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This definitive guide covers the design and application of
absorbers and diffusers in acoustics. Surface diffusion is a
relatively young subject area, and diffuser design, application and
characterisation are often not well understood. Although there is
greater knowledge of absorption, it is also informed by new
research. As two of the main design tools for altering the acoustic
conditions of rooms, the correct use of absorbers and diffusers is
important to the creation of quality acoustics. This text details
the evolution and the current state of the art in diffuser and
absorber research and application. It covers a range of practical
and theoretical aspects, with extensive examples of installations
and case studies to cater to practitioners working in the
measurement, modelling and design of rooms, semi-enclosed spaces as
well as in noise control. It is also invaluable for students and
researchers wanting a grounding in acoustic treatment, as well as
understanding the latest developments. All chapters have been
revised and brought up to date in this new edition, with new
applications, absorbers and diffusers featured. Sustainability,
portable vocal booths, and fast time domain models for diffusers
are just a few of the new sections. Improved techniques for
measurement and prediction are included, as well as bringing old
methods up-to-date with the latest refinements from standards and
research. Most of the prediction methods in the book are now linked
to open source implementations and downloadable MATLAB scripts,
enabling readers to exploit the knowledge in this book more readily
in design and research.
This definitive guide covers the design and application of
absorbers and diffusers in acoustics. Surface diffusion is a
relatively young subject area, and diffuser design, application and
characterisation are often not well understood. Although there is
greater knowledge of absorption, it is also informed by new
research. As two of the main design tools for altering the acoustic
conditions of rooms, the correct use of absorbers and diffusers is
important to the creation of quality acoustics. This text details
the evolution and the current state of the art in diffuser and
absorber research and application. It covers a range of practical
and theoretical aspects, with extensive examples of installations
and case studies to cater to practitioners working in the
measurement, modelling and design of rooms, semi-enclosed spaces as
well as in noise control. It is also invaluable for students and
researchers wanting a grounding in acoustic treatment, as well as
understanding the latest developments. All chapters have been
revised and brought up to date in this new edition, with new
applications, absorbers and diffusers featured. Sustainability,
portable vocal booths, and fast time domain models for diffusers
are just a few of the new sections. Improved techniques for
measurement and prediction are included, as well as bringing old
methods up-to-date with the latest refinements from standards and
research. Most of the prediction methods in the book are now linked
to open source implementations and downloadable MATLAB scripts,
enabling readers to exploit the knowledge in this book more readily
in design and research.
As an acoustic engineer, Trevor Cox has spent his career
eradicating unwanted noises - echoes in concert halls, clamour in
classrooms. Until the day he heard something so astonishing that he
had an epiphany: rather than quashing rare or bizarre sounds, we
should be celebrating these sonic treasures. This is the story of
his investigation into the mysteries of these Sonic Wonders of the
World. In the Mojave Desert he finds sand dunes that sing. In
France he discovers an echo that tells jokes. In California he
drives down a musical road that plays the William Tell Overture. In
Cathedrals across the world he learns how acoustics changed the
history of the Church. Touching on physics, music, archaeology,
neuroscience, biology, and design, Cox explains how sound is made
and altered by the environment and how our body reacts to peculiar
noises - from the exotic sonic wonders he encounters on his
journey, or the equally unique and surprising sounds of our
everyday environment. In a world dominated by the visual, Sonic
Wonderland encourages us to become better listeners and to open our
ears to the glorious cacophony around us. Listen to a selection of
astonishing sounds here: https://soundcloud.com/sonicwonderland
Trevor Cox is on a hunt for the sonic wonders of the world. A
renowned expert who engineers classrooms and concert halls, Cox has
made a career of eradicating bizarre and unwanted sounds. But after
an epiphany in the London sewers, Cox now revels in exotic noises
creaking glaciers, whispering galleries, stalactite organs, musical
roads, humming dunes, seals that sound like alien angels, and a
Mayan pyramid that chirps like a bird. With forays into
archaeology, neuroscience, biology, and design, Cox explains how
sound is made and altered by the environment, how our body reacts
to peculiar noises, and how these mysterious wonders illuminate
sound s surprising dynamics in everyday settings from your bedroom
to the opera house. The Sound Book encourages us to become better
listeners in a world dominated by the visual and to open our ears
to the glorious cacophony all around us."
'A lively, intelligent and persuasive history of speech...Expertly
and patiently explained' The Times Why are human beings the only
animals that can speak? And why does it matter? If you've ever felt
the shock of listening to a recording of your own voice, you
realise how important your voice is to your personal identity. We
judge others - and whether we trust them - not just by their words
but by the way they talk: their intonation, their pitch, their
accent. Now You're Talking explores the full range of our voice -
how we speak and how we sing; how our vocal anatomy works; what
happens when things go wrong; and how technology enables us to
imitate and manipulate the human voice. Trevor Cox talks to vocal
coaches who help people to develop their new voice after a gender
transition; to record producers whose use of technology has
transformed the singing voice; and to computer scientists who
replicate the human voice in their development of artificial
intelligence. Beginning with the Neanderthals, Now You're Talking
takes us all the way to the digital age - with the frightening
prospect that we may soon hear 'Unexpected item in the bagging
area' more frequently than a friendly 'Hello, how are you?' in the
street.
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