This final volume in the successful series "The Idea of Iran" addresses the astonishing impact made by Islam during and after the Arab conquest of Iran in the middle of the seventh century. As the Sasanian dynasty crumbled before the invaders' triumphant onslaught, its state religion of Zoroastrianism was unceremoniously dismantled to make way for the new faith of the victorious desert warriors. Yet why, if Iran jettisoned its indigenous religion, did it still manage to retain its Persian language and distinctive Iranian identity once Muslim governance took hold? These, and other intriguing questions, are addressed by the book, which includes distinguished contributions from world-renowned scholars such as Hugh Kennedy, Edmund Bosworth, Robert Hillenbrand and Ehsan Yarshater. Discussing a large variety of subjects which covers the whole spectrum of life in early Islamic Iran, the volume offers one of the most ambitious perspectives on Persian religion, society and culture to be published to date. It will be consulted by all students of Iranian history, and will be regarded as essential reading for scholars of Islam, the Middle East and medieval religion alike.

A reissue of this popular title with a fresh new paperback format, this collection of beautiful Persian love poetry is richly illustrated with images from the British Museum s world - famous collection. Love is everywhere in Persian poetry and can be interpreted in various ways: as mystic love, the basis of the relationship between humans and God; as passionate or affectionate love between lovers, husbands and wives, parents and children, family and friends; even as patriotic love for Iran. The literary style and indeed the Persian language itself are floral and elaborate, but the themes differ little from our preoccupations with love and romance today. With a brief introduction to the Persian poetic tradition and a short biographical note about each of the major poets, this beautiful anthology is the perfect way to discover the treasures of Persian literature and art.

This book explores the formation of the first Persian Empire under the Achaemenid Persians. It brings together a multi-disciplinary view of ancient Iran in the first millennium BC and concentrates on the art, archaeology, history and religion of a vast geographical area far beyond the present borders of modern Iran in the period beginning just before the formation of the Persian empire in the middle of the 6th century up to its collapse following conquest by Alexander the Great in the late 4th century BC. Eminent scholars offer a critical approach to some of the traditional interpretations and guide the reader towards a better understanding of the formation of the Persian empire. This is the first volume in the four-volume "Idea of Iran" series. Charting over 1000 years of history, ""The Idea of Iran"" series offers a significant new appraisal of one the most fascinating, but also (at least in the West) relatively little known, of the great civilizations of antiquity. Comprising four substantial volumes, which have emerged from a series of seminars held under the joint auspices of the London Middle East Institute and the British Museum, and supported by the Soudavar Memorial Foundation, the series explores the empires which have shaped the culture of Iran. Beginning with the Achaemenid dynasty of Cyrus the Great, which founded Persian imperial rule in the middle of the sixth century BCE, the series goes on to examine, amongst other key topics, the society, religion, and government of ancient Iran under the Parthians, Sasanians and the Arab rulers of the early Islamic period. ""The Idea of Iran"" will be mandatory reading for all serious scholars and students of ancient and earlymedieval Iranian history.

This latest volume in "The Idea of Iran" series concentrates on the Sasanian period. Seizing power from the previous dynasty - the Parthians - the Sasanians ruled Iran and most of the ancient Near East from 224 until 642 CE. They are particularly fascinating because of their adherence to Zoroastrianism, an ancient dualistic Iranian religion named after the prophet Zarathustra (or, in Greek, Zoroaster). The Sasanians expressed the divine aspect of their rule in a variety of forms, such as on coins, rock reliefs and silver plates, and architecture and the arts flourished under their aegis. Sasanian military success brought them into conflict with Rome, and later Byzantium. Their empire eventually collapsed under the force of the Arab army in AD 642, when Zoroastrianism was replaced with Islam.Engaging with all the major aspects of Sasanian culture, twelve eminent scholars address subjects which include: early Sasanian art and iconography; early Sasanian coinage; religion and identity in the Sasanian empire; later Sasanian orality and literacy; and state and society in late antique Iran. The volume in question arguably comprises the most complete and comprehensive treatment of the Sasanian civilization yet to be published in English.

The Parthians are a fascinating but little-known ancient civilization. In the mid-third century BCE a bold and ambitious leader called Arshak challenged Hellenic rule and led his armies to victory. The dynasty which he founded ruled over what became a mighty empire and restored the glory of Iran following the region's conquest by Alexander the Great. This imperial eastern superpower, which lasted for 400 years and stretched from the Hindu Kush to Mesopotamia, withstand the might of Rome for centuries. The Parthians were nomadic horse-warriors who left few written records, concentrating rather on a rich oral and storytelling tradition. What knowledge we have of this remarkable people derives primarily from their coinage, which mixed Hellenism with Persian influences. In this book, distinguished scholars examine - from a variety of perspectives - the origins of the Parthians, their history, religion and culture, as well as perceptions of their empire through the lens of both imperial Rome and China.