A perceptive literary critic, a world-famous writer of witty and playful verses for children, a leading authority on children's linguistic creativity, and a highly skilled translator, Kornei Chukovsky was a complete man of letters. As benefactor to many writers including Alexander Solzhenitsyn and Joseph Brodsky, he stood for several decades at the center of the Russian literary milieu. It is no exaggeration to claim that Chukovsky knew everyone involved in shaping the course of twentieth-century Russian literature. His voluminous diary, here translated into English for the first time, begins in prerevolutionary Russia and spans nearly the entire Soviet era. It is the candid commentary of a brilliant observer who documents fifty years of Soviet literary activity and the personal predicament of the writer under a totalitarian regime.
From descriptions of friendship with such major literary figures as Anna Akhmatova and Isaac Babel to accounts of the struggle with obtuse and hostile censorship, from the heartbreaking story of the death of the daughter who had inspired so many stories to candid political statements, the extraordinary diary of Kornei Chukovsky is a unique account of the twentieth-century Russian experience.

The period before 1917 was a revolutionary one for Russian literature, marked by the innovations and experimentations of modernism. With the Bolshevik seizure of power, a parallel process of drastic social innovation and experimentation began. How did revolution in the arts and revolution in society and politics relate to one another? Victor Erlich, an eminent authority on modern Slavic culture, takes up this question in Modernism and Revolution, providing an appraisal of Russian literature during its most turbulent years.;Probing the salient literary responses to the upheaval that changed the face of Russia, Erlich offers a new perspective on this period of artistic ferment. He begins by revisiting the highlights of early 20th-century Russian poetry - including the works of such masters as Akhmatova, Mandelstam, Pasternak - and goes on to examine the major prose writers of the first post-revolutionary decade. In an inquiry that ranges over poetry, criticism, and artistic prose, Erlich explores the work of, among others, Symbolists Bely, Blok and Ivanov, Futurists Khlebnikov and Mayakovsky, Formalists Jakobson and Shklovsky, the novelists Pilnyak and Zamyatin, the short story master Babel, and the humourist Zoshchenko. He delineates a complex and ambiguous relationship between Russian literary modernism and the emerging Soviet state. Here, following the artistic experimentation and cultural diversity begun early in the century, we witness a trend toward regimentation and conformity as the literary avant garde's "modus vivendi" with the new regime becomes increasingly precarious.;As this regime recedes into history, along with the passions and prejudices it aroused, the accomplishments and failures of writers caught up in its early revolutionary fervour can at last be seen for what they were. From a perspective formed over a lifetime of study of Russian literature, Victor Erlich helps us look clearly, judiciously and deeply into this long obscured part of the literary past.