More than the persistent beat of a song or the structural frame of poetry, rhythm is a deeply imbedded force that drives our world and is also a central component of the condition of human existence. It's the pulse of the body, a power that orders matter, a strange and natural force that flows through us. Virginia Woolf describes it as a "wave in the mind" that carries us, something we can no more escape than we could stop our hearts from beating. Vincent Barletta explores rhythm through three historical moments, each addressing it as a phenomenon that transcends poetry, aesthetics, and even temporality. He reveals rhythm to be a power that holds us in place, dispossesses us, and shapes the foundations of our world. In these moments, Barletta encounters rhythm as a primordial and physical binding force that establishes order and form in the ancient world, as the anatomy of lived experience in early modern Europe, and as a subject of aesthetic and ethical questioning in the twentieth century. A wide-ranging book covering a period spanning two millennia and texts from over ten languages, Rhythm will expand the conversation around this complex and powerful phenomenon.

Repetition is constitutive of human life. Both the species and the individual develop through repetition. Unlike simple recall, repetition is permeated by the past and the present and is oriented toward the future. Repetition of central actions and events plays an important role in the lives of individuals and the life of society. It helps to create meaning and memory. Because repetition is a central aspect of human life, it plays a role in all social and cultural spheres. It is important for several branches of the humanities and social studies. This book presents studies of an array of repetitive phenomena and to show that repetition analysis is opening up a new field of study within single disciplines and interdisciplinary research. Recommended for scholars of literature, music, culture, and communication.

Portuguese Literature and the Environment explores the relationship between Portuguese literature and the environment from Medieval times to the present. From the centrality of nature in Medieval poetry, through the bucolic verse of the Renaissance, all the way to the Romantic and post-Romantic nostalgia for a pristine natural or rural landscape under threat in the wake of industrialization, Portuguese literature has frequently reflected on the connection between humans and the natural world. More recently, the postcolonial turn in contemporary literature has highlighted the contrast between the environment of the former colonies and that of Portugal. Contributors to the collection examine how Portuguese writers engage with the environment and have incorporated nature in their texts not only to prompt social, political or philosophical reflections on human society, but also as a way to learn from non-humans. The book is organized into three sections. The first explores the relationship between Portuguese philosophy, historiography, culture, and environmental issues. The second section discusses the link between literary texts and the environment from the Renaissance to 1900. The final section analyzes the connection between literary movements or specific authors and environmental change from 1900 to today. Scholars of literature, Latin American studies, literature, and environmental studies will find this volume especially useful.

Conquered in 1492 and colonized by invading Castilians, the city and kingdom of Granada faced radical changes imposed by its occupiers throughout the first half of the sixteenth century - including the forced conversion of its native Muslim population. Written by Francisco Nunez Muley, one of Granada's New Christians, this extraordinary letter lodges a clear-sighted, impassioned protest against the unreasonable and strongly assimilationist laws that required all Granadans to dress, speak, eat, marry, celebrate festivals, and bury their dead exactly as the Castilian settler population did. Rendered into faithful English prose by Vincent Barletta, Nunez Muley's account is an invaluable example of how Granada's former Muslims made active use of the written word to challenge and openly resist the progressively intolerant policies of the Spanish Crown. Timely and resonant - given current debates concerning Islam, minorities, and cultural and linguistic assimilation - this edition provides scholars in a range of fields with a vivid and early example of resistance in the face of oppression.

In this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, "Dreams of Waking" is unique in its coverage of the three main languages - Catalan, Portuguese, and Spanish - and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.

More than the persistent beat of a song or the structural frame of poetry, rhythm is a deeply imbedded force that drives our world and is also a central component of the condition of human existence. It's the pulse of the body, a power that orders matter, a strange and natural force that flows through us. Virginia Woolf describes it as a "wave in the mind" that carries us, something we can no more escape than we could stop our hearts from beating. Vincent Barletta explores rhythm through three historical moments, each addressing it as a phenomenon that transcends poetry, aesthetics, and even temporality. He reveals rhythm to be a power that holds us in place, dispossesses us, and shapes the foundations of our world. In these moments, Barletta encounters rhythm as a primordial and physical binding force that establishes order and form in the ancient world, as the anatomy of lived experience in early modern Europe, and as a subject of aesthetic and ethical questioning in the twentieth century. A wide-ranging book covering a period spanning two millennia and texts from over ten languages, Rhythm will expand the conversation around this complex and powerful phenomenon.

Though Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come.

"Death in Babylon "depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, "Death in Babylon" develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, "Death in Babylon" provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.