Written against a backdrop of heartbreak and loneliness and spanning the geography of Cincinnati, Detroit, and New York, this is a complex, intriguing book of poetry that plays dynamically with language as each new reading brings forth something unseen from the previous reading. Highlighting the varied modes of writing that Tyrone Williams has mastered-the fractal lyric, the metahistorical fable, the atomic lexical-Stilettos in a Rifle Range reveals in high resolution the power of representational strategies within American English. Williams's language in particular is an intralingual love affair that all will enjoy.

The essays in Inciting Poetics provide provocative answers to the book's opening question, ""What are poetics now?"" Authored by some of the most important contemporary poets and critics, the essays present new theoretical and practical approaches to poetry and poetics that address current topics and approaches in the field as well as provide fresh readings of a number of canonical poets. The four sections-""What is Poetics?,"" ""Critical Interventions,"" ""Cross-Cultural Imperatives,"" and ""Digital, Capital, and Institutional Frames""-create a basis on which both experienced readers and newcomers can build an understanding of how to think and write about poetry. The diverse voices throughout the collection are both informative and accessible and offer a rich exploration of multiple approaches to thinking and writing about poetry today.

The Poetry and Poetics of Michael Heller: A Nomad Memory is the first comprehensive treatment of a singularly important American poet of the twentieth and twenty-first centuries. Michael Heller (b. 1937) has amassed a body of poetry and criticism that places him in the vanguard of modern literature, and this essay collection provides the first extensive critical treatment of his varied career. This book 's multifaceted appraisal of his engagement with poetry as well as crucial ideas across various traditions establishes him as a preeminent writer among his contemporaries and younger generations, and as a major poet in any era.

Poetry. African American Studies. "These pre-c.c. posts stream to us from some point 'prior to predication.' It's a place Tyrone Williams has been exploring on our behalf for a good, long time, beamed up, as it were, from some Ohio of the spirit, sending his missives back to us here on planet Grammar, a place of our own constant care and making where 'meanwhile means dissent.' These are poems that teach us how to read them, or rather, teach us the deep structures that we didn't know we knew. Take, for just one instance, the perfectly rhymed, perfectly logical line, 'X nee YHWH.' The here unaccented 'nee'-sayer marks the places the vowels should go, the Xed out spot the tongue should find in history, the unspeakable languages of our own territorial claims. That's a lot of work for one line to do, but that's in the nature of scripture. Tyrone Williams has been hard on the case on our behalf. We owe him at the least a collective thank-you post-it"--Aldon Lynn Nielsen.

Over 360 essays and analyses of the important works of African American writers of all genres, including long fiction, short fiction, poetry, drama and nonfiction are given the Masterplots treatment in this revised set. New material covered includes memoirs by Maya Angelou and Jamaica Kincaid, novels by Ralph Ellison, Terry McMillan and Toni Morrison, poetry by Cornelius Eady, and young adult literature by Gwendolyn Brooks.

Over 360 essays and analyses of the important works of African American writers of all genres, including long fiction, short fiction, poetry, drama and nonfiction are given the Masterplots treatment in this revised set. New material covered includes memoirs by Maya Angelou and Jamaica Kincaid, novels by Ralph Ellison, Terry McMillan and Toni Morrison, poetry by Cornelius Eady, and young adult literature by Gwendolyn Brooks