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Ring Redux - The Susan Grant Lewin Collection (Hardcover): Ursula Ilse-Neuman Ring Redux - The Susan Grant Lewin Collection (Hardcover)
Ursula Ilse-Neuman; Edited by Scad Museum Of Art; Foreword by Paula Wallace; Contributions by Susan Grant Lewin, Sarah Davis, …
R898 Discovery Miles 8 980 Ships in 12 - 17 working days

Ring Redux presents more than a hundred avant-garde rings by renowned international artists who explore this age-old jewellery form with great vitality and relevance to society today. In the essay "Riffs on Rings", Ursula Ilse-Neuman provides valuable insights into the astonishing variations on one of the most intimate and enduring forms of body adornment, revealing the profound and subtle differences in how these artists evoke the ring's potential to express ideas that extend beyond its ornamental role. The skill and audacity infused in these intimate sculptural forms is captured in stunning new colour photographs. In the "Artists' Voices" section, the jewellers provide valuable perspectives on the conception and execution of their works. The collection of rings presented here has been acquired over five decades by Susan Grant Lewin and will be exhibited at the SCAD Museum of Art, Savannah, Georgia.

Linda Macneil - Jewels of Glass (Hardcover): Davira S. Taragin, Ursula Ilse-Neuman Linda Macneil - Jewels of Glass (Hardcover)
Davira S. Taragin, Ursula Ilse-Neuman
R863 R743 Discovery Miles 7 430 Save R120 (14%) Ships in 12 - 17 working days

Linda MacNeil: Jewels of Glass is the first in-depth monograph to explore the development of leading American jeweller Linda MacNeil's jewellery and her contribution to late twentieth- and twenty-first century jewellery. MacNeil has inserted her voice into contemporary American jewellery as an innovator transforming glass into proxies for precious gemstones. She and her work have straddled the fields of Studio Glass and Studio Jewellery. A pioneer over her forty-and-counting-year career, she has united glass with metal and, recently, with precious gems. Exploring materiality and methodology, she uses historical precedent as a jumping off point to make stunning, wearable jewellery. This scholarly study presents approximately fifty of MacNeil's most significant pieces. Davira S. Taragin's essay interweaves MacNeil's biography with discussions of the development of her aesthetic. Noted jewellery historian Ursula Ilse-Neuman contextualises MacNeil's achievement within the art jewellery movement in general and the use of glass in jewellery over the centuries.

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