Achim Mohne's DI-GI-TA-LIS A Plant Scan Project is a book project based on a performance by the media artist, in which a high-tech process is used to scan plants; the scans of the plants are then printed out and exhibited in the form of pigment prints. As part of this artistic activity, chefs turn the plants into vegan dishes and serve them to the visitors. In his art Mohne studies the function of pictures, which he regards as a connecting link in social, interdisciplinary, and intermedia activities. Via the aesthetic articulation of his photo-based works, the artist refers to ethical, ecological themes from today's environmental and climate debates, as well as topics concerning nutrition, consumption, and sustainability. Mohne's media projects are positioned in the field of digital media and communications technologies. In DI-GI-TA-LIS the performative work combine to create an interdisciplinary discourse, which is developed by authors from the fields of philosophy, art history, social psychology, medicine, and media studies.

In his first comprehensive monograph, Lukas Glinkowski opens up insights into his visual world. His studio paintings re-compose impressions and encounters from everyday life, creating a visual mashup: citations from art history, comics, and figures can be found on unusual backgrounds such as ingrain wallpaper, tiles, or mirrors. Glinkowski creates room to play with habitual ways of seeing and thinking. Viewers can configure contexts by themselves. Still, it does not stop with the process of viewing; visitors are often included in the process of painting and rediscover their own seemingly familiar world. Glinkowski's painting does not attempt to explain, but instead poses many questions.