With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro

View the Table of Contents. Read the Introduction.

aSucceeds at placing blacks and Asians at the center of the Americas, inviting productive dialogue against the notion that interaction between these groups is out of the ordinary.a
--"Journal of American Ethnic History"

"As fresh and exciting as it is important. This crucial book changes the conversation around American Studies and Ethnic Studies in key ways, challenging scholars to light out for previously-uncharted places on our mental maps in which borders are interrogated and challenged, alliances forged through imagined communities, commerce, popular culture, or politics are investigated and probed, and questions that are simultaneously new, and half a century old, are revivified. This volume, the first interdisciplinary anthology dealing with AfroAsian encounters, stands to become a landmark work in the field."
--Shelley Fisher Fishkin, Stanford University

aWhat critical anthologies do best is to present. . . . And AfroAsian Encounters does thata--"Journal of Asian American Studies"

How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's "The Mikado," Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?

AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.

A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a "Black Pacific." From the history of Japanese jazz composers to the current popularity of black/Asian "buddy films" like "Rush Hour," AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

An incisive and inspiring call to look beyond capitalism to chart a road map for a planet ravaged by pandemics, climate crisis, and wars. Prompted by trenchant questions by international solidarity organizer Frank Barat, renowned author and activist Vijay Prashad shows that the path toward hope and liberation lies in looking closely at myriad, under covered struggles being waged all across the world by workers in countries such as India, Kenya, Peru, Tunisia, and Argentina. A marvelously global but grassroots perspective. Prashad also examines pressing topics such as debt cancellation, a wealth tax, austerity, the pandemic, the arms industry, the climate crisis, socialism, working-class social movements and much more.

An incisive and inspiring call to look beyond capitalism to chart a road map for a planet ravaged by pandemics, climate crisis, and wars. Prompted by trenchant questions by international solidarity organizer Frank Barat, renowned author and activist Vijay Prashad shows that the path toward hope and liberation lies in looking closely at myriad, under covered struggles being waged all across the world by workers in countries such as India, Kenya, Peru, Tunisia, and Argentina. A marvelously global but grassroots perspective. Prashad also examines pressing topics such as debt cancellation, a wealth tax, austerity, the pandemic, the arms industry, the climate crisis, socialism, working-class social movements and much more.

There's really no escaping it: if you want to understand capitalism, you simply have to read Karl Marx's "Capital". But this is easier said than done. "Capital" is Marx's magnum opus - consisting of more than 2,000 pages, over three volumes. It is a masterpiece of analysis, of relentlessly methodical and logical reasoning. So is "Capital" only for the expert? No. "Capital" can be read - and understood - by beginners as well, provided they are guided into it. Which is exactly what this volume does. Seven leading Marxist scholars lay out the conceptual framework of "Capital" as well as investigate its various themes in essays written specially for this Reader. Moreover, each of the authors has taken care to not limit him/herself to only preliminary explication of concepts, and has also gone into matters of advanced theory. The volume as a whole also has a broadly similar trajectory - the first couple of essays lay the foundation, the middle four essays graduate from basic concepts to theoretical discussion and debates, and the last essay does not go into basic concepts at all, but applies the method of "Capital" to theorise about contemporary capitalism. This introductory Reader, then, does two things: it equips new readers with the basic conceptual keys that could unlock the vast treasure trove of Marx's analysis and insights, as well as offering fresh insights into Marx's magnificent work to the initiated.

The Sun Never Sets collects the work of a generation of scholars who are enacting a shift in the orientation of the field of South Asian American studies. By focusing upon the lives, work, and activism of specific, often unacknowledged, migrant populations, the contributors present a more comprehensive vision of the South Asian presence in the United States. Tracking the changes in global power that have influenced the paths and experiences of migrants, from expatriate Indian maritime workers at the turn of the century, to Indian nurses during the Cold War, to post-9/11 detainees and deportees caught in the crossfire of the "War on Terror," these essays reveal how the South Asian diaspora has been shaped by the contours of U.S. imperialism. Driven by a shared sense of responsibility among the contributing scholars to alter the profile of South Asian migrants in the American public imagination, they address the key issues that impact these migrants in the U.S., on the subcontinent, and in circuits of the transnational economy. Taken together, these essays provide tools with which to understand the contemporary political and economic conjuncture and the place of South Asian migrants within it.

Argues the forces which originally drove us into the Cold War never went anywhere, and the stakes are higher than ever As the American people delude themselves once more into thinking of the United States as a liberating force for peace in the world, Waging a New Cold War invites us, instead, to think for ourselves. Behind the scenes the plans to wage war have been laid--either by proxy, as in Ukraine, or directly, against the U.S.'s old twentieth-century foes. Waging a New Cold War: A Socialist Perspective makes a strong case that, as the official story is laid out by government propagandists, and as the mainstream media provides cover, the aim of this latest set of American military escapades remains the same as ever: Maintenance of U.S hegemony in the global financial system. Foregrounded with an introduction by Vijay Prashad, this cogent collaboration puts forth three essays that illustrate clearly that, while the Cold War against the Soviet Union ended, the "cold war" against the "enemies" of the United States did not. Furthermore, its authors lay out evidence that the U.S. establishment has been willing to risk nuclear winter--in other words, mutual annihilation--to hold onto economic primacy. And they show that, while Russia and China can each be criticized, justifiably, for their violations of human life and dignity, neither, on its own, threatens the eruption of a Third World War and the end of the human race as we know it. Just in time, we have in our hands an intelligent text that strengthens our struggle against the cynical machinations of the American military behemoth and its propaganda machine.

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro

View the Table of Contents. Read the Introduction.

aSucceeds at placing blacks and Asians at the center of the Americas, inviting productive dialogue against the notion that interaction between these groups is out of the ordinary.a
--"Journal of American Ethnic History"

"As fresh and exciting as it is important. This crucial book changes the conversation around American Studies and Ethnic Studies in key ways, challenging scholars to light out for previously-uncharted places on our mental maps in which borders are interrogated and challenged, alliances forged through imagined communities, commerce, popular culture, or politics are investigated and probed, and questions that are simultaneously new, and half a century old, are revivified. This volume, the first interdisciplinary anthology dealing with AfroAsian encounters, stands to become a landmark work in the field."
--Shelley Fisher Fishkin, Stanford University

aWhat critical anthologies do best is to present. . . . And AfroAsian Encounters does thata--"Journal of Asian American Studies"

How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's "The Mikado," Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?

AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.

A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a "Black Pacific." From the history of Japanese jazz composers to the current popularity of black/Asian "buddy films" like "Rush Hour," AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

Desi Rap is a collection of essays from South Asian American activists, academics, and hip-hop artists that explores four main ideas: hip-hop as a means of expression of racial identity, class status, gender, sexuality, racism, and culture; the appropriation of Black racial identity by South Asian American consumers of hip-hop; the furthering of the discourse on race and ethnic identity in the United States through hip-hop; and the exploration of South Asian Americans' use of hip-hop as a form of social protest. Ultimately, this volume is about broadening our horizons through hip-hop and embracing the South Asian American community's polycultural legacy and future.

Washington Bullets is written in the best traditions of Marxist journalism and history-writing. It is a book of fluent and readable stories, full of detail about U.S. imperialism, but never letting the minutiae obscure the larger political point. It is a book that could easily have been a song of despair-a lament of lost causes; it is, after all, a roll call of butchers and assassins; of plots against people's movements and governments; of the assassinations of socialists, Marxists, communists all over the Third World by the country where liberty is a statue. Despite all this, Washington Bullets is a book about possibilities, about hope, about genuine heroes. One such is Thomas Sankara of Burkina Faso-also assassinated-who said: "You cannot carry out fundamental change without a certain amount of madness. In this case, it comes from nonconformity, the courage to turn your back on the old formulas, the courage to invent the future. It took the madmen of yesterday for us to be able to act with extreme clarity today. I want to be one of those madmen. We must dare to invent the future." Washington Bullets is a book infused with this madness, the madness that dares to invent the future.

Village Voice Favorite Books of 2000 The popular book challenging the idea of a model minority, now in paperback!"How does it feel to be a problem?" asked W. E. B. Du Bois of black Americans in his classic The Souls of Black Folk. A hundred years later, Vijay Prashad asks South Asians "How does it feel to be a solution?" In this kaleidoscopic critique, Prashad looks into the complexities faced by the members of a "model minority"-one, he claims, that is consistently deployed as "a weapon in the war against black America." On a vast canvas, The Karma of Brown Folk attacks the two pillars of the "model minority" image, that South Asians are both inherently successful and pliant, and analyzes the ways in which U.S. immigration policy and American Orientalism have perpetuated these stereotypes. Prashad uses irony, humor, razor-sharp criticism, personal reflections, and historical research to challenge the arguments made by Dinesh D'Souza, who heralds South Asian success in the U.S., and to question the quiet accommodation to racism made by many South Asians. A look at Deepak Chopra and others whom Prashad terms "Godmen" shows us how some South Asians exploit the stereotype of inherent spirituality, much to the chagrin of other South Asians. Following the long engagement of American culture with South Asia, Prashad traces India's effect on thinkers like Cotton Mather and Henry David Thoreau, Ravi Shankar's influence on John Coltrane, and such essential issues as race versus caste and the connection between antiracism activism and anticolonial resistance. The Karma of Brown Folk locates the birth of the "model minority" myth, placing it firmly in the context of reaction to the struggle for Black Liberation. Prashad reclaims the long history of black and South Asian solidarity, discussing joint struggles in the U.S., the Caribbean, South Africa, and elsewhere, and exposes how these powerful moments of alliance faded from historical memory and were replaced by Indian support for antiblack racism. Ultimately, Prashad writes not just about South Asians in America but about America itself, in the tradition of Tocqueville, Du Bois, Richard Wright, and others. He explores the place of collective struggle and multiracial alliances in the transformation of self and community-in short, how Americans define themselves.

The Arab Spring captivated the planet. Mass action overthrew Tunisia's Ben Ali and Egypt's Hosni Mubarak. The revolutionary wave spread to the far corners of the Arab world, from Morocco to Bahrain. It seemed as if all the authoritarian states would finally be freed, even those of the Arabian Peninsula. People's power had produced this wave, and continued to ride it out. In Libya, though, the new world order had different ideas. Social forces opposed to Muammar Qaddafi had begun to rebel, but they were weak. In came the French and the United States, with promises of glory. A deal followed with the Saudis, who then sent in their own forces to cut down the Bahraini revolution, and NATO began its assault, ushering in a Libyan Winter that cast its shadow over the Arab Spring. This brief, timely analysis situates the assault on Libya in the context of the winds of revolt that swept through the Middle East in the Spring of 2011. Vijay Prashad explores the recent history of the Qaddafi regime, the social forces who opposed him, and the role of the United Nations, NATO, and the rest of the world's superpowers in the bloody civil war that ensued.

A never-before published history of the Russian Bolshevik Revolution and its post-colonial legacy, woven together from lecture excerpts by the renowned Pan-African revolutionary socialist theorist

In his short life, Guyanese intellectual Walter Rodney emerged as one of the foremost thinkers and activists of the anticolonial revolution, leading movements in North America, Africa, and the Caribbean. Wherever he was, Rodney was a lightning rod for working-class Black Power organizing. His deportation sparked Jamaica’s Rodney Riots in 1968, and his scholarship trained a generation how to approach politics on an international scale. In 1980, shortly after founding the Working People’s Alliance in Guyana, the 38-year-old Rodney was assassinated.

Walter Rodney’s The Russian Revolution collects surviving texts from a series of lectures he delivered at the University of Dar es Salaam, an intellectual hub of the independent Third World. It had been his intention to work these into a book, a goal completed posthumously with the editorial aid of Robin D.G. Kelley and Jesse Benjamin. Moving across the historiography of the long Russian Revolution with clarity and insight, Rodney transcends the ideological fault lines of the Cold War. Surveying a broad range of subjects—the Narodniks, social democracy, the October Revolution, civil war, and the challenges of Stalinism—Rodney articulates a distinct viewpoint from the Third World, one that grounds revolutionary theory and history with the people in motion.

Washington Bullets is written in the best traditions of Marxist journalism and history-writing. It is a book of fluent and readable stories, full of detail about U.S. imperialism, but never letting the minutiae obscure the larger political point. It is a book that could easily have been a song of despair-a lament of lost causes; it is, after all, a roll call of butchers and assassins; of plots against people's movements and governments; of the assassinations of socialists, Marxists, communists all over the Third World by the country where liberty is a statue. Despite all this, Washington Bullets is a book about possibilities, about hope, about genuine heroes. One such is Thomas Sankara of Burkina Faso-also assassinated-who said: "You cannot carry out fundamental change without a certain amount of madness. In this case, it comes from nonconformity, the courage to turn your back on the old formulas, the courage to invent the future. It took the madmen of yesterday for us to be able to act with extreme clarity today. I want to be one of those madmen. We must dare to invent the future." Washington Bullets is a book infused with this madness, the madness that dares to invent the future.

From Cuba to Vietnam, from China to South Africa, the October Revolution inspired millions of people beyond the territory of Russia. The Revolution proved that the masses could not only overthrow autocratic governments, but also form an opposing government in their own image. The new idea that the working class and the peasantry could be allied, combined with the clear strength and necessity of a vanguard party, guided multiplying revolutions across the globe. This book explains the ideological power of the October Revolution in the Global South. From Ho Chi Minh to Fidel Castro, to reflections on polycentric Communism and collective memories of Communism, it shows how, for a brief moment, another world was possible. It is not a comprehensive study, but a small book with a large hope - that a new generation will come to see the importance of this revolutionary spirit for the working class and peasantry in the parts of the world that suffered under the heel of colonial domination for centuries.

Combining firsthand accounts from activists with the research of scholars and reflections from artists, Policing the Planet traces the global spread of the broken-windows policing strategy, first established in New York City under Police Commissioner William Bratton. It's a doctrine that has vastly broadened police power the world over - to deadly effect.

With contributions from #BlackLivesMatter cofounder Patrisse Cullors, Ferguson activist and Law Professor Justin Hansford, Director of New York-based Communities United for Police Reform Joo-Hyun Kang, poet Martin Espada, and journalist Anjali Kamat, as well as articles from leading scholars Ruth Wilson Gilmore, Robin D. G. Kelley, Naomi Murakawa, Vijay Prashad, and more, Policing the Planet describes ongoing struggles from New York to Baltimore to Los Angeles, London, San Juan, San Salvador, and beyond.

Born in 1945, the United Nations came to life in the Arab world. It was there that the UN dealt with early diplomatic challenges that helped shape its institutions such as peacekeeping and political mediation. It was also there that the UN found itself trapped in, and sometimes part of, confounding geopolitical tensions in key international conflicts in the Cold War and post-Cold War periods, such as hostilities between Palestine and Iraq and between Libya and Syria. Much has changed over the past seven decades, but what has not changed is the central role played by the UN. This book's claim is that the UN is a constant site of struggle in the Arab world and equally that the Arab world serves as a location for the UN to define itself against the shifting politics of its age. Looking at the UN from the standpoint of the Arab world, this volume collects some of the finest scholars and practitioners writing about the potential and the problems of a UN that is framed by both the promises of its Charter and the contradictions of its member states. This is a landmark book-a close and informed study of the UN in the region that taught the organization how to do its many jobs.