This book deals with historical consciousness and its artistic expressions in contemporary Greece since 1989 from the point of view that contemporary Greeks have been faced with the contradictions between on the one hand a glorious, world-famous yet distant past and, on the other, a traumatic contemporary history of wars, expulsions, civil strife and political and economic crises. Such clashes of imaginary identifications and collective traumas call for interpretations not only from historians but also from artists and storytellers. Therefore, the chapters in this volume explore the ways in which sensitive and creative perspectives of art approach and appropriate history in Greece. Through a rich collection of analytical case studies and creative reflections on Greece's past, present, and future this volume presents the reader with the ways a set of contemporary Greek storytellers in different genres have incorporated previously under-explored or little-known themes, events, and epochs in modern Greek history showing how the past, by being interpreted and represented in the present, can teach us a lot about contemporary Greek society. The themes that form the point of departure for the stories told or retold cover various significant components of Greek history and culture such as ancient myths, the Ottoman period, the Greek War of Independence and the Greek Civil War, but also less prominent or known aspects of Greek history such as the Greek Enlightenment, the long and tragic history of Greek Jewry, and migration to and from Greece.

The relationship between tradition and innovation in Orthodox Christianity has often been problematic, filled with tensions and contradictions starting from the Byzantine era and running through the 19th and 20th centuries. For a long period of time scholars have typically assumed Greek Orthodoxy to be a static religious tradition with little room for renewal or change. Although this public perception continues, the immutability of the Greek Orthodox tradition has been questioned by several scholars over the past few years. This book continues this line of reasoning, but brings it into the centre of contemporary discussion. Presenting case studies from different periods of history up to the present day, the authors trace different aspects in the development of innovation and renewal in Orthodox Christianity in the Greek-speaking world and among the Diaspora.

New Voices in Greek Orthodox Thought brings to the light and discusses a strand in contemporary Greek public debate that is often overlooked, namely progressive religious actors of a western orientation. International - and Greek - media tend to focus on the extreme views and to categorise positions in the public debate along well known dichotomies such as traditionalists vs. modernsers. Demonstrating that in late modernity, parallel to rising nationalisms, there is a shift towards religious communities becoming the central axis for cultural organization and progressive thinking, the book presents Greece as a case study based on empirical field data from contemporary theology and religious education, and makes a unique contribution to ongoing debates about the public role of religion in contemporary Europe.

New Voices in Greek Orthodox Thought brings to the light and discusses a strand in contemporary Greek public debate that is often overlooked, namely progressive religious actors of a western orientation. International - and Greek - media tend to focus on the extreme views and to categorise positions in the public debate along well known dichotomies such as traditionalists vs. modernsers. Demonstrating that in late modernity, parallel to rising nationalisms, there is a shift towards religious communities becoming the central axis for cultural organization and progressive thinking, the book presents Greece as a case study based on empirical field data from contemporary theology and religious education, and makes a unique contribution to ongoing debates about the public role of religion in contemporary Europe.

The relationship between tradition and innovation in Orthodox Christianity has often been problematic, filled with tensions and contradictions starting from the Byzantine era and running through the 19th and 20th centuries. For a long period of time scholars have typically assumed Greek Orthodoxy to be a static religious tradition with little room for renewal or change. Although this public perception continues, the immutability of the Greek Orthodox tradition has been questioned by several scholars over the past few years. This book continues this line of reasoning, but brings it into the centre of contemporary discussion. Presenting case studies from different periods of history up to the present day, the authors trace different aspects in the development of innovation and renewal in Orthodox Christianity in the Greek-speaking world and among the Diaspora.

This book explores the increasing interest in the Ottoman past in contemporary Greek society and its cultural sphere. It considers how the changing geo-political balances in South-East Europe since 1989 have offered Greek society an occasion to re-examine the transition from cultural diversity in the imperial context, to efforts to homogenize culture in the subsequent national contexts. This study shows how contemporary immigration and better relations with Turkey led to new directions in historiography, fiction and popular culture in the beginning of the twenty-first century. It focuses on how narratives about cultural co-existence under Ottoman rule are used as a prism of national self-awareness and argues that the interpretations of Greece's Ottoman legacy are part of the cultural battles over national identity and belonging. The book examines these narratives within the context of tension between East and West and, not least, Greece's place in Europe.

This book explores the increasing interest in the Ottoman past in contemporary Greek society and its cultural sphere. It considers how the changing geo-political balances in South-East Europe since 1989 have offered Greek society an occasion to re-examine the transition from cultural diversity in the imperial context, to efforts to homogenize culture in the subsequent national contexts. This study shows how contemporary immigration and better relations with Turkey led to new directions in historiography, fiction and popular culture in the beginning of the twenty-first century. It focuses on how narratives about cultural co-existence under Ottoman rule are used as a prism of national self-awareness and argues that the interpretations of Greece's Ottoman legacy are part of the cultural battles over national identity and belonging. The book examines these narratives within the context of tension between East and West and, not least, Greece's place in Europe.