'Computer-Mediated Relationships and Trust' examines how building trust is different for managers developing 'virtual' (i.e. computer mediated) relationships.

Legal and ethical issues have become a standard part of engineering and business schools' curricula. This has not been the case for computer science or management information systems programs, although there has been increasing emphasis on the social skills of these students. This leaves a frightening void in their professional development. Information systems pose unique social challenges, especially for technical professionals who have been taught to think in terms of logic, structures and flows. Social, Ethical and Policy Implications of Information Technology focuses on the human impact of information systems, including ethical challenges, social implications, legal issues, and unintended costs and consequences.

Critical Theory and Animal Liberation is the first collection to approach our relationship with other animals from the critical or "left" tradition in political and social thought. Breaking with past treatments that have framed the problem as one of "animal rights," the authors instead depict the exploitation and killing of other animals as a political question of the first order. The contributions highlight connections between our everyday treatment of animals and other forms of social power, mass violence, and domination, from capitalism and patriarchy to genocide, fascism, and ecocide. Contributors include well-known writers in the field as well as scholars in other areas writing on animals for the first time. Among other things, the authors apply Freud's theory of repression to our relationship to the animal, debunk the "Locavore" movement, expose the sexism of the animal defense movement, and point the way toward a new transformative politics that would encompass the human and animal alike.

This edited volume is the first book to bring together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume??'s title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors??? intention to synthesize recent advances in social science with recent advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera??'s history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.

This book updates and adds to the classic Social Movements of the Sixties and Seventies, showing how social movement theory has grown and changed_from an earlier emphasis on collective behavior, to the resource mobilization approach, and currently to analyses that emphasize culture, ideology, and collective identity. Top social scientists combine insiders' insights with critical analyses to examine a wide variety of social movements active in the most recent U.S. cycle of protest. Waves of Protest is a must-read for students of social movements, social change, political sociology, and American studies.

When Dr David Hosack tilled the America's first botanical garden in the Manhattan soil more than two hundred years ago, he didn't just dramatically alter the New York landscape; he left a monumental legacy of advocacy for public health and wide-ranging support for the sciences. A charismatic dreamer admired by the likes of Jefferson, Madison and Humboldt, and intimate friends with both Hamilton and Burr, the Columbia professor devoted his life to inspiring Americans to pursue medicine and botany with a rigour to rival Europe's. Though he was shoulder-to-shoulder with the founding fathers Hosack and his story remain unknown. Now, in melodic prose, Victoria Johnson eloquently chronicles Hosack's tireless career to reveal the breadth of his impact.

A Crash Course in Writing Powerful, Persuasive Grants

""Grant Writing 101 provides straightforward and effective strategies for improving results. It is a wonderful reference guide for experienced fundraisers and an invaluable 'how-to' manual for those starting their careers.""
--Emmett D. Carson, Ph.D., CEO and President, Silicon Valley Community Foundation

""This new book is an essential tool in helping nonprofits manage grant writing by keeping it simple, easy, and enjoyable ""
--Barb Larson, CEO, American Red Cross, Silicon Valley

"Grant Writing 101" offers quick and easy tactics for getting the funding you need--right now

Written to enable beginners with little or no experience to hit the ground running, it covers: Ten tactics for writing a compelling proposal Tips for finding the best grantor for your needs Important components of various types of grants Next steps for when you're approved

"Includes samples of grant proposals and budget presentations "

When Dr David Hosack tilled the America's first botanical garden in the Manhattan soil more than two hundred years ago, he didn't just dramatically alter the New York landscape; he left a monumental legacy of advocacy for public health and wide-ranging support for the sciences. A charismatic dreamer admired by the likes of Jefferson, Madison and Humboldt, and intimate friends with both Hamilton and Burr, the Columbia professor devoted his life to inspiring Americans to pursue medicine and botany with a rigour to rival Europe's. Though he was shoulder-to-shoulder with the founding fathers Hosack and his story remain unknown. Now, in melodic prose, Victoria Johnson eloquently chronicles Hosack's tireless career to reveal the breadth of his impact.

This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.

Children and young people have much to offer the community they live in, but are often excluded in decisions and policies that affect their development, as their own opinions are ignored or overruled much of the time. Participatory approaches used in development in a practical framework can provide the vehicle needed to include children in the decision-making processes which affect their communities, and can have far reaching implications for policies and practice.;This text presents the key issues and challenges involved in facilitating children and young people's participation in the development process. The contributors come from a range of backgrounds including NGOs in development, children's agencies, academic institutions and governments, bringing a multi-disciplinary approach to children's participation.;Chapter One provides an overview to the main issues and concepts, and chapters Two to Seven each expand on a particular theme, drawing on case studies from around the world. The main issues discussed and analyzed include: the ethical dilemmas that face professionals in addressing children's participation; the process and methods used in participatory research and planning with children; the inter-relationship between culture and children's participation; consideration for institutions; and the key qualities of a participation programme for children and young people's participation.

How Many Machine Guns Does It Take to Cook One Meal? explores the cultural forces that shaped two pivotal events affecting the entire West Coast: the 1919 Seattle General Strike and the 1934 San Francisco General Strike. In contrast to traditional approaches that downplay culture or focus on the role of socialists or communists, Victoria Johnson shows how strike participants were inspired by distinctly American notions of workplace democracy that can be traced back to the political philosophies of Thomas Jefferson and Thomas Paine. Johnson examines the powerful stories and practices from our own egalitarian traditions that resonated with these workers and that have too often been dismissed by observers of the American labor movement. Ultimately, she argues that organized labor's failure to draw on these traditions in later decades contributed to its decreasing capacity to mobilize workers as well as to the increasing conservatism of American political culture. This book will appeal to scholars of western and labor history, sociology, and political science, as well as to anyone interested in the intersection of labor and culture.

How Many Machine Guns Does It Take to Cook One Meal? explores the cultural forces that shaped two pivotal events affecting the entire West Coast: the 1919 Seattle General Strike and the 1934 San Francisco General Strike. In contrast to traditional approaches that downplay culture or focus on the role of socialists or communists, Victoria Johnson shows how strike participants were inspired by distinctly American notions of workplace democracy that can be traced back to the political philosophies of Thomas Jefferson and Thomas Paine. Johnson examines the powerful stories and practices from our own egalitarian traditions that resonated with these workers and that have too often been dismissed by observers of the American labor movement. Ultimately, she argues that organized labor's failure to draw on these traditions in later decades contributed to its decreasing capacity to mobilize workers as well as to the increasing conservatism of American political culture. This book will appeal to scholars of western and labor history, sociology, and political science, as well as to anyone interested in the intersection of labor and culture.

On July 14, 1789, a crowd of angry French citizens en route to the Bastille broke into the Paris Opera and helped themselves to any sturdy weapon they could find. Yet despite its long association with the royal court, its special privileges, and the splendor of its performances, the Opera itself was spared, even protected, by Revolutionary officials. Victoria Johnson's "Backstage at the Revolution" tells the story of how this legendary opera house, despite being a lightning rod for charges of tyranny and waste, weathered the most dramatic political upheaval in European history.
Sifting through royal edicts, private letters, and Revolutionary records of all kinds, Johnson uncovers the roots of the Opera's survival in its identity as a uniquely privileged icon of French culture--an identity established by the conditions of its founding one hundred years earlier under Louis XIV. Johnson's rich cultural history moves between both epochs, taking readers backstage to see how a motley crew of singers, dancers, royal ministers, poet entrepreneurs, shady managers, and the king of France all played a part in the creation and preservation of one of the world's most fabled cultural institutions.