Food Studies in Latin American Literature presents a timely collection of essays analyzing a wide array of Latin American narratives through the lens of food studies.Topics explored include potato and maize in colonial and contemporary global narratives, the role of cooking in Sor Juana's poetics, the centrality of desire in twentieth-century cooking writing by women, the relationship between food, recipes, and national identity, the role of food in travel narratives, and the impact of advertisements in domestic roles. The contributors included here - experts in Latin American History, Literature, and Cultural Studies -- bring a novel, interdisciplinary approach to these explorations, presenting new perspectives on Latin American literature and culture.

Mujeres en transito: viaje, identidad y escritura en Sudamerica (1830-1910) examines in detail the insightful accounts by four prominent female writers who traveled to and from Latin America in the 19th century: the French-Peruvian socialist and activist Flora Tristan (1803-1844), the Argentines Juana Manuela Gorriti (1819-1892) and Eduarda Mansilla (1838-1892), and the Peruvian Clorinda Matto de Turner (1852-1909). Each author traveled and wrote in different and significant moments in the history of the Latin American nations and their texts touch upon the nature of hemispheric and European cross-cultural relations. Mujeres en transito revises the limited consideration that women's travelogues have received within the Latin American literary tradition. It demonstrates how women's commentaries on their own and other nations speak to their own engagement in the project of modern citizenship. More importantly, the act of traveling often helps female authors to challenge the strictly political, legal and geographic conceptions of nationhood and national identity articulated in canonical texts. Their improved yet marginal position in society as women, their particular reasons to travel, and the personal and symbolic connections with more than one nation or culture lead these four women to articulate a ""transnational imaginary"" through which they revise the categories of gender, class, modernity, and cultural homogeneity that shaped 19th-century Latin American societies.