Food - how it's grown, how it's shared - makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind's first task: "The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed" (Gen. 2:8). The desire to get one's hands dirty raising one's own food, then, doesn't just come from modern romanticism, but is built into human nature. The title, "The Welcome Table," comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible's closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited - a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come. Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Koeder, Carl Juste, Andre Chung, Angel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.

Batchelder Honor Winner, 2020 ALA Youth Media Awards Honorable Mention, 2019 Freeman Awards (National Consortium for Teaching about Asia) Korea's demilitarized zone has become an amazing accidental nature preserve that gives hope for a brighter future for a divided land. This unique picture book invites young readers into the natural beauty of the DMZ, where salmon, spotted seals, and mountain goats freely follow the seasons and raise their families in this 2.5-mile-wide, 150-mile-long corridor where no human may tread. But the vivid seasonal flora and fauna are framed by ever-present rusty razor wire, warning signs, and locked gates-and regularly interrupted by military exercises that continue decades after a 1953 ceasefire in the Korean War established the DMZ. Creator Uk-Bae Lee's lively paintings juxtapose these realities, planting in children the dream of a peaceful world without war and barriers, where separated families meet again and live together happily in harmony with their environment. Lee shows the DMZ through the eyes of a grandfather who returns each year to look out over his beloved former lands, waiting for the day when he can return. In a surprise foldout panorama at the end of the book the grandfather, tired of waiting, dreams of taking his grandson by the hand, flinging back the locked gates, and walking again on the land he loves to find his long-lost friends. When Spring Comes to the DMZhelps introduce children to the unfinished history of the Korean Peninsula playing out on the nightly news, and may well spark discussions about other walls, from Texas to Gaza.