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Achim Mohne's DI-GI-TA-LIS A Plant Scan Project is a book project
based on a performance by the media artist, in which a high-tech
process is used to scan plants; the scans of the plants are then
printed out and exhibited in the form of pigment prints. As part of
this artistic activity, chefs turn the plants into vegan dishes and
serve them to the visitors. In his art Mohne studies the function
of pictures, which he regards as a connecting link in social,
interdisciplinary, and intermedia activities. Via the aesthetic
articulation of his photo-based works, the artist refers to
ethical, ecological themes from today's environmental and climate
debates, as well as topics concerning nutrition, consumption, and
sustainability. Mohne's media projects are positioned in the field
of digital media and communications technologies. In DI-GI-TA-LIS
the performative work combine to create an interdisciplinary
discourse, which is developed by authors from the fields of
philosophy, art history, social psychology, medicine, and media
studies.
In his first comprehensive monograph, Lukas Glinkowski opens up
insights into his visual world. His studio paintings re-compose
impressions and encounters from everyday life, creating a visual
mashup: citations from art history, comics, and figures can be
found on unusual backgrounds such as ingrain wallpaper, tiles, or
mirrors. Glinkowski creates room to play with habitual ways of
seeing and thinking. Viewers can configure contexts by themselves.
Still, it does not stop with the process of viewing; visitors are
often included in the process of painting and rediscover their own
seemingly familiar world. Glinkowski's painting does not attempt to
explain, but instead poses many questions.
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