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This volume contains Tristan Tzara's famous manifestos, which first
appeared between 1916 and 1921 and became essential texts of the
modern movement and models for Breton's Surrealist manifestos. Art
for Tzara was both deadly serious and a game, and the playfulness
of his character is apparent not only in his polemic, which often
uses dadaist typography, but in the delightful drawings contributed
by Francis Picabia. In addition, this volume also contains Tzara's
Lampisteries - articles that throw light on various art forms
contemporary with his own work, at a time when art, weary of the
old certainties, turned into subjective and often abstract forms,
favouring the reality of the mind over that of the senses.
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