Umberto Eco was an international cultural superstar. In this, his last collection, the celebrated essayist and novelist observes the changing world around him with irrepressible curiosity and profound wisdom. He sees with fresh eyes the upheaval in ideological values, the crises in politics, and the unbridled individualism that have become the backdrop of our lives--a "liquid" society in which it's not easy to find a polestar, though stars and starlets abound. In these pieces, written for his regular column in L'Espresso magazine, Eco brings his dazzling erudition and keen sense of the everyday to bear on topics such as popular culture and politics, being seen, conspiracies, the old and the young, new technologies, mass media, racism, and good manners. It is a final gift to his readers--astute, witty, and illuminating. "A swan song from one of Europe's great intellectuals . . . [Eco] entertains with his intellect, humor, and insatiable curiosity." -- Kirkus Reviews "An intelligent, intriguing, and often hilariously incisive set of observations on contemporary follies and changing mores." -- Publishers Weekly "Chronicles of a Liquid Society is a wonderful reminder of a great writer, thinker, and human being." -- Toronto Star

We are here to remember what happened and to declare solemnly that ‘they’ must never do it again. But who are ‘they’?

HOW TO SPOT A FASCIST is a selection of three thought-provoking essays on freedom and fascism, censorship and tolerance – including Eco’s iconic essay ‘Ur-Fascism’, which lists the fourteen essential characteristics of fascism, and draws on his own personal experiences growing up in the shadow of Mussolini.

Umberto Eco remains one of the greatest writers and cultural commentators of the last century. In these pertinent pieces, he warns against prejudice and abuses of power and proves a wise and insightful guide for our times.

If we strive to learn from our collective history and come together in challenging times, we can hope for a peaceful and tolerant future.

Freedom and liberation are never-ending tasks. Let this be our motto: ‘Do not forget.’

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate.When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the over of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.

"Eco wittily and enchantingly develops themes often touched on inhis previous works, but he delves deeper into their complex nature... thiscollection can be read with pleasure by those unversed in semiotic theory." --Times Literary Supplement

Best-selling author Umberto Eco's latest work unlocks the riddles of history in an exploration of the linguistics of the lunatic, stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world. Exploring the Force of the False, Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously discovering America. The fictions that grew up around the cults of the Rosicrucians and Knights Templar were the result of a letter from a mysterious Prester John -- undoubtedly a hoax -- that provided fertile ground for a series of delusions and conspiracy theories based on religious, ethnic, and racial prejudices. While some false tales produce new knowledge (like Columbus's discovery of America) and others create nothing but horror and shame (the Rosicrucian story wound up fueling European anti-Semitism) they are all powerfully persuasive.In a careful unraveling of the fabulous and the false, Eco shows us how serendipities -- unanticipated truths -- often spring from mistaken ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange. Eco uncovers a rich history of linguistic endeavor -- much of it ill-conceived -- that sought to heal the wound of Babel. Through the Middle Ages and the Renaissance, Greek, Hebrew, Chinese, and Egyptian were alternately proclaimed as the first language that God gave to Adam, while -- in keeping with the colonial climate of the time -- the complex language of the Amerindians in Mexico was viewed as crude and diabolical. In closing, Eco considers the erroneous notion of linguistic perfection and shrewdly observes that the dangers we face lie not in the rules we use to interpret other cultures but in our insistence on making these rules absolute.With the startling combination of erudition and wit, bewildering anecdotes and scholarly rigor that are Eco's hallmarks, Serendipities is sure to entertain and enlighten any reader with a passion for the curious history of languages and ideas.

This beloved novel tells the story of Edmond Dantes, wrongfully imprisoned for life in the supposedly impregnable sea fortress, the Chateau d'If. After a daring escape, and after unearthing a hidden treasure revealed to him by a fellow prisoner, he devotes the rest of his life to tracking down and punishing the enemies who wronged him.

Though a brilliant storyteller, Dumas was given to repetitions and redundancies; this slightly streamlined version of the original 1846 English translation speeds the narrative flow while retaining most of the rich pictorial descriptions and all the essential details of Dumas's intricately plotted and thrilling masterpiece.
Alexandre Dumas's epic novel of justice, retribution, and self-discovery--one of the most enduringly popular adventure tales ever written--in a newly revised translation.
(Book Jacket Status: Jacketed)

This volume contains the contributions to the workshop "The Semiotics of Cellular Communication in The Immune System" which took place at "11 Ciocco" in the hills north of Lucca, Italy, September ~-12, 1986. The workshop was the first meeting of what we hope will be a broad consideration of communication among lymphocytes, and focused on the new interdisciplinary branch of biological sciences, immunosemiotics. It is in the realm of the possible, if not the probable, that in the future a number of scientists larger than the thirty present at 11 Ciocco will find immunosemiotics to fill a need in scientific thinking and a gap between biology and the humanities. This might lead to growth and flourishing of the branch, and in this case the first conference and this first book could be blessed by the impalpable qual ity of becoming "historical", if in an admittedly 1 imited sense. Just in case this should happen the organizers/editors think it wise to set the record straight at this particular time, about the sequen~e of events and circumstances that crystallized the archeology of the "11 Liocco" gathering. They feel a sort of obligation to this endeavor: it has happened all too often that innocent historians have been left in utter confusion by the careless founders of new religions, schisms, revolutions, et cetera, who simply forget to jot down the facts before the whirlwind of time engulfs them in its fog.

Who is killing monks in a great medieval abbey famed for its library - and why? Brother William of Baskerville is sent to find out, taking with him the assistant who later tells the tale of his investigations. Eco's celebrated story combines elements of detective fiction, metaphysical thriller, post-modernist puzzle and historical novel in one of the few twentieth-century books which can be described as genuinely unique. The Name of the Rose was made into a film in 1986, starring Sean Connery and Christian Slater and directed by Jean-Jacques Annaud.

Umberto Eco, international bestselling novelist and literary theorist, here brings together these two roles in a provocative discussion of the vexed question of literary interpretation. The limits of interpretation - what a text can actually be said to mean - are of double interest to a semiotician whose own novels' intriguing complexity has provoked his readers into intense speculation as to their meaning. Eco's discussion ranges from Dante to The Name of the Rose, Foucault's Pendulum to Chomsky and Derrida, and bears all the hallmarks of his personal style. Three of the world's leading figures in philosophy, literary theory and criticism take up the challenge of entering into debate with Eco on the question of interpretation. Richard Rorty, Jonathan Culler and Christine Brooke-Rose each add a distinctive perspective on this contentious topic, contributing to an exchange of ideas between some of the foremost theorists in the field. The work is intended for students and scholars of literary theory and philosophy (especially semiotics).

The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world's foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a "tree of knowledge." He then moves to the idea of the dictionary, which--like a tree whose trunk anchors a great hierarchy of branching categories--orders knowledge into a matrix of definitions. In Eco's view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which --instead of resembling a tree with finite branches--offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind's dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings. Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context.

Read the enthralling medieval murder mystery. The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages. 'Whether you're into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you'll love it' Sunday Times

The idea that there once existed a perfect language that expressed, without ambiguity, the essence of all possible things and concepts, has occupied the minds of philosophers, theologians and mystics for more than 2,000 years. From the Dark Ages to the Renaissance, it was accepted that the language spoken in the Garden of Eden was the perfect one, and that if this authentic language could be recovered, Mankind would be able to comprehend the true meaning of existence. Versions of this belief persisted until the eighteenth century, and even today still have currency, as scientists seek to create a natural language for machines that are artificially intelligent. Umberto Eco's highly imaginative book tells the story of the attempts to rediscover this lost tongue.

"A virtuoso performance… Eco is polymathic to an extent most will regard as practically inhuman, and has never seemed more so in this well-organized, sprightly and exhaustingly intelligent book."
FRANK KERMODE, 'New York Review of Books'

"Eco's latest book is not a ritual document to be studied by cloistered acolytes of the semiotic faith, but rather a wonderful piece of literature, a book to be studied by all with pleasure. The question of the perfect language, Eco relates, is one of the few with which you can actually begin at The Beginning, for the difficulty starts in the Book of Genesis. Eco wishes to know what that first language was. It turns out that many have asked this question since ancient times…"
JOHN GREPPIN, 'TLS'

The gripping new conspiracy thriller by the bestselling author of The Name of the Rose 1945, Lake Como. Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duce's death remain shrouded in confusion and controversy. 1992, Milan. Colonna takes a job at a fledgling newspaper financed by a powerful media magnate. There he learns the paranoid theories of Braggadocio, who is convinced that Mussolini's corpse was a body-double and part of a wider Fascist plot. Colonna is sceptical. But when a body is found, stabbed to death in a back alley, and the paper is shut down, even he is jolted out of his complacency. Fuelled by conspiracy theories, Mafiosi, love, corruption and murder, Numero Zero reverberates with the clash of forces that have shaped Italy since the Second World War. This gripping novel from the author of The Name of the Rose is told with all the power of a master storyteller.