Alexander Pope (1688-1744) is one of the greatest poets in European literature, comparable to the likes of likes of Shakespeare, Chaucer, Keats and Wordsworth. He is not easy to read though: his poetry uses dense literary and contemporary contextual allusions. This is why a book that gets the readers to the meaning of his poetry as painlessly as possible is so important. This volume features the complete text of Pope's most significant poem, The Dunciad. The first-rate annotations that accompany this edition of the poem provide information on matters of interpretation and give details of allusions that might prove baffling to the contemporary reader.

The Dunciad in Four Books of 1743 was the culmination of the series of Dunciads which Alexander Pope produced over the last decade and a half of his life. It comprises not only a poem, but also a mass of authorial annotation and appendices, and this authoritative edition is the only one available which gives all the verse and the prose in a clearly laid-out form, with a full modern commentary. Accessibly presented on the same page as Pope's text are explanatory notes, written in a style adapted to the needs of undergraduate readers, but still comprehensive enough to address the interests of scholars. The many books and pamphlets to which Pope refers have been examined in detail, and the commentary takes advantage of the fifty years' scholarship on literary, bibliographical, cultural and political aspects of the period which has accumulated since James Sutherland's The Dunciad, volume five of the Twickenham Edition. A substantial introduction offers a stimulating and helpful approach to the work, and the bibliography includes extensive suggestions for further reading.

Alexander Pope (1688 1744) is one of the greatest poets in European literature, comparable to the likes of likes of Shakespeare, Chaucer, Keats and Wordsworth. He is not easy to read though: his poetry uses dense literary and contemporary contextual allusions. This is why a book that gets the readers to the meaning of his poetry as painlessly as possible is so important. This is the third volume (the first to be published) in the four volume The Poems of Pope. It features the complete text of Pope's most significant poem, The Dunciad. The first-rate annotations that accompany this edition of the poem provide information on matters of interpretation and give details of allusions that might prove baffling to the contemporary reader.

"The Dunciad in Four Books" of 1743 was the culmination of the series of "Dunciads" which Alexander Pope produced over the last decade and a half of his life. It comprises not only a poem, but also a mass of authorial annotation and appendices, and this authoritative edition is the only one available which gives all the verse and the prose in a clearly laid-out form, with a full modern commentary. Accessibly presented on the same page as Pope s text are explanatory notes, written in a style adapted to the needs of undergraduate readers, but still comprehensive enough to address the interests of scholars. The many books and pamphlets to which Pope refers have been examined in detail, and the commentary takes advantage of the fifty years scholarship on literary, bibliographical, cultural and political aspects of the period which has accumulated since James Sutherland s "The Dunciad," volume five of the Twickenham Edition. A substantial introduction offers a stimulating and helpful approach to the work, and the bibliography includes extensive suggestions for further reading.
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How was Alexander Pope's personal experience of women transformed into poetry? How characteristic of his age was Pope's attitude toward women? What was the influence of individual women such as his mother, Patty Blount and Lady Mary Montagu on his life and work? Valerie Rumbold's is the first full-length study to address these issues. Referring to previously unexploited manuscripts, she focuses both on Pope's own life and art, and on early eighteenth-century assumptions about women and gender. She offers readings of some of the well-known poems in which women feature prominently, and follows Pope's response throughout his writings in general. The poet's own alienation from the dominant culture (through religion, politics and physical handicap), and his troubled fascination with certain kinds of women, make this subject complex and compelling, with wide implications. Dr. Rumbold provides new insight, and shows how women with whom Pope dealt can themselves be seen as individuals with presence and dignity.

Swift's parodies are among his most fascinating works, but perhaps require most explication for the modern reader. Valerie Rumbold brings a new depth and detail to the editing of Swift's Bickerstaff papers, 'Polite Conversation', 'Directions to Servants' and other works on language and conduct. Highlights include a fresh investigation of the political and print contexts of the Bickerstaff papers, full commentaries on such smaller works as 'A Modest Defence of Punning' and 'On Barbarous Denominations in Ireland', identification and explanation of many additional sayings in 'Polite Conversation', and a detailed contextualisation of 'Directions to Servants' in contemporary domestic theory and practice. A substantial thematic Introduction is supplemented by an individual headnote and full annotation to each work. The Textual Introduction explores the publishing strategies adopted by Swift and his booksellers, and a separate Textual Account of each work presents and discusses changes in the texts over time.

Presenting a fresh perspective on one of the most celebrated print canons in literary history, Valerie Rumbold explores the expressive force of print context, format, typography, ornament and paratext encountered by early readers of Jonathan Swift. By focusing on the books, pamphlets and single sheets in which the Dublin and London book trades published his work, this revealing whole-career analysis, based on a chronology of publication that often lagged years behind dates of composition, examines first editions and significant reprints throughout Swift's lifetime, and posthumous first editions and collections in the twenty years after his death. Drawing on this material evidence, Rumbold reframes Swift's publishing career as a late expression of an early modern formation in which publishing was primarily an adjunct to public service. In an age of digital reading, this timely study invites a new engagement with the printed texts of Swift.

Swift's parodies are among his most fascinating works, but perhaps require most explication for the modern reader. Valerie Rumbold brings a new depth and detail to the editing of Swift's Bickerstaff papers, 'Polite Conversation', 'Directions to Servants' and other works on language and conduct. Highlights include a fresh investigation of the political and print contexts of the Bickerstaff papers, full commentaries on such smaller works as 'A Modest Defence of Punning' and 'On Barbarous Denominations in Ireland', identification and explanation of many additional sayings in 'Polite Conversation', and a detailed contextualisation of 'Directions to Servants' in contemporary domestic theory and practice. A substantial thematic Introduction is supplemented by an individual headnote and full annotation to each work. The Textual Introduction explores the publishing strategies adopted by Swift and his booksellers, and a separate Textual Account of each work presents and discusses changes in the texts over time.

The collection of pre-1825 printed music in the Fitzwilliam Museum is one of the most important in the British Isles after the British Library and the Bodleian Library, particularly for its holdings of late seventeenth- and eighteenth-century music, areas in which the collection is noticeably strong. Many of the books are from the library of the Museum's founder, Richard Fitzwilliam, 7th Viscount Fitzwilliam of Merrion and of Thorncastle (1745-1816), one of the finest collections of the later eighteenth century that not only continued to grow in the early nineteenth but also survived intact. This in itself makes Fitzwilliam's collection of music a fascinating monument in the history of musical taste. Italian music looms large, but his interests were also broad enough to include French music by then unfashionable composers such as Lalande, Lully and Rameau, as well as the works of English seventeenth-century composers. The collection, considerably enriched by subsequent donations, is here fully catalogued for the first time.

How was Alexander Pope's personal experience of women transformed into poetry, and how in turn did he and his writing figure in the lives of the women he wrote about? How characteristic of his age was Pope's attitude towards women? What exactly was the role in his life of individual women such as his mother, Patty Blount and Lady Mary Wortley Montagu? Valerie Rumbold's is the first full-length study of these important issues. Making use of previously little-known manuscripts, she focuses both on Pope's own life and art, and on early eighteenth-century assumptions about women and gender. She offers readings of some of the well-known poems in which women feature prominently, and follows Pope's response throughout his writings in general. His own alienation from the dominant culture (through religion, politics and physical handicap) and his troubled fascination with certain kinds of women make this subject complex and compelling, with wide implications. Dr Rumbold brings to light new information, and shows how the women with whom Pope dealt can themselves be seen as individuals with presence and dignity.