..".a scholar with extensive knowledge of indigenous life in the Canadian North, has compiled a valuable and timely compendium on how Native societies from the Arctic to Australia use new media technologies to reinforce local cultures and establish global connections...Highly recommended." . Choice

"There is a lot of fascinating material in this book and it is striking that, the internet notwithstanding, radio remains central to indigenous media activity... Alia provides a very useful chronology which, although it starts in 11,000 BC, concentrates on developments in the last 100 years. There is also a filmography of indigenous films and videos." . British Journal of Canadian Studies

"Alia should be commended for revealing a world of indigenous media use. This wide-ranging study lays a foundation for the study of how indigenous people use new media technologies, and future researchers of indigenous media use will want to use this book as a starting point." . Anthropos

"Alia has crafted an accessible book for many audiences. It is easy to read; includes critical theory that is relevant, applicable and understandable; and flows through the many points of entry for indigenous people into the new media nation...The book is scholarly, yet it also reveals the depth and span of networks created by the new media nation that can be enhanced through awareness. The New Media Nation is brave and hopeful. As a document of the many instances of indigenous media, it captures events, experiences and testimony. It is also innately reflective of a network of global resistance, linking many indigenous groups' affirmation of identity through the new media." . The International Journal of Communication

Around the planet, Indigenous people are using old and new technologies to amplify their voices and broadcast information to a global audience. This is the first portrait of a powerful international movement that looks both inward and outward, helping to preserve ancient languages and cultures while communicating across cultural, political, and geographical boundaries. Based on more than twenty years of research, observation, and work experience in Indigenous journalism, film, music, and visual art, this volume includes specialized studies of Inuit in the circumpolar north, and First Nations peoples in the Yukon and southern Canada and the United States.

Valerie Alia is Adjunct Professor in the Doctor of Social Sciences program at Royal Roads University (Canada). An award-winning scholar, journalist, photographer and poet, she was Distinguished Professor of Canadian Culture at Western Washington University, Running Stream Professor of Ethics and Identity at Leeds Metropolitan University, a research associate of the Scott Polar Research Institute at Cambridge University, and a television and radio broadcaster, newspaper and magazine writer and arts reviewer in the US and Canada. Her books include: "Un/Covering the North: News, Media and Aboriginal People; Media Ethics and Social Change;" and "Names and Nunavut: Culture and Identity in the Inuit Homeland." She is a founding member of the International Arctic Social Sciences Association.

Around the planet, indigenous people are using old and new technologies to amplify their voices and broadcast information to a global audience. This is the first portrait of a powerful international movement that looks both inward and outward, helping to preserve ancient languages and cultures while communicating across cultural, political, and geographical boundaries. Based on more than twenty years of research, observation, and work experience in indigenous journalism, film, music and visual art, this volume includes specialized studies of Inuit in Nunavut and the circumpolar north, and First Nations peoples in the Yukon.

Valerie Alia is Adjunct Professor in the Doctor of Social Sciences programme at Royal Roads University (Canada) and Visiting Professor in the Centre for Diversity in the Professions at Leeds Metropolitan University. An award-winning scholar, journalist, photographer, and poet, she was Senior Associate of the Scott Polar Research Institute, Cambridge University, Distinguished Professor of Canadian Culture at Western Washington University, and Running Stream Professor of Ethics and Identity at Leeds Metropolitan University, and was a television and radio broadcaster, newspaper and magazine writer and arts reviewer in the US and Canada. Her books include: Un/Covering the North: News, Media and Aboriginal People; Media Ethics and Social Change; Media and Ethnic Minorities; and Names and Nunavut: Culture and Identity in Arctic Canada. She is a founding member of the International Arctic Social Sciences Association.

..".a thought-provoking book. Alia lays out the intricacies of Inuit naming so clearly, describes the Arctic environment so vividly, and conveys such a rich sense of Inuit values, concerns, and humour that readers are likely to hunger for more information and to pose ethnographic and on mastic questions that press forward the horizons of Inuit ethnography. Names and Nunavut is a welcome addition to Arctic ethnography and should be of interest not only to linguists and anthropologists working in the Arctic but to anyone interested in the relationship between onomasty, personhood, and cosmology and to anyone looking for fresh insights to the micropractices of linguistic and onomastic colonialism." . NAMES A Journal of Onomastics

"Embedded within this nuanced and extraordinarily well-researched account of the political onomastics (the politics of naming) involved with Inuit (colonial) history are an abundance of theoretical, ethical and political insights into both the complex nature of the Inuit and their evolving engagement with Qallunaat (non-Inuit, Euro-Canadian), as well as the complex nature of engaging in such research. This publication, refreshing in its focus on extensive local community research, delves into the complicated dynamic between colonial administration and its effects on the culture and identity of the Inuits. . British Journal of Canadian Studies

On the surface, naming is simply a way to classify people and their environments. The premise of this study is that it is much more - a form of social control, a political activity, a key to identity maintenance and transformation. Governments legislate and regulate naming; people fight to take, keep, or change their names. A name change can indicate subjugation or liberation, depending on the circumstances. But it always signifies a change in power relations. Since the late 1970s, the author has looked at naming and renaming, cross-culturally and internationally, with particular attention to the effects of colonisation and liberation. The experience of Inuit in Canada is an example of both. Colonisation is only part of the Nunavut experience. Contrary to the dire predictions of cultural genocide theorists, Inuit culture - particularly traditional naming - has remained extremely strong, and is in the midst of a renaissance. Here is a ground-breaking study by the founder of the discipline of political onomastics."

On the surface, naming is simply a way to classify people and their environments. The premise of this study is that it is much more - a form of social control, a political activity, a key to identity maintenance and transformation. Governments legislate and regulate naming; people fight to take, keep, or change their names. A name change can indicate subjugation or liberation, depending on the circumstances. But it always signifies a change in power relations. Since the late 1970s, the author has looked at naming and renaming, cross-culturally and internationally, with particular attention to the effects of colonisation and liberation. The experience of Inuit in Canada is an example of both. Colonisation is only part of the Nunavut experience. Contrary to the dire predictions of cultural genocide theorists, Inuit culture - particularly traditional naming - has remained extremely strong, and is in the midst of a renaissance. Here is a ground-breaking study by the founder of the discipline of political onomastics.

This lively and accessible study of media and discourse combines theoretical reflection with empirical engagement, and brings together insights from a range of disciplines. Within media and cultural studies, the study of media texts is dominated by an exclusive focus on representation. This book adds long overdue attention to social interaction.

The book is divided into two sections. The first outlines key theoretical issues and concepts, including informalisation, genre hybridisation, positioning, dialogism and discourse. The second is a sustained interrogation of social interaction in and around media. Re-examining issues of representation and interaction, it critically assesses work on the para-social and broadcast sociability, then explores distinct sites of interaction: production communities, audience communities and 'interactivity' with audiences.

Key features

The book is rich with fascinating examples involving British and US media, including radio, television, magazines and newspapers and their Internet spin-offs.

It brings together insights from conversation analysis, critical discourse analysis, cultural studies and media anthropology.

It is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and journalism studies.

Over the past few decades feminist media scholarship has flourished, to become a major influence on the fields of media, film and cultural studies. At the same time, the cultural shift towards 'post-feminism' has raised questions about the continuing validity of feminism as a defining term for this work. This book explores the changing and often ambivalent relationship between the three terms women, feminism and media in the light of these recent debates. At the same time it places them within the broader discussions within feminist theory - about subjectivity, identity, culture, and narrative - of which they have formed a crucial part.

The book is organised around four key topic areas. 'Fixing into Images' offers a rethinking of one of the first preoccupations of feminist media analysis: the relationship between women and images. 'Narrating Femininity' explores the narratives of femininity produced in media texts in the light of theories of narrative and identity. 'Real Women' examines both the continuing absence of women's voices from the genres of news and documentary, and their over-presence within popular 'reality' media forms. Finally, 'Technologies of Difference' examines the relationship between feminism, women and new media technologies. Throughout, the book explores key issues within feminist media studies both through specific examples and via critical engagement with the work of major theoretical writers.

Features

A completely up-to-date study of the key areas of issue and debate in feminist media studies.

Includes case studies and discussion of the work of key writers in the field.

Contains readings of specific texts, ranging from news and advertising toreality TV and 'postfeminist' TV drama.

This lively and accessible study of media and discourse combines theoretical reflection with empirical engagement, and brings together insights from a range of disciplines. Within media and cultural studies, the study of media texts is dominated by an exclusive focus on representation. This book adds long overdue attention to social interaction.

The book is divided into two sections. The first outlines key theoretical issues and concepts, including informalisation, genre hybridisation, positioning, dialogism and discourse. The second is a sustained interrogation of social interaction in and around media. Re-examining issues of representation and interaction, it critically assesses work on the para-social and broadcast sociability, then explores distinct sites of interaction: production communities, audience communities and 'interactivity' with audiences.

Key features

The book is rich with fascinating examples involving British and US media, including radio, television, magazines and newspapers and their Internet spin-offs.

It brings together insights from conversation analysis, critical discourse analysis, cultural studies and media anthropology.

It is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and journalism studies.

This book addresses cross-cultural representations of ethnic minority peoples by dominant society 'outsiders' and indigenous self-representation in the context of the 'New Media Nation'. In doing so, it explores the role of language, culture, identity and media in liberation struggles and the emergence of new political entities, and opens up issues of colonial oppression to public debate. It is intended to help inform policy in a variety of settings. Grounded in current perspectives on diaspora and homeland and drawing on Alia's work on minorities, media and identity as well as Bull's work on Maori socio-cultural issues and criminalisation of minorities, this volume offers a comparative, international perspective on the experiences of a broad range of ethnic minority peoples. These include Inuit and First Nations people in Canada; Native Americans and African Americans in the United States; Sami in northern Europe; Maori in New Zealand; Aboriginal people in Australia and Roma in Ireland and Britain. Features *Teaching and learning exercises accompany each chapter *Includes recommendations for further reading, listening and viewing *Contains a comprehensive list of ethnic minority media in the UK.