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This book develops a post-secular, post-sectarian political
theology, taking that burgeoning field in a new direction. With his
bold suggestion that political philosophy must begin with political
theology, Vincent Lloyd investigates a series of religious concepts
such as love, faith, liturgy, and revelation and explores their
political relevance by extracting them from their Christian
theological context while refusing to reduce them to secular terms.
He assembles an unusual canon of thinkers "too Jewish to be
Christian and too Christian to be Jewish"--Simone Weil, James
Baldwin, Franz Kafka, and Gillian Rose--to aid him in his
explorations.
Unique in its serious attention to both theological writing about
politics and the work of academic philosophers and theorists, "The
Problem with Grace" deepens our understanding of political
theological vocabulary as a way back to the everyday world.
Politics is not about redemption, but about grappling with the
ever-present difficulties, tragedies, and comedies of ordinary
life.
In this volume, senior scholars come together to explore how Jewish
and African American experiences can make us think differently
about the nexus of religion and politics, or political theology.
Some wrestle with historical figures, such as William Shakespeare,
W. E. B. Du Bois, Nazi journalist Wilhelm Stapel, and Austrian
historian Otto Brunner. Others ponder what political theology can
contribute to contemporary politics, particularly relating to
Israel's complicated religious/racial/national identity and to the
religious currents in African American politics. "Race and
Political Theology" opens novel avenues for research in
intellectual history, religious studies, political theory, and
cultural studies, showing how timely questions about religion and
politics must be reframed when race is taken into account.
In this volume, senior scholars come together to explore how Jewish
and African American experiences can make us think differently
about the nexus of religion and politics, or political theology.
Some wrestle with historical figures, such as William Shakespeare,
W. E. B. Du Bois, Nazi journalist Wilhelm Stapel, and Austrian
historian Otto Brunner. Others ponder what political theology can
contribute to contemporary politics, particularly relating to
Israel's complicated religious/racial/national identity and to the
religious currents in African American politics. Race and Political
Theology opens novel avenues for research in intellectual history,
religious studies, political theory, and cultural studies, showing
how timely questions about religion and politics must be reframed
when race is taken into account.
This book develops a post-secular, post-sectarian political
theology, taking that burgeoning field in a new direction. With his
bold suggestion that political philosophy must begin with political
theology, Vincent Lloyd investigates a series of religious concepts
such as love, faith, liturgy, and revelation and explores their
political relevance by extracting them from their Christian
theological context while refusing to reduce them to secular terms.
He assembles an unusual canon of thinkers "too Jewish to be
Christian and too Christian to be Jewish"--Simone Weil, James
Baldwin, Franz Kafka, and Gillian Rose--to aid him in his
explorations.
Unique in its serious attention to both theological writing about
politics and the work of academic philosophers and theorists, "The
Problem with Grace" deepens our understanding of political
theological vocabulary as a way back to the everyday world.
Politics is not about redemption, but about grappling with the
ever-present difficulties, tragedies, and comedies of ordinary
life.
Changes in the American religious landscape enabled the rise of
mass incarceration. Religious ideas and practices also offer a key
for ending mass incarceration. These are the bold claims advanced
by Break Every Yoke, the joint work of two activist-scholars of
American religion. Once, in an era not too long past, Americans,
both incarcerated and free, spoke a language of social liberation
animated by religion. In the era of mass incarceration, we have
largely forgotten how to dream-and organize-this way. To end mass
incarceration we must reclaim this lost tradition. Properly
conceived, the movement we need must demand not prison reform but
prison abolition. Break Every Yoke weaves religion into the stories
about race, politics, and economics that conventionally account for
America's grotesque prison expansion of the last half century, and
in so doing it sheds new light on one of our era's biggest human
catastrophes. By foregrounding the role of religion in the way
political elites, religious institutions, and incarcerated
activists talk about incarceration, Break Every Yoke is an effort
to stretch the American moral imagination and contribute resources
toward envisioning alternative ways of doing justice. By looking
back to nineteenth century abolitionism, and by turning to today's
grassroots activists, it argues for reclaiming the abolition
"spirit."
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