Fasten your seatbelts for an anthology of turbulent tales curated by Stephen King and Bev Vincent. This exciting new collection, perfect for airport or aeroplane reading, includes an original introduction and story notes for each story by Stephen King, and brand new stories from Stephen King and Joe Hill. Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you. Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like - gulp! - a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger. Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight." Book a flight for this terrifying new anthology that will have you thinking twice about how you want to reach your final destination. Table of Contents: Introduction by Stephen King Cargo by E. Michael Lewis The Horror of the Heights by Sir Arthur Conan Doyle Nightmare at 20,000 Feet by Richard Matheson The Flying Machine by Ambrose Bierce Lucifer! by E.C. Tubb The Fifth Category by Tom Bissell Two Minutes Forty-Five Seconds by Dan Simmons Diablitos by Cody Goodfellow Air Raid by John Varley You Are Released by Joe Hill Warbirds by David J. Schow The Flying Machine by Ray Bradbury Zombies on a Plane by Bev Vincent They Shall Not Grow Old by Roald Dahl Murder in the Air by Peter Tremayne The Turbulence Expert by Stephen King Falling by James L. Dickey Afterword by Bev Vincent

Vincent Michael Vassolo is a 65 year old man who has managed to survive a lifetime of Crohn's and craziness. During his 53 years as a casualty of Crohn's disease, he's undergone 18 surgeries (only 5 bowel resections, though), and too many hospitalizations and medical procedures to recount or recall. Despite that, he considers himself to be the healthiest Crohn's patient in America. But his war with Crohn's is only half the story. The other half is about his turbulent decades as the short side of a toxic triangle in a poisonous nuclear family that blew up every single day. (Remember Who's Afraid of Virginia Woolf ? He's the son George and Martha never had.) All that domestic craziness on top of Crohn's made for a rather chaotic existence, which is reflected throughout much of this book. But the heart of the story is about the rewards of gradually breaking free of the past, meeting the challenges of the present and struggling toward post-traumatic growth in the future. That's why this book is filled with everything from insightful observations to useful psychosocial techniques that can help almost anyone cope with almost anything. So no matter what your challenges may be, if the notion of truly thriving rather than simply surviving appeals to you, read on.

Erudite and eloquent, John William Miller's writing engages readers with his "earthy" treatment of basic philosophical questions. Designed as an introduction to a compelling historicist philosophy, this volume presents Miller's best and most representative essays in a single, authoritative edition. Miller (1895-1978) taught at Williams College, and he is well known for his extraordinary teaching (described in Masters: Portraits of Great Teachers). He was also a philosopher of the first rank, who arrived at a strikingly original reinterpretation of the history of philosophy and the perennial philosophical problems, especially dualism. Challenging the dogmatism and nihilism that mark so much of recent philosophy, Miller advocated a thoughtful and engaged approach to life - one that revitalizes philosophical activity, embraces history, and joins reflection with participation in a democratic community. The editors have selected twenty-nine essays and have composed succinct introductions to each. Joseph P. Fell has contributed a general introduction that places Miller's thought in context and exhibits the contemporary relevance of his philosophy.

John William Miller's radical revision of the idealistic tradition anticipated some of the most important developments in contemporary thought, developments often associated with thinkers like Heidegger, Benjamin, Foucault, Derrida, and Rorty. In this study, Vincent Colapietro situates Miller's powerful but neglected corpus not only in reference to Continental European philosophy but also to paradigmatic figures in American culture like Lincoln, Emerson, Thoreau, and James.

The book is not simply a study of a particular philosopher or a single philosophical movement (American idealism). It is rather a philosophical confrontation with a cluster of issues in contemporary life. These issues revolve around such topics as the grounds and nature of authority, the scope and forms of agency, and the fateful significance of historical place. These issues become especially acute given Colapietro's insistence that the only warrant for our practices is to be found in these historically evolved and evolving practices themselves.

Barry Byrne (1883-1967) was a radical architect who sought basic principles as fervently as his mentor Frank Lloyd Wright and his inspiration Louis Sullivan, forging an individual style with taut planar skins enveloping modern space plans. In 1922 he designed the first modern Catholic church building, St. Thomas the Apostle in Chicago, and in 1924 he travelled to Europe where he met Mies, Mendelsohn, Oud, and other modernist architects there. He was the only Prairie School architect to build in Europe, designing the concrete Church of Christ the King, built in 1928-31 in Cork, Ireland. A dedicated modernist and progressive Catholic, Byrne concentrated for much of his career on Catholic churches and schools throughout North America, many of them now considered landmarks. This book charts the entire length of Byrne's work, highlighting its distinctive features while discussing the cultural conditions that kept Byrne in the shadows of his more famous contemporaries. Illustrated by more than one hundred photographs and drawings, this biography explores the interplay of influences and impulses--individualism and communalism, modernism and tradition, pragmatism and faith--enduring throughout Byrne's life and work.