Bertrand Russell, G. E. Moore, and other analytic philosophers of the early 20th century claimed to depart from the British idealists who dominated philosophical debate from the 1870s onwards. The nature and extent of this departure is now widely questioned as philosophers return to the writings of Bernard Bosanquet, F. H. Bradley, R. G. Collingwood, T. H. Green, J. M. E. McTaggart, and others. Nowadays, the British idealist movement is mostly remembered for its seminal contributions to metaphysics, ethics, and political philosophy. The contributors to this volume explore some of the movement's other, equally-insightful, contributions to the philosophies of language, aesthetics and emotions. These chapters cover core philosophical issues including the relationship between the speech communities and the general will; the role of emotions in the Absolute; key differences between leading British idealists on the relationships between emotions and relations; the nature of love; the historical re-enactment of imagination and creativity; expressivism in art; and the actual idealism of the British idealists' Italian counterparts. This book was originally published as a special issue of the British Journal of the History of Philosophy.

Bertrand Russell, G. E. Moore, and other analytic philosophers of the early 20th century claimed to depart from the British idealists who dominated philosophical debate from the 1870s onwards. The nature and extent of this departure is now widely questioned as philosophers return to the writings of Bernard Bosanquet, F. H. Bradley, R. G. Collingwood, T. H. Green, J. M. E. McTaggart, and others. Nowadays, the British idealist movement is mostly remembered for its seminal contributions to metaphysics, ethics, and political philosophy. The contributors to this volume explore some of the movement's other, equally-insightful, contributions to the philosophies of language, aesthetics and emotions. These chapters cover core philosophical issues including the relationship between the speech communities and the general will; the role of emotions in the Absolute; key differences between leading British idealists on the relationships between emotions and relations; the nature of love; the historical re-enactment of imagination and creativity; expressivism in art; and the actual idealism of the British idealists' Italian counterparts. This book was originally published as a special issue of the British Journal of the History of Philosophy.

"Listening to Your iGod" revives the discussion of religion and science and the parallels that exist between the two fields of thought.

Author Tyler James presents his thoughts on why these two very different schools of thought may actually complement each other at times. Jesus taught in parables that offered parallels between nature and God's word. Jesus himself was paralleled with nature as well, lending credence to the idea that there is more to spreading God's word than the obvious.

Consideration of the segregation and feud between science and religion points to similar segregation and differences among the world's societies and religions today. James suggests that the world as a whole needs to gain greater maturity in order to get past these differences and live in harmony. Moreover, this connection is even more relevant given the impending apocalypse, which he believes will begin in 2016.

By showing the parallels between science and religion in "Listening to Your iGod," James hopes to lay the groundwork for connection and harmony.

"Listening to Your iGod" revives the discussion of religion and science and the parallels that exist between the two fields of thought.

Author Tyler James presents his thoughts on why these two very different schools of thought may actually complement each other at times. Jesus taught in parables that offered parallels between nature and God's word. Jesus himself was paralleled with nature as well, lending credence to the idea that there is more to spreading God's word than the obvious.

Consideration of the segregation and feud between science and religion points to similar segregation and differences among the world's societies and religions today. James suggests that the world as a whole needs to gain greater maturity in order to get past these differences and live in harmony. Moreover, this connection is even more relevant given the impending apocalypse, which he believes will begin in 2016.

By showing the parallels between science and religion in "Listening to Your iGod," James hopes to lay the groundwork for connection and harmony.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

"This powerful and lively package of primary materials and historical context will demonstrate how historical 'forces' play themselves out on the ground. Kierner's collection offers a fresh lens on a new world struggling into being and will inspire teachers and students of all ages alike."
-- Catherine Allgor, author of "A Perfect Union: Dolley Madison and the Creation of the American Nation"

The Contrast makes a real contribution to the existing scholarship on this period, it has great appeal for classroom use, and it puts back in print an amusing play that is instrumental in understanding critical issues in the new nation. The play The Contrast centers on gender roles, relations, and expectations, mocking the gender stereotypes of the day and is a rich source for understanding a host of political and social issues in the Early Republic. It is funnyeven to a modern audienceand replete with literary references.
-- Charlene M. Boyer Lewis, author of "Ladies and Gentlemen on Display: Planter Society at the Virginia Springs, 1790-1860"-- Norma Basch, author of "Framing American Divorce: From the Revolutionary Generation to the Victorians"

"The Contrast," which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in1790, George Washington himself appeared at the head of its list of hundreds of subscribers.

Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler's play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans -- and, if so, how?

Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.

"This powerful and lively package of primary materials and historical context will demonstrate how historical 'forces' play themselves out on the ground. Kierner's collection offers a fresh lens on a new world struggling into being and will inspire teachers and students of all ages alike."
-- Catherine Allgor, author of "A Perfect Union: Dolley Madison and the Creation of the American Nation"

The Contrast makes a real contribution to the existing scholarship on this period, it has great appeal for classroom use, and it puts back in print an amusing play that is instrumental in understanding critical issues in the new nation. The play The Contrast centers on gender roles, relations, and expectations, mocking the gender stereotypes of the day and is a rich source for understanding a host of political and social issues in the Early Republic. It is funnyeven to a modern audienceand replete with literary references.
-- Charlene M. Boyer Lewis, author of "Ladies and Gentlemen on Display: Planter Society at the Virginia Springs, 1790-1860"-- Norma Basch, author of "Framing American Divorce: From the Revolutionary Generation to the Victorians"

"The Contrast," which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in1790, George Washington himself appeared at the head of its list of hundreds of subscribers.

Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler's play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans -- and, if so, how?

Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.