deep feelings of grief. All three loved Michael; all three have reason to mourn, but the secrets that exist between them impede the comfort they might otherwise draw from each other. This one-act play for two women and one man reflects poignantly on love, loss, and beginning again.

Margot Anderson, 44 and unmarried, has reluctantly agreed to accompany her widowed mother Isabel on a cruise of the Baltic coast. Within the claustrophobic confines of the ship, longstanding resentments between mother and daughter begin to emerge. When they encounter Stephen, a charming widower of Isabel's age, both women are pleased to find someone to confide in. Stephen and Isabel have life experiences in common, while Margot shares his appreciation of history, literature and art. From the outset, Isabel stakes her claim, but it is clear that Stephen's interest lies elsewhere. The situation is further complicated when handsome young waiter Mario makes a pass at Margot. Can she, the aspiring voyager of the play's title, finally set sail on an adventure of her own? Voyager is a moving, thought-provoking play in one act, with excellent roles for two men and two women.

This moving, lyrical play takes place during the summer of 1940 and is set against the dramatic wartime backdrop of the internment camp at Port Erin on the Isle of Man. Two romances develop: one between a young German internee and a young English girl stranded on the isle; the other between a woman of Italian descent and a German Jew. The play raises issues about a little-recorded part of British domestic history in which the characters are sustained by their hopes and dreams which we, the audience, finally realize will not be fulfilled. Played mostly in duologues and soliloquies this fifty-minute play is an ideal festival choice.

Yorkshire, 1961. Jamie wants to study drama at RADA, something he knows would not be approved of by his Catholic Irish mother, Maureen. Jamie begins to take lessons for his audition in secret with Margaret, a relief teacher. Their relationship sparks jealousy from Jamie's girlfriend Sarah, then indignation from Maureen, who forbids the lessons to continue. Jamie's fate seems sealed; he has a powerful ally in his Auntie Bridget, however, whose own profound secret proves the turning point.6 women, 3 men