Although refugee camps are established to accommodate, protect, and assist those fleeing from violent conflict and persecution, life often remains difficult there. Building on empirical research with refugees in a Ugandan camp, Ulrike Krause offers nuanced insights into violence, humanitarian protection, gender relations, and coping of refugees who mainly escaped the conflicts in the Democratic Republic of Congo. This book explores how risks of gender-based violence against women, in particular, but also against men, persist despite and partly due to their settlement in the camp and the system established there. It reflects on modes and shortcomings of humanitarian protection, changes in gender relations, as well as strategies that the women and men use to cope with insecurities, everyday struggles, and structural problems occurring across different levels and temporalities.

Although refugee camps are established to accommodate, protect, and assist those fleeing from violent conflict and persecution, life often remains difficult there. Building on empirical research with refugees in a Ugandan camp, Ulrike Krause offers nuanced insights into violence, humanitarian protection, gender relations, and coping of refugees who mainly escaped the conflicts in the Democratic Republic of Congo. This book explores how risks of gender-based violence against women, in particular, but also against men, persist despite and partly due to their settlement in the camp and the system established there. It reflects on modes and shortcomings of humanitarian protection, changes in gender relations, as well as strategies that the women and men use to cope with insecurities, everyday struggles, and structural problems occurring across different levels and temporalities.

Providing nuanced accounts of how the social identities of men and women, the context of displacement and the experience or manifestation of violence interact, this collection offers conceptual analyses and in-depth case studies to illustrate how gender relations are affected by displacement, encampment and return. The essays show how these factors lead to various forms of direct, indirect and structural violence. This ranges from discussions of norms reflected in policy documents and practise, the relationship between relief structures and living conditions in camps, to forced military recruitment and forced return, and covers countries in Africa, Asia and Europe.

Providing nuanced accounts of how the social identities of men and women, the context of displacement and the experience or manifestation of violence interact, this collection offers conceptual analyses and in-depth case studies to illustrate how gender relations are affected by displacement, encampment and return. The essays show how these factors lead to various forms of direct, indirect and structural violence. This ranges from discussions of norms reflected in policy documents and practise, the relationship between relief structures and living conditions in camps, to forced military recruitment and forced return, and covers countries in Africa, Asia and Europe.

Inhaltlich unveranderte Neuauflage. Der prunkvolle Begriff der Goldenen Zwanziger' ist allgegenwartig, gepragt durch das Grossstadtmilieu, die Konfrontation von traditionell' und modern' sowie die zutage tretende Massenkultur. Politische und wirtschaftliche Unausgeglichenheit destabilisiert die soziale und gesellschaftliche Lage; als Folge ist die alltagliche Existenz von Gewalt und Kriminalitat zunehmend spurbar. Ist diese Realitat auch in den sich entwickelnden Medieninstrumenten integriert? Die Autorin Ulrike Krause gibt in diesem Werk eine allgemeine Darstellung der Gewalt- und Kriminalitatssituation wie auch deren filmische Umsetzung uber und wahrend der Weimarer Republik. Einfuhrend wird ein allgemeiner Uberblick zu Grundlagen der Filmentwicklung sowie der Gewalt- und Kriminalitatsrealitat erlautert werden. Im Anschluss wird die Gewalt und Kriminalitat in deutschen Filmen der Goldenen Zwanziger anhand dreier Filme untersucht: das Stummfilmdrama Asphalt - Der Polizeiwachtmeister und die Brilliantenelster', der Kriminalfilm Berlin - Alexanderplatz' sowie der Thriller M - Eine Stadt sucht einen Morder'