Trevor Cribben Merrill offers a bold reassessment of Milan Kundera's place in the contemporary canon. Harold Bloom and others have dismissed the Franco-Czech author as a maker of "period pieces" that lost currency once the Berlin Wall fell. Merrill refutes this view, revealing a previously unexplored dimension of Kundera's fiction. Building on theorist Rene Girard's notion of "triangular desire," he shows that modern classics such as The Unbearable Lightness of Being and The Book of Laughter and Forgetting display a counterintuitive-and bitterly funny-understanding of human attraction. Most works of fiction (and most movies, too) depict passionate feelings as deeply authentic and spontaneous. Kundera's novels and short stories overturn this romantic dogma. A pounding heart and sweaty palms could mean that we have found "the One" at last-or they could attest to the influence of a model whose desires we are unconsciously borrowing: our amorous predilections may owe less to personal taste or physical chemistry than they do to imitative desire. At once a comprehensive survey of Kundera's novels and a witty introduction to Girard's mimetic theory, The Book of Imitation and Desire challenges our assumptions about human motive and renews our understanding of a major contemporary author.

The protagonist of Marcel Proust's In Search of Lost Time observes with wonder the comings and goings of the crows that roost in the belfry of the village church in Combray, his childhood home. For RenE Girard, one of Proust's great interpreters, their mysterious flight, first departing from and then returning to the vertical axis of the steeple, suggests the movement of modern history-the crisis of aristocratic models, the growing servitude of individuals possessed by mimetic desire, and the final irruption of authentic transcendence. In this rich exploration of Girard's insights, his French editor and longtime collaborator BenoIt Chantre brings Saint Paul's Letter to the Romans into dialogue with both Proust and Girard in order to push to its logical endpoint the idea of a back-and-forth movement from chaos to order. History, Chantre argues, has been driven mad by the revelation of its sacrificial engine. The only way out lies in a transformation internal to the crisis itself-only that faith which is capable of hearing the One who speaks in the Law makes it possible to avoid the perpetual ups and downs of rivalry. Acting and revealing Himself at the heart of history, an intimate model "hidden since the foundation of the world" deals a fatal blow to the circle of sin. Authentic transcendence coincides with the eschaton, the moment when-according to Saint Paul-historical time implodes into eternity.

Trevor Cribben Merrill offers a bold reassessment of Milan Kundera's place in the contemporary canon. Harold Bloom and others have dismissed the Franco-Czech author as a maker of "period pieces" that lost currency once the Berlin Wall fell. Merrill refutes this view, revealing a previously unexplored dimension of Kundera's fiction. Building on theorist Rene Girard's notion of "triangular desire," he shows that modern classics such as The Unbearable Lightness of Being and The Book of Laughter and Forgetting display a counterintuitive--and bitterly funny--understanding of human attraction.Most works of fiction (and most movies, too) depict passionate feelings as deeply authentic and spontaneous. Kundera's novels and short stories overturn this romantic dogma. A pounding heart and sweaty palms could mean that we have found "the One" at last--or they could attest to the influence of a model whose desires we are unconsciously borrowing: our amorous predilections may owe less to personal taste or physical chemistry than they do to imitative desire. At once a comprehensive survey of Kundera's novels and a witty introduction to Girard's mimetic theory, The Book of Imitation and Desire challenges our assumptions about human motive and renews our understanding of a major contemporary author.