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This collection provides an innovative and wide-ranging introduction to the world of Arthur by looking beyond the canonical texts and themes, taking instead a transversal perspective on the Arthurian narrative. Together, its thirty-four chapters explore the continuities that make the material recognizable from one century to another, as well as transformations specific to particular times and places, revealing the astonishing variety of adaptations that have made the Arthurian story popular in large parts of the world. Divided into four parts-The World of Arthur in the British Isles, The European World of Arthur, The Material World of Arthur, and The Transversal World of Arthur - the volume tracks the legend's movement across temporal, geographical, and material boundaries. Broadly chronological, each part views the unfolding Arthurian story through its own lens, while temporal and geographical overlaps between the sections underscore the proximity of these developments in the legend's history. Ranging from early Latin chronicles and Welsh poetry to twenty-first century anime and political conspiracies, this comprehensive and illuminating book will be of interest to anyone researching Arthurian literature or tracing the evolution of medievalism through literature, the visual arts, and popular culture.
Once a byword for Protestant sobriety and moral idealism, Spenser is now better known for his irony and elusiveness. But this study argues that his sense of humour is still underestimated and misunderstood. In a series of bold reinterpretations of key episodes in The Faerie Queene, Victoria Coldham-Fussell demonstrates that humour goes to the heart of Spenser's moral and doctrinal preoccupations. She charts amusing rifts between the poem's ambitious and idealising postures and its Protestant vision of corruptible human nature; yet contends that Spenserian humour is an expression of tolerance and faith as well as an instrument of satire. This study's application of modern comic theory to a key text of the English Renaissance and its detailed survey of the comic influences that shaped Spenser's literary milieu will be indispensable to teachers of the Renaissance period, to students of comic literature, and to established Spenserians. -- .
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