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This book shares essential insights into how the social sciences and technology could foster new advances in managing the complexity inherent to the criminal and digital policing landscape. Said landscape is both dynamic and intricate, emanating as it does from crimes that are both persistent and transnational. Globalization, human and drug trafficking, cybercrime, terrorism, and other forms of transnational crime can have significant impacts on societies around the world. This necessitates a reassessment of what crime, national security and policing mean. Recent global events such as human and drug trafficking, the COVID-19 pandemic, violent protests, cyber threats and terrorist activities underscore the vulnerabilities of our current security and digital policing posture. This book presents concepts, theories and digital policing applications, offering a comprehensive analysis of current and emerging trends in digital policing. Pursuing an evidence-based approach, it offers an extraordinarily perceptive and detailed view of issues and solutions regarding the crime and digital policing landscape. To this end, it highlights current technological and methodological solutions as well as advances concerning integrated computational and analytical solutions deployed in digital policing. It also provides a comprehensive analysis of the technical, ethical, legal, privacy and civil liberty challenges stemming from the aforementioned advances in the field of digital policing; and accordingly, offers detailed recommendations supporting the design and implementation of best practices including technical, ethical and legal approaches when conducting digital policing. The research gathered here fits well into the larger body of work on various aspects of AI, cybersecurity, national security, digital forensics, cyberterrorism, ethics, human rights, cybercrime and law. It provides a valuable reference for law enforcement, policymakers, cybersecurity experts, digital forensic practitioners, researchers, graduates and advanced undergraduates, and other stakeholders with an interest in counter-terrorism. In addition to this target audience, it offers a valuable tool for lawyers, criminologist and technology enthusiasts.
This volume presents a number of close readings of Latin American literary and cultural phenomena. The overarching theme of the collection is the revision of the accepted view of Latin American national identities as represented in twentieth-century Latin American literature and culture. The book examines the complexity of national identities forged among political crises, economic upheaval and intercultural influences. The essays included here focus upon internal contradictions of national identity and the factors contributing to this discord. Among these are the nature of the Latin American intellectual, Latin American modernity and exile, and the psychological underpinning of the re-creation of history. Some of the chapters challenge the existing theoretical framework for Latin American literary analysis by employing non-literary theories to analyse hitherto overlooked textual anomalies. The book is a Festschrift for Professor Peter R. Beardsell, reflecting the importance of his contribution to Latin American literary and cultural studies.
In the aftermath of major violent events that affect many, we seek to know the 'truth' of what happened. Whatever 'truth' emerges relies heavily on the extent to which any text about a given event can stir our emotions - whether such texts are official sources or the 'voice of the people', we are more inclined to believe them if their words make us feel angry, sad or ashamed. If they fail to stir emotion, however, we will often discount them even when the reported information is the same. Victoria Carpenter analyses texts by the Mexican government, media and populace published after the Tlatelolco massacre of 2 October 1968, demonstrating how there is no strict division between their accounts of what happened and that, in fact, different sides in the conflict used similar and sometimes the same images and language to rouse emotions in the reader.
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