Frederich Engels (1820 1895) was a German businessman and political theorist renowned as one of the intellectual founders of communism. In 1842 Engels was sent to Manchester to oversee his father's textile business, and he lived in the city until 1844. This volume, first published in German in 1845, contains his classic and highly influential account of working-class life in Manchester at the height of its industrial supremacy. Engels' highly detailed descriptions of urban conditions and contrasts between the different classes in Manchester were informed from both his own observations and his contacts with local labour activists and Chartists. Extensively researched and written with sympathy for the working class, this volume is one Engels' best known works and remains a vivid portrait of contemporary urban England. This volume is reissued from the English edition of 1892, which was translated by noted social activist Florence Kelley Wischnewetzky (1859 1932).

'This book rests on a lifetime's thinking about history. It helps us see Shakespeare in "a more realistic light".' Times Literary Supplement The seventeenth century saw the brief flowering of tragic drama across Western Europe. And in the plays of William Shakespeare, this form of drama found its greatest exponent. These Tragedies, Kiernan argues, represented the artistic expression of a new social and political consciousness which permeated every aspect of life in this period. In this book, Kiernan sets out to rescue the Tragedies from the reductionist interpretations of mainstream literary criticism, by uncovering the wider historical context which shaped Shakespeare's writings. Opening with an overview of contemporary England, the development of the theatre, and a portrait of Shakespeare as a writer, Kiernan goes on to provide an in-depth analysis of eight of his Tragedies - from Julius Caesar to Coriolanus - drawing out their contrasts and recurring themes, and exploring their attitudes to monarchy, war, religion, philosophy, and changing relations between men and women. Featuring a new introduction by Terry Eagleton, this is an invaluable resource for those looking for a new perspective on Shakespeare's writings.

'This book rests on a lifetime's thinking about history. It helps us see Shakespeare in "a more realistic light".' Times Literary Supplement Although Shakespeare is rightly celebrated for the continued relevancy of his plays and poetry today, we too often lose sight of the wider historical context which shaped his work. In Shakespeare: Poet and Citizen, Victor Kiernan shows that Shakespeare was profoundly sensitive to the great social and political upheavals of his age. Shakespeare's life coincided with the first challenges to the institution of monarchy, as well as far-reaching transformations in the social hierarchy. By placing the plays within this context of an emerging modernity, Kiernan upends our perception of Shakespeare's writings. He shows that these social transformations, and especially the changing roles of women, are crucial to our understanding of the Comedies, in which the confusion of identity, disguise, and cross-dressing play a central role, while the Histories similarly reflect the demise of feudal allegiances and the development of the modern state. Featuring a new introduction by Michael Wood, Shakespeare: Poet and Citizen provides a rich resource for both students of literature and for the general reader looking for new insight into the life of our greatest dramatist.

For centuries, duelling played an integral role in the preservation of the aristocratic order in Europe, defying attempts by both church and state to ban the practice. Moreover, the romance and drama of the duel has made it an enduring fixture in films, literature, and the theatre. In The Duel in European History, renowned historian Victor Kiernan writes with his characteristic wit and insight of duelling's evolution from its medieval origins - when it was regarded as a badge of rank - to the early twentieth century, by which time it was seen as an irrational anachronism. In doing so, he shows how the duelling tradition was something unique to Europe and its colonies, and, in its contribution to the development of the officer corps, played a key part in shaping European military power. Drawing on a vast range of historical and cultural sources, this is the definitive account of a violent ritual that continues to fascinate even today.

'This book rests on a lifetime's thinking about history. It helps us see Shakespeare in "a more realistic light".' Times Literary Supplement The seventeenth century saw the brief flowering of tragic drama across Western Europe. And in the plays of William Shakespeare, this form of drama found its greatest exponent. These Tragedies, Kiernan argues, represented the artistic expression of a new social and political consciousness which permeated every aspect of life in this period. In this book, Kiernan sets out to rescue the Tragedies from the reductionist interpretations of mainstream literary criticism, by uncovering the wider historical context which shaped Shakespeare's writings. Opening with an overview of contemporary England, the development of the theatre, and a portrait of Shakespeare as a writer, Kiernan goes on to provide an in-depth analysis of eight of his Tragedies - from Julius Caesar to Coriolanus - drawing out their contrasts and recurring themes, and exploring their attitudes to monarchy, war, religion, philosophy, and changing relations between men and women. Featuring a new introduction by Terry Eagleton, this is an invaluable resource for those looking for a new perspective on Shakespeare's writings.