It is predicted that we will lose all of our commercial fish species by 2048. Within the next 60 years all of our planets topsoil is expected to perish. How did we come to this? What are the forces at play that have led us on such a destructive and unsustainable path? Why has the environmental movement taken so long to gain necessary traction?

The answers to these important questions have surprisingly been difficult to find. Very few resources provide the necessary exploration of the broad range of environmental challenges that face our world, nor the solutions to these overwhelming obstacles. Our unstainable methods of consumption have reached an all-time high, and our planet is suffering a great deal as a result. The driving forces behind these high levels of consumption – population growth and increased demand- are leading us into an uncertain future. It is now clear that drastic transformation is needed. It was the unintended consequences of innovation that led us into this situation. But as it stands, innovation will be the primary key to leading us out of it.

Green Is Not A Colour sets the bar straight. By cutting to the very root of the problems we face, we are able to see how the environmental crisis is inextricably linked to every aspect of our lives. By identifying the opportunities- both readily available and in development-that provide the solutions to these problems, the book reveals how human ingenuity will prove to be a powerful tool in steering us onto a sustainable path.

The Routledge Handbook of Environmental Journalism provides a thorough understanding of environmental journalism around the world. An increasing number of media platforms - from newspapers and television to Internet social media networks - are the major providers of indispensable information about the natural world and environmental risk. Despite the dramatic changes in the news industry that have tended to reduce the number of full-time newspaper reporters, environmental journalists remain key to bringing stories to light across the globe. With contributions from around the world broken down into five key regions - the United States of America, Europe and Russia, Asia and Australia, Africa and the Middle East, and South America - this book provides support for today's environment reporters, the providers of essential news in the 21st century. As a scholarly and journalistic work written by academics and the environmental reporters themselves, this volume is an essential text for students and scholars of environmental communication, journalism, and global environmental issues more generally, as well as professionals working in this vital area.

How would the history of an urban area look if water were at the center of analysis? Water in the Making of a Socio-Natural Landscape explores the transition from early modern to modern water management in late nineteenth-century Rome. It merges local water management with national water policies aimed at promoting irrigated agriculture, industrial processes, and public health. It investigates perceptions and conceptualisations of water, changes in the water law, engineering projects, medical knowledge and practices, value of water in different productions, and needs and uses of local stakeholders. From which derives that water infrastructures are the complex outcome of the clash between different users and uses of water as well as the dynamic interaction between different levels of power. In this book, it builds upon Maria Kaika's Cities of flows and Erik Swyngedouw's Liquid power to introduce a new dimension to the analysis of urban water: the interaction among the three main uses of water: drinking, agriculture, and industry. Water in the Making of a Socio-Natural Landscape is written for a specialist readership with an interest in environmental and urban history and science and technology studies, but it can also be used by graduate and PhD students.

The Routledge Handbook of Environmental Journalism provides a thorough understanding of environmental journalism around the world. An increasing number of media platforms - from newspapers and television to Internet social media networks - are the major providers of indispensable information about the natural world and environmental risk. Despite the dramatic changes in the news industry that have tended to reduce the number of full-time newspaper reporters, environmental journalists remain key to bringing stories to light across the globe. With contributions from around the world broken down into five key regions - the United States of America, Europe and Russia, Asia and Australia, Africa and the Middle East, and South America - this book provides support for today's environment reporters, the providers of essential news in the 21st century. As a scholarly and journalistic work written by academics and the environmental reporters themselves, this volume is an essential text for students and scholars of environmental communication, journalism, and global environmental issues more generally, as well as professionals working in this vital area.

Environment Reporters in the 21st Century is the story of a relatively new journalistic beat, environmental reporting. This book explores the development of the environmental beat as a specialty during the last thirty years. It also discusses broader trends within American journalism resulting from technological changes that challenge traditional mediums, especially newspapers and magazines.

The book is divided into three parts. The first reviews the literature and explains the methodology. The second describes the results of the authors' research. The third provides in-depth accounts of environment reporters at work. A final chapter puts the research in historical perspective, viewing it in terms of the economic decline of the newspaper business and of local television news.

Journalists mediate a constant struggle among thousands of environmental activists, corporate public relations people, government officials, and scientists to shape environmental reporting. This volume tells the story of environmental reporting imaginatively and innovatively.

This volume offers a comprehensive view of posters presented at the VIIth International Conference on Event Perception and Action. Arranged in order of appearance of their corresponding symposia on the conference program, this collection of 80 miniature articles on event perception and action represents the work of 136 researchers from 13 countries.

This volume offers a comprehensive view of posters presented at the VIIth International Conference on Event Perception and Action. Arranged in order of appearance of their corresponding symposia on the conference program, this collection of 80 miniature articles on event perception and action represents the work of 136 researchers from 13 countries.

Environment Reporters in the 21st Century is the story of a relatively new journalistic beat, environmental reporting. This book explores the development of the environmental beat as a specialty during the last thirty years. It also discusses broader trends within American journalism resulting from technological changes that challenge traditional mediums, especially newspapers and magazines.

The book is divided into three parts. The first reviews the literature and explains the methodology. The second describes the results of the authors' research. The third provides in-depth accounts of environment reporters at work. A final chapter puts the research in historical perspective, viewing it in terms of the economic decline of the newspaper business and of local television news.

Journalists mediate a constant struggle among thousands of environmental activists, corporate public relations people, government officials, and scientists to shape environmental reporting. This volume tells the story of environmental reporting imaginatively and innovatively.

From two leading, agenda-setting feminist editors, Believe Me brings readers into the current landscape of the anti-sexual violence movement--and outlines how believing women is the critical foundation for future progress. Essays include Jessica Valenti writing about how a woman's word has never been enough in our country, giving context to the question of why we don't believe women. Jaclyn Friedman draws that idea out further, articulating why it matters that women are believed about sexual violence - because doing so finally grants us bodily sovereignty, impacting whether we can be trusted about pain, about pleasure, about reproduction and beyond. Other top-tier contributors touch on: how race and class impact which kinds of women are believed; the ways that women's behaviour (what they wear, what they were drinking) trumps their testimony and words; how believing white women has harmed communities of colour; visions of masculinity that aren't dependent on undermining women. Part taking stock of recent feminist movements, part visions for a way forward, Believe Me has the potential to spark real change and to appeal to the countless men and women who have been engaging with #metoo and looking to feminist leadership for next steps.

Double standards are nothing new. Women deal with them every day. Take the common truism that women who sleep around are sluts while men are studs. Why is it that men grow distinguished and sexily gray as they age while women just get saggy and haggard? Have you ever wondered how a young woman is supposed to both virginal and provocatively enticing at the same time? Isn't it unfair that working moms are labeled "bad" for focusing on their careers while we shake our heads in disbelief when we hear about the occasional stay-at-home dad?
In "50 Double Standards Every Woman Should Know," Jessica Valenti, author of Full Frontal Feminism, calls out the double standards that affect every woman. Whether Jessica is pointing out the wage earning discrepancies between men and women or revealing all of the places that women still aren't equal to their male counterparts--be it in the workplace, courtroom, bedroom, or home--she maintains her signature wittily sarcastic tone. With sass, humor, and in-your-face facts, this book informs and equips women with the tools they need to combat sexist comments, topple ridiculous stereotypes (girls aren't good at math?), and end the promotion of lame double standards.

Up Against the Wall: Art, Activism, and the AIDS Poster offers nearly 200 examples of visually arresting and socially meaningful posters. Taken from more than 8,000 held in the collection in the University of Rochester's River Campus Libraries' Department of Rare Books, Special Collections, and Preservation. The collection, one of the largest of its kind in the world, was donated to the University of Rochester by Dr. Edward Atwater. The book accompanies an exhibition of AIDS education posters displayed at the Memorial Art Gallery of the University of Rochester, Rochester, NY. The posters, spanning the years from 1982 to the present, show how social, religious, civic, and public health agencies have addressed the controversial, often contested terrain of the HIV/AIDS pandemic within the public realm. Organizations and creators tailored their messages to audiences, both broad and very specific, and used a wide array of strategies, employing humor, emotion, scare tactics, simple scientific explanations, sexual imagery, and many other methods to communicate powerfully and effectively.