In June 1914, a seamstress named Frieda Kliem left Berlin on a commuter train to meet the man she had fallen in love with through a newspaper personal ad. Instead of proposing marriage, the man lured her into the forest, murdered her, and stole the few valuables she had in her apartment. Through Kliem's story, Love at Last Sight examines the risk associated with modern approaches to dating and finding love in the turn-of-the-century metropolis. Using newspapers, diaries, police records, and court cases, it reveals the strangers, swindlers, and traditional middle-class values that threatened single people looking for intimacy in new ways. For most men and women, using modern technologies to seek romance-making an acquaintance on the street, pursuing a missed connection from a streetcar, or paying for a matchmaking service or personal ad-meant putting one's livelihood, respectability, and life on the line. Those attracted to the opposite and same sex alike experimented with these and other novel approaches, including looking for mates at their workplaces, apartment buildings, dance halls, and bars. In doing so, they navigated traditional and modern class and gender norms in search of financial stability and personal fulfillment. Love at Last Sight exposes the tensions of romance in the modern city as turn-of-the-century Berliners found the metropolis a place of new opportunities to find meaningful connections, as well as a site of isolation, alienation, and danger.

Love and its attendant emotions not only spur migration—they forge our response to the people who leave their homes in search of new lives. Emotional Landscapes looks at the power of love, and the words we use to express it, to explore the immigration experience. The authors focus on intimate emotional language and how languages of love shape the ways human beings migrate but also create meaning for migrants, their families, and their societies. Looking at sources ranging from letters of Portuguese immigrants in the 1880s to tweets passed among immigrant families in today's Italy, the essays explore the sentimental, sexual, and political meanings of love. The authors also look at how immigrants and those around them use love to justify separation and loss, and how love influences us to privilege certain immigrants—wives, children, lovers, refugees—over others.   Affecting and perceptive, Emotional Landscapes moves from war and transnational families to gender and citizenship to explore the crossroads of migration and the history of emotion.   Contributors: María Bjerg, Marcelo J. Borges, Sonia Cancian, Tyler Carrington, Margarita Dounia, Alexander Freund, Donna R. Gabaccia, A. James Hammerton, Mirjam Milhar�i� Hladnik, Emily Pope-Obeda, Linda Reeder, Roberta Ricucci, Suzanne M. Sinke, and Elizabeth Zanoni

Love and its attendant emotions not only spur migration—they forge our response to the people who leave their homes in search of new lives. Emotional Landscapes looks at the power of love, and the words we use to express it, to explore the immigration experience. The authors focus on intimate emotional language and how languages of love shape the ways human beings migrate but also create meaning for migrants, their families, and their societies. Looking at sources ranging from letters of Portuguese immigrants in the 1880s to tweets passed among immigrant families in today's Italy, the essays explore the sentimental, sexual, and political meanings of love. The authors also look at how immigrants and those around them use love to justify separation and loss, and how love influences us to privilege certain immigrants—wives, children, lovers, refugees—over others.   Affecting and perceptive, Emotional Landscapes moves from war and transnational families to gender and citizenship to explore the crossroads of migration and the history of emotion.   Contributors: María Bjerg, Marcelo J. Borges, Sonia Cancian, Tyler Carrington, Margarita Dounia, Alexander Freund, Donna R. Gabaccia, A. James Hammerton, Mirjam Milhar�i� Hladnik, Emily Pope-Obeda, Linda Reeder, Roberta Ricucci, Suzanne M. Sinke, and Elizabeth Zanoni