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Innovation & Digital Theatremaking - Rethinking Theatre with ‘The Show Must Go Online’: Robert Myles, Valerie Clayman Pye Innovation & Digital Theatremaking - Rethinking Theatre with ‘The Show Must Go Online’
Robert Myles, Valerie Clayman Pye
R1,210 Discovery Miles 12 100 Ships in 9 - 15 working days

Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and wield whatever resources are available to create new work in new ways. In 2020, the Covid-19 Pandemic had a colossal impact on theatre across the world. At a time when even the wealthiest and best-supported theatre companies in the world ceased all operations and shuttered their stages, the theatre company The Show Must Go Online (TSMGO) forged their way into a new frontier: the highly accessible digital landscape of online performance. In this book, TSMGO co-creator Robert Myles and Valerie Clayman Pye explore the success of TSMGO from a practical standpoint, offering insights and strategies that can help theatre makers at every level respond proactively to the future of Theatre in the digital era. Each chapter addresses a different aspect of the creative process and concludes with take-homes so readers can learn how to innovate rapidly, to undertake research and development in order to create their own models, and to cultivate their own theatrical communities. Written for theatremakers, directors, producers, and creatives of all levels of experience, this book will help readers to think critically and creatively about theatre, and theatre pedagogues to understand how to train their students for the theatre of the future.

Innovation & Digital Theatremaking - Rethinking Theatre with ‘The Show Must Go Online’: Robert Myles, Valerie Clayman Pye Innovation & Digital Theatremaking - Rethinking Theatre with ‘The Show Must Go Online’
Robert Myles, Valerie Clayman Pye
R4,067 Discovery Miles 40 670 Ships in 12 - 17 working days

Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and wield whatever resources are available to create new work in new ways. In 2020, the Covid-19 Pandemic had a colossal impact on theatre across the world. At a time when even the wealthiest and best-supported theatre companies in the world ceased all operations and shuttered their stages, the theatre company The Show Must Go Online (TSMGO) forged their way into a new frontier: the highly accessible digital landscape of online performance. In this book, TSMGO co-creator Robert Myles and Valerie Clayman Pye explore the success of TSMGO from a practical standpoint, offering insights and strategies that can help theatre makers at every level respond proactively to the future of Theatre in the digital era. Each chapter addresses a different aspect of the creative process and concludes with take-homes so readers can learn how to innovate rapidly, to undertake research and development in order to create their own models, and to cultivate their own theatrical communities. Written for theatremakers, directors, producers, and creatives of all levels of experience, this book will help readers to think critically and creatively about theatre, and theatre pedagogues to understand how to train their students for the theatre of the future.

Shakespeare and Tourism (Hardcover): Robert Ormsby, Valerie Clayman Pye Shakespeare and Tourism (Hardcover)
Robert Ormsby, Valerie Clayman Pye
R4,091 Discovery Miles 40 910 Ships in 12 - 17 working days

Shakespeare and Tourism provides a dialogical mapping of Shakespeare studies and touristic theory through a collection of essays by scholars on a wide range of material. This volume examines how Shakespeare tourism has evolved since its inception, and how the phenomenon has been influenced and redefined by performance studies, the prevalence of the World Wide Web, developments in technology, and the globalization of Shakespearean performance. Current scholarship recognizes Shakespearean tourism as a thriving international industry, the result of centuries of efforts to attribute meanings associated with the playwright's biography and literary prestige to sites for artistic pilgrimage and the consumption of cultural heritage. Through bringing Shakespeare and tourism studies into more explicit contact, this collection provides readers with a broad base for comparisons across time and location, and thereby encourages a thorough reconsideration of how we understand both fields.

Unearthing Shakespeare - Embodied Performance and the Globe (Paperback): Valerie Clayman Pye Unearthing Shakespeare - Embodied Performance and the Globe (Paperback)
Valerie Clayman Pye
R1,142 Discovery Miles 11 420 Ships in 12 - 17 working days

What can the Globe Theatre tell us about performing Shakespeare? Unearthing Shakespeare is the first book to consider what the Globe, today's replica of Shakespeare's theatre, can contribute to a practical understanding of Shakespeare's plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels. From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.

Unearthing Shakespeare - Embodied Performance and the Globe (Hardcover): Valerie Clayman Pye Unearthing Shakespeare - Embodied Performance and the Globe (Hardcover)
Valerie Clayman Pye
R4,650 Discovery Miles 46 500 Ships in 12 - 17 working days

What can the Globe Theatre tell us about performing Shakespeare? Unearthing Shakespeare is the first book to consider what the Globe, today's replica of Shakespeare's theatre, can contribute to a practical understanding of Shakespeare's plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels. From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.

Objectives, Obstacles, and Tactics in Practice - Perspectives on Activating the Actor (Paperback): Hillary Haft Bucs, Valerie... Objectives, Obstacles, and Tactics in Practice - Perspectives on Activating the Actor (Paperback)
Hillary Haft Bucs, Valerie Clayman Pye
R1,035 Discovery Miles 10 350 Ships in 12 - 17 working days

Objectives, Obstacles, and Tactics in Practice is the first book that compiles practical approaches of the best practices from a range of practitioners on the subject of working with Stanislavski's "objectives," "obstacles," and "tactics." The book offers instructors and directors a variety of tools from leading acting teachers, who bring their own individual perspectives to the challenge of working with Stanislavski's principles for today's actors, in one volume. Each essay addresses its own theoretical and practical approach and offers concrete instructions for implementing new explorations both in the classroom and in the rehearsal studio. An excellent resource for acting and directing instructors at the university level, directing and theatre pedagogy students, high school/secondary theatre teachers, and community theatre leaders, Objectives, Obstacles, and Tactics in Practice serves as a resource for lesson planning and exploration, and provides an encyclopedia of the best practices in the field today.

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