The classicist and historian Alan Cameron (1938-2017) was, among other achievements, one of the scholars who most contributed to the refoundation of late-antique studies. In this tribute W. V. Harris and Anne Hunnell Chen have brought together fourteen contributions that cover a broad range of historical, literary, and art-historical topics, running from the first century AD to the ninth. Some contributions concern Cameron's own favourite themes (the Greek Anthology, the Historia Augusta, circus factions, the transmission of texts), while others seek to assess his work and its impact. Other papers branch out from his concerns to discuss slavery, simony, and hospitals. Fourth- and fifth-century writers are often to the fore and the volume includes a new text by the poet Dioscoros of Aphrodite.

Scientists, historians and archaeologists are at last beginning to collaborate seriously on studies of the long-term history of the environment. The fruit of an international conference held in Rome in 2011, The Ancient Mediterranean Environment between Science and History brings together scientists and scholars who are interested in the interaction of their several disciplines as well as in specific problems such as the effects of climate change and other environmental factors on historical developments and events, the sources of the energy and fuel used in ancient civilizations, and the effects of humans on the lands around the Mediterranean. The collection balances broad Mediterranean-wide studies and tightly focused studies of particular regions in Italy and Jordan.

Literary theory, according to Wendell Harris, has over the last twenty-five years become increasingly characterized by illogical arguments, an esoteric vocabulary, and gnomic references to what various authority figures are presumed to have demonstrated. Arcane modes of argument and unargued assumptions leave the reader of contemporary theorists frustrated; little of the resulting criticism entices the reader to seek out the literary work itself.

Harris argues that regardless of the specifics of individual theories, the central struggle is between traditional hermeneutics, in which the interpretation of the author's intended meaning is the necessary first step in any response to a text, and the more recent hermeticism, which seeks to deny the relevance of intention, the possibility of determinate meaning, and the reference of language to any reality beyond itself.

With wit, insight, and analytical precision, Harris critiques the misunderstanding of scientific method spawned by the failure of structuralism, the absolutism of poststructuralism, and the confusions over contextualism and historicism. He concludes with an analysis of the hollowness of the current model of professionalism in literature departments.

As one of the greatest cities of antiquity, Alexandria has always been a severe challenge to its historians, all the more so because the surviving evidence, material and textual, is so disparate. New archaeological and literary discoveries and the startling diversity of ancient Alexandria (so reminiscent of some modern cities) add to the interest. The present volume contains the papers given at a conference at Columbia University in 2002 which attempted to lay some of the foundations for a new history of Alexandria by considering, in particular, its position between the traditions and life of Egypt on the one hand, and on the other the immigrants who came there from Greece and elsewhere in the wake of the founder Alexander of Macedon.

Literary theory, according to Wendell Harris, has over the last twenty-five years become increasingly characterized by illogical arguments, an esoteric vocabulary, and gnomic references to what various authority figures are presumed to have demonstrated. Arcane modes of argument and unargued assumptions leave the reader of contemporary theorists frustrated; little of the resulting criticism entices the reader to seek out the literary work itself. Harris argues that regardless of the specifics of individual theories, the central struggle is between traditional hermeneutics, in which the interpretation of the author's intended meaning is the necessary first step in any response to a text, and the more recent hermeticism, which seeks to deny the relevance of intention, the possibility of determinate meaning, and the reference of language to any reality beyond itself. With wit, insight, and analytical precision, Harris critiques the misunderstanding of scientific method spawned by the failure of structuralism, the absolutism of poststructuralism, and the confusions over contextualism and historicism. He concludes with an analysis of the hollowness of the current model of professionalism in literature departments.

Today's student of literature is faced with an overwhelming variety of critical approaches. The need to evaluate their usefulness in furthering our understanding of literature is therefore a growing concern. In Literary Meaning, Wendell V. Harris explores the fallacies behind the fashionable hermeticism that insists that the meaning of a text is indeterminate and divides language from any reality beyond itself. Harris then puts forward a powerful case for the return to hermeneutics, in which an understanding of the author's intended meaning is the first step in reading, and at the same time insists upon the hollowness of the current mode of professionalism in literature departments. Set to provoke fierce debate, this controversial book will become essential reading for all those involved in literary criticism.

Between 327 and 70 B.C. the Romans expanded their empire throughout the Mediterranean world. This highly original study looks at Roman attitudes and behavior that lay behind their quest for power. How did Romans respond to warfare, year after year? How important were the material gains of military success--land, slaves, and other riches--commonly supposed to have been merely an incidental result? What value is there in the claim of the contemporary historian Polybius that the Romans were driven by a greater and greater ambition to expand their empire? The author answers these questions within an analytic framework, and comes to an interpretation of Roman imperialism that differs sharply from the conventional ones.

Over the last twenty years, the humanities and social sciences have been preoccupied with the powers and limitations of language. During these years literary theory has become peculiarly fascinated with what language cannot do, with the impossibility of language meaning what the individual intends it to mean, if indeed individuals can intend or mean. But language does exist and does appear to be useful in communicating, and most of the time those who use the same language feel they are successful in communicating with each other. In Interpretive Acts, rather than ask whether communication is possible, Professor Harris explores the issues that arise from the question: how does communication occur? In this, he draws on a variety of fields which have contributed to literary theory by the study of strategies for expressing and for interpreting intended meanings: discourse analysis, sociolinguists, philosophy of language, and rhetorical theory. For language to be understood, there has to be a mutually understood context: Professor Harris argues that there are seven dimensions of context in terms of which an author calculates readers' responses. Having defined the goal of interpretation as the author's intended meaning, criticism is then seen in terms of the question: `what does it mean that the author meant that meaning?'

"""Hungry? Check the Green Book. Tired? Check the Green Book. Sick? Check the Green Book."" In the late 1930s when segregation was legal and Black Americans couldn't visit every establishment or travel everywhere they wanted to safely, a New Yorker named Victor Hugo Green decided to do something about it. Green wrote and published a guide that listed places where his fellow Black Americans could be safe in New York City. The guide sold like hot cakes! Soon customers started asking Green to make a guide to help them travel and vacation safely across the nation too. With the help of his mail carrier co-workers and the African American business community, Green's guide allowed millions of African Americans to travel safely and enjoy traveling across the nation. In the first picture book about the creation and distribution of The Green Book, author Keila Dawson and illustrator Alleanna Harris tell the story of the man behind it and how this travel guide opened the road for a safer, more equitable America."

Carl V. Harris's Segregation in the New South, completed and edited by W. Elliot Brownlee, explores the rise of racial exclusion in late nineteenth-century Birmingham, Alabama. In the 1870s, African Americans in this crucial southern industrial city were eager to exploit the disarray of slavery's old racial lines, assert their new autonomy, and advance toward full equality. However, most southern whites worked to restore the restrictive racial lines of the antebellum South or invent new ones that would guarantee the subordination of Black residents. From Birmingham's founding in 1871, color lines divided the city, and as its people strove to erase the lines or fortify them, they shaped their futures in fateful ways. Social segregation is at the center of Harris's history. He shows that from the beginning of Reconstruction southern whites engaged in a comprehensive program of assigning social dishonor to African Americans-the same kind of dishonor that whites of the Old South had imposed on Black people while enslaving them. In the process, southern whites engaged in constructing the meaning of race in the New South.

The Kou, Dark Origins is the second installment in the vampire series written by Author Todd V. Harris. The Kou tells the story of a young mans journey into a new world where he discovers secrets within himself that he never thought were there. Fall in love with Val, Fen and the Kou while you satisfy your thirst for adventure, love and lust. Embrace The Kou.

Fenmore has grown up under the tight reigns of love and protection from his family. On his 21st birthday he will ascend into a Kou vampire. All the secrets of his friends and family are revealed; and nothing will ever be the same. Ride with the Kou vampires on this horrific adventure into the world unseen-unknown and undead."I am a vampire. My two best friends are werewolves. Maybe my Nana was right; I should have stayed home..."

From the Iliad to Aristophanes, from the gospel of Matthew to Augustine, Greek and Latin texts are constellated with descriptive images of dreams. Some are formulaic, others intensely vivid. The best ancient minds Plato, Aristotle, the physician Galen, and others struggled to understand the meaning of dreams.

With "Dreams and Experience in Classical Antiquity" the renowned ancient historian William Harris turns his attention to oneiric matters. This cultural history of dreams in antiquity draws on both contemporary post-Freudian science and careful critiques of the ancient texts. Harris traces the history of characteristic forms of dream-description and relates them both to the ancient experience of dreaming and to literary and religious imperatives. He analyzes the nuances of Greek and Roman belief in the truth-telling potential of dreams, and in a final chapter offers an assessment of ancient attempts to understand dreams naturalistically.

How did dreaming culture evolve from Homer s time to late antiquity? What did these dreams signify? And how do we read and understand ancient dreams through modern eyes? Harris takes an elusive subject and writes about it with rigor and precision, reminding us of specificities, contexts, and changing attitudes through history.