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Paris in the 1880s. Louise Strandberg has fallen ill visiting her bohemian artist friends. An almost-famous French painter calls round and, somehow inevitably, she falls heavily under his spell. A year later, having run herself deep into debt on his account despite his coolness towards her, she - somehow also inevitably - kills herself. author's own life. Victoria Benedictsson killed herself at the end of a long, unrequited affair. She is said to be the model for two of the most famous suicides in drama: in Miss Julie (published the year of her death) and Hedda Gabler, published two years later. remarkably fresh and fascinating take on the 19th-century obsession with the doomed love affair, which includes La Dame aux Camelias and Therese Raquin.
Victoria Benedictsson published Money, her first novel, in 1885. Set in rural southern Sweden where the author lived, it follows the fortunes of Selma Berg, a girl whose fate has much in common with that of Madame Bovary and Ibsen's Nora. The gifted young Selma is forced to give up her dreams of going to art school when her uncle persuades her to marry, at the age of sixteen, a rich older squire. Profoundly shocked by her wedding night and by the mercenary nature of the marriage transaction, she finds herself trapped in a life of idle luxury. She finds solace in her friendship with her cousin and old sparring partner Richard; but as their mutual regard threatens to blossom into passion, she draws back from committing adultery and from the force of her own sexuality. The naturalism and implicit feminism of Money place it firmly within the radical literary movement of the 1880s known as Scandinavia's Modern Breakthrough. Benedictsson became briefly a member of that movement, but her difficult personal life and her struggles to achieve success as a writer led to her suicide only three years later.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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