In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama circulating throughout the dramatic texts, traversing masculine and feminine sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional."

Valerie Traub analyzes the representation of female-female love, desire, and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography, and medicine. Contrary to the silence ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. As a contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.

Focuses on transversions of Ovid's 'Iphis and Ianthe' in both English and French literature Medieval and early modern authors engaged with Ovid's tale of 'Iphis and Ianthe' in a number of surprising ways. From Christian translations to secular retellings on the seventeenth-century stage, Ovid's story of a girl's miraculous transformation into a boy sparked a diversity of responses in English and French from the fourteenth to the seventeenth centuries. In addition to analysing various translations and commentaries, the volume clusters essays around treatments of John Lyly's Galatea (c. 1585) and Issac de Benserade's Iphis et Iante (1637). As a whole, the volume addresses gender and transgender, sexuality and gallantry, anatomy and alchemy, fable and history, youth and pedagogy, language and climate change. Key Features: The only scholarly monograph to focus on Ovid's 'Iphis and Ianthe' Intervenes in the history of Ovidian reception and literary history, particularly in terms of gender and sexuality Broadens readings of 'Iphis and Ianthe' beyond concerns of gender and sexuality Brings medieval and early modern, English and French appropriations of the tale into productive dialogue Provides new readings of John Lyly's Galathea and Issac Benserade's 'Iphis and Ianthe', and of medieval versions of the story Intervenes in the history of 'trans' phenomena

What do we know about early modern sex, and how do we know it? How, when, and why does sex become history? In Thinking Sex with the Early Moderns, Valerie Traub addresses these questions and, in doing so, reorients the ways in which historians and literary critics, feminists and queer theorists approach sexuality and its history. Her answers offer interdisciplinary strategies for confronting the difficulties of making sexual knowledge. Based on the premise that producing sexual knowledge is difficult because sex itself is often inscrutable, Thinking Sex with the Early Moderns leverages the notions of opacity and impasse to explore barriers to knowledge about sex in the past. Traub argues that the obstacles in making sexual history can illuminate the difficulty of knowing sexuality. She also argues that these impediments themselves can be adopted as a guiding principle of historiography: sex may be good to think with, not because it permits us access but because it doesn't.

Focuses on transversions of Ovid's 'Iphis and Ianthe' in both English and French literature Medieval and early modern authors engaged with Ovid's tale of 'Iphis and Ianthe' in a number of surprising ways. From Christian translations to secular retellings on the seventeenth-century stage, Ovid's story of a girl's miraculous transformation into a boy sparked a diversity of responses in English and French from the fourteenth to the seventeenth centuries. In addition to analysing various translations and commentaries, the volume clusters essays around treatments of John Lyly's Galatea (c. 1585) and Issac de Benserade's Iphis et Iante (1637). As a whole, the volume addresses gender and transgender, sexuality and gallantry, anatomy and alchemy, fable and history, youth and pedagogy, language and climate change. Key Features: The only scholarly monograph to focus on Ovid's 'Iphis and Ianthe' Intervenes in the history of Ovidian reception and literary history, particularly in terms of gender and sexuality Broadens readings of 'Iphis and Ianthe' beyond concerns of gender and sexuality Brings medieval and early modern, English and French appropriations of the tale into productive dialogue Provides new readings of John Lyly's Galathea and Issac Benserade's 'Iphis and Ianthe', and of medieval versions of the story Intervenes in the history of 'trans' phenomena

Valerie Traub analyzes the representation of female-female love, desire, and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography, and medicine. Contrary to the silence ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. As a contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.

How did the new developments of the Renaissance affect the way women were understood by men and the way they understood themselves? Addressing a wide range of issues across Renaissance culture--humanism, technology, science, anatomy, literacy, theater, domesticity, colonialism, and sex--this collection of essays attempts to answer that question. In doing so, the authors discover that the female subject of the Renaissance shares a surprising amount of conceptual territory with her postmodern counterpart.

The Oxford Handbook of Shakespeare and Embodiment brings together 42 of the most important scholars and writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.

The Oxford Handbook of Shakespeare and Embodiment brings together 40 of the most important scholars and intellectuals writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.

In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing 'masculine' and 'feminine' sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.