The rediscovery and restitution of William Hazlitt as a canonical Romantic author has been among the latest and most significant developments in present-day Romantic studies. This volume, a collection of previously unpublished essays by the foremost scholars in the field presents Hazlitt as a philosophical, and not simply a 'familiar' essayist. It offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers. This book is an essential contribution to a vital new aspect of Romantic studies and shows Hazlitt to be, as his memorial claims, 'The first (unanswered) Metaphysician of the age'.

The rediscovery and restitution of William Hazlitt as a canonical Romantic author has been among the latest and most significant developments in present-day Romantic studies. This volume, a collection of previously unpublished essays by the foremost scholars in the field presents Hazlitt as a philosophical, and not simply a 'familiar' essayist. It offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers. This book is an essential contribution to a vital new aspect of Romantic studies and shows Hazlitt to be, as his memorial claims, 'The first (unanswered) Metaphysician of the age'.

The `only pretension, of which I am tenacious,' declares William Hazlitt in The Plain Speaker, `is that of being a metaphysician'; but his metaphysics, and particularly what this book identifies as his `power principle', has until now been neglected. Hazlitt and the Reach of Sense studies his development of the power principle as a counter to the pleasure principle of the Utilitarians, and examines the revelation of power in his philosophy of discourse, his account of imaginative structure, his theory of genius, and his moral theory.

Hard Times is Dickens's shortest novel. Some early critics argued that it lacked the genius of the characterisation and humour that mark his greatest works. One of the 20th century's leading critics, F.R. Leavis, believes, on the contrary, that Hard Times is Dickens's sole contribution to the great tradition of the English novel, displaying a moral seriousness lacking elsewhere in his more entertaining work: "It has a kind of perfection as a work of art that we don't associate with Dickens - a perfection that is one with the sustained and complete seriousness for which among his productions it is unique." Nowadays, if not Dickens's most readable book, it is certainly one of his most read. So was Leavis right? In this guide, one of Britain's leading experts on Dickens, Uttara Natarajan, looks at the success of Hard Times, at why it was so much admired by the likes of John Ruskin and George Bernard Shaw, and at what Dickens was trying to do in this compelling and often shocking novel. A testament of his success, as Natarajan says, is the way in which the name of its principal character - Gradgrind - has long been absorbed into the English vocabulary, and continues regularly to be invoked as shorthand for a rigid adherence to fact.