A series of poetic remixes, WAR IS NOT MY MOTHER might be considered a form of spirit possession.  Each poem in this manuscript takes up another poet’s work— a selection that ranges from Lorca to CD Wright, Hồ Xuân Hương to Sappho, Agha Shahid Ali to Ishrat Afreen— and alters its DNA, infusing it with an other idiolect. This is an idiolect of pleasure (the wordplay, puns, and cadence of the Vietnamese language) and of pain (the long shadow of the Vietnam war in the lives of those who survived, barely survived, and became refugees). Like any possessing spirit, WAR IS NOT MY MOTHER speaks in tongues: using others’ words to articulate a personal pain. Shorn of their original context and content, the poems in this collection— mutant-hybrids who retain a trace of their skeleton while dressed in entirely other clothes— become a play of voices that call into question notions of authenticity and self in poetic production, a postmodern twist for the classical craft.

Praise for Vi Khi Nao: "Here I was allowed to forget for a while that that is what books aspire to tell, so taken was I by more enthralling and mysterious pleasures." --Carole Maso How do you bear the death of a child? With fishtanks and jellyfish burials, Persephone's pomegranate seeds, and affairs with the neighbors. Fish in Exile spins unimaginable loss through classical and magical tumblers, distorting our view so that we can see the contours of a parent's grief all the more clearly. Vi Khi Nao was born in Long Khanh, Vietnam. Vi's work includes poetry, fiction, film and cross-genre collaboration. Her poetry collection, The Old Philosopher, was the winner of 2014 Nightboat Poetry Prize. Her novel, Fish In Exile, will make its first appearance in Fall 2016 from Coffee House Press. She holds an MFA in fiction from Brown University.

This is what happens when a powerful princess falls in love with a woman and God sits in the grass to count stars. Princes, birds, and glass bottle labyrinths wrap around a spiral of Roman numerals.

A hypnotic sojourn of planetary proportions through the terrestrial contingencies of bodies, health, poverty, and salvation ; Maldon is an adjunct literature instructor at a prestigious East Coast university, with a deteriorating heart condition and no insurance. She finds herself caught between the demands of her job and the needs of her body, triggering economic and emotional strains that cause her to fantasize about taking her own life. But Maldon, who has pledged to safeguard her mother ever since their arrival in the US on a refugee ship from postwar Vietnam, has vowed to forgo suicide for as long as her mother is living. In time, her heart worsens rapidly, and she ventures cross-country to a place called Cloud for the operation that may save her life. In Cloud, Maldon is joined by old friend planet Neptune, who is hermaphroditic, peculiar, and has agreed to accompany Maldon through the operation. Swimming with Dead Stars is a hallucinatory meditation on the stars and planets, the precariousness of our existence, the cruel inequities of labor and healthcare, chickens and ice cream, and the grace that comes from enduring the physical and psychic pain wrought by pernicious social forces that enslave us all.