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Showing 1 - 12 of 12 matches in All Departments
" . . . methodologically innovative . . . precise and perceptive and conscious . . . " -Text and Performance Quarterly "Woman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." -Chandra Talpade Mohanty "The idea of Trinh T. Minh-ha is as powerful as her films . . . formidable . . . " -Village Voice " . . . its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." -Artpaper "Highly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." -Religious Studies Review Audio book narrated by Betty Miller. Produced by Speechki in 2021.
World-renowned filmmaker and feminist, postcolonial thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in both independent filmmaking and cultural politics. Elsewhere, Within Here is an engaging look at travel across national borders--as a foreigner, a tourist, an immigrant, a refugee in a pre- and post-9/11 world. Who is welcome where? What does it mean to feel out of place in the country you call home? When does the stranger appear in these times of dark metamorphoses? These are some of the issues addressed by the author as she examines the cultural meaning and complexities of travel, immigration, home and exile. The boundary, seen both as a material and immaterial event, is where endings pass into beginnings. Building upon themes present in her earlier work on hybridity and displacement in the median passage, and illuminating the ways in which "every voyage can be said to involve a re-siting of boundaries," Trinh T. Minh-ha leads her readers through an investigation of what it means to be an insider and an outsider in this "epoch of global fear." Elsewhere, Within Here is essential reading for those interested in contemporary feminist thought and postcolonial studies. Trinh T. Minh-ha is Professor of Rhetoric and of Gender and Women's Studies at the University of California, Berkeley. A leading feminist theorist, award-winning filmmaker, visual artist, writer, composer, cultural critic, she is the author of several influential and highly regarded books, including When the Moon Waxes Red, Framer Framed, Cinema-Interval, and The Digital Film Event, all published by Routledge.
Winner of the 2012 Critics Choice Book Award of the American Educational Studies Association (AESA) World-renowned filmmaker and feminist, postcolonial thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in both independent filmmaking and cultural politics. Elsewhere, Within Here is an engaging look at travel across national borders--as a foreigner, a tourist, an immigrant, a refugee-in a pre- and post-9/11 world. Who is welcome where? What does it mean to feel out of place in the country you call home? When does the stranger appear in these times of dark metamorphoses? These are some of the issues addressed by the author as she examines the cultural meaning and complexities of travel, immigration, home and exile. The boundary, seen both as a material and immaterial event, is where endings pass into beginnings. Building upon themes present in her earlier work on hybridity and displacement in the median passage, and illuminating the ways in which "every voyage can be said to involve a re-siting of boundaries," Trinh T. Minh-ha leads her readers through an investigation of what it means to be an insider and an outsider in this "epoch of global fear." Elsewhere, Within Here is essential reading for those interested in contemporary feminist thought and postcolonial studies.
Endless travel in cyberspace, virtual reality, and the dream of
limitless speed: technology changes our sense of self. In her new
book, Trinh Minh-ha explores the way technology transforms our
perception of reality.
Endless travel in cyberspace, virtual reality, and the dream of
limitless speed: technology changes our sense of self. In her new
book, Trinh Minh-ha explores the way technology transforms our
perception of reality.
The dwellings of hundreds of African ethnic groups offer a variety of conceptions and building practices that contradict the widespread image of the primitive hut commonly attributed to rural Africa. Each house or group of houses is designed not only to shelter the members of a family, but also to enable intimate communication with ancestors and divinities and to harmonize with the forces of nature. Such an architecture thrives in a community context where it is simply not acceptable to plunder resources from the earth, and resources are used only in accordance with their availability, in quantity, and at times of year that minimize environmental impact. This cultural dimension and its realization through different architectural practices are illustrated in this work with examples taken from dwellings across numerous ethnic groups in sub-Saharan West Africa. Drawings, plans, axonometric projections, and photographs show the beauty and complexity of this architecture that is a spiritual praxis -- as much place of life as work of art.
In this new work, renowned feminist filmmaker and postcolonial theorist Trinh T. Minh-ha offers a lyrical, philosophical meditation on the global state of endless war and the violence inflicted by the imperial need to claim victory. She discusses the rise of the police state as linked, for example, to U.S. military intervention in Iraq and Afghanistan, or to China's occupation of Tibet, examining legacies of earlier campaigns and the residual effects of the war on terror. She also takes up the shifting dynamics of peoples' resistance to acts of militarism and surveillance as well as social media and its capacity to inform and mobilize citizens around the world. At once an engaging treatise and a creative gesture, Lovecidal probes the physical and psychic conditions of the world and shows us a society that is profoundly heartsick. Taking up with those who march both as and for the oppressed-who walk with the disappeared to help carry them forward-Trinh T. Minh-ha engages the spiritual and affective dimensions of a civilization organized around the rubrics of nonstop governmental subjugation, economic austerity, and highly technologized military conflict. In doing so, she clears a path for us to walk upon. Along with our every step, the world of the disappeared lives on.
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